Anthony D. Saletan (born June 29, 1931), known professionally asTony Saletan, is an Americanfolk singer, children'sinstructional television pioneer, and musiceducator. Saletan is responsible for the modern rediscovery, in the mid-1950s, of two of the genre's best-known songs, "Michael Row the Boat Ashore" and "Kumbaya". In 1955, he was the first performer to appear on Boston's educational television station, WGBH. In 1969, Saletan was the first musical guest to appear onSesame Street.
Saletan spent the summer of 1953 atBuck’s Rock Work Camp leading the campers in regular folk song sessions.
In 1954, Tony Saletan was preparing to work as folksong leader at the Shaker Village Work Camp. He searched theWidener Library of Harvard University for material to teach the villagers that summer. Out of that research, he adapted the song "Michael Row the Boat Ashore" from the 1867 songbookSlave Songs of the United States to create the version that is well-known today. "I judged that the tune was very singable, added some harmony (a guitar accompaniment) and thought the one-word chorus would be an easy hit with the teens (it was). But a typical original verse consisted of one line repeated once, and I thought a rhyme would be more interesting to the teenagers at Shaker Village Work Camp, where I introduced it. So I adapted traditional African-American couplets in place of the original verses."[6] Saletan's adaptation was included in the Village's 1954 songbook,Songs of Work.[7]
During the summer of 1954, Saletan attended a performance byPete Seeger, where Seeger invited audience members to come on stage and teach him a song. Saletan volunteered, borrowed Seeger's banjo, and sang "Michael Row the Boat Ashore," as he had recently reconstructed it. Seeger said he liked the song and asked to learn it.[8] Seeger was soon singing it withThe Weavers,[9][10][11] one of the most important vocal groups leading theAmerican folk music revival of the 1950s to mid-1960s.[12] Saletan shared a 1958 copyright in his adaptation with the members of the Weavers.[13] A single based on Saletan's version was released in 1960 by the American folk quintetthe Highwaymen under the abbreviated title, "Michael",[14] and reached number one on the U.S. and British hit parades in September 1961.[15] Out of respect for the original, unknown authors of the song, Saletan kept his royalties from the Highwaymen's hit in escrow "seeking some good use for it."[16]
Joe Hickerson, co-founder of the Folksmiths, credits Saletan for introducing him to the song "Kumbaya" in 1957 (Saletan had learned it from Lynn Rohrbough, co-proprietor with his wife Katherine of the camp songbook publisher Cooperative Recreation Service).[17][18][19] The first LP recording of "Kumbaya" was released in 1958 by the Folksmiths.[20] FolksingerPeggy Seeger was also taught several songs by Saletan, which she later recorded.[21]
Saletan was the first person to appear onWGBH, Channel 2, when Boston'spublic educational television station made its on-air debut on May 2, 1955.[22][23] He sang the theme song forCome and See, a program aimed at preschoolers.[24] In those years, he also presented live children's concerts, organized by his manager, Manuel ("Manny") Greenhill (1916–1996).[25][26] Following a 1959-1960 world tour sponsored by the U.S. State Department,[27][1][28] Saletan released the albumI'm a Stranger Here onPrestige Records (1962).[29] On his return from abroad, he createdSing, Children, Sing for national distribution on educational television, based on an earlier WGBH project,Music Grade II.[30] In the 1960s, Saletan also hosted several episodes ofWhat's New, broadcast "field trips" to historic locations with associated songs.[31]
In 1964, a year after their marriage, Saletan and Irene Kossoy (formerly and subsequently of theKossoy Sisters) joined withJackie Washington Landrón to form the Boston Folk Trio,[32] which presented school concerts through the non-profitYoung Audiences Arts for Learning. In the mid-1960s, the Saletans similarly performed school concerts in the New York City area along withHappy Traum. The couple also performed as Tony and Irene Saletan. In 1970, they released an album onFolk-Legacy Records,Tony and Irene Saletan: Folk Songs & Ballads.[33] They also made a 7" vinyl recording of four songs for the Boston Mutual Life Insurance Company, titledThe Ballad of Boston and Other New England Folk Tunes.[34] Tony and Irene performed together at theFox Hollow Folk Festival in 1971,[35] as well as with Irene's sister, Ellen, and Ellen's then husband, Robin Christenson.[36] None of Saletan's recordings include either "Michael" or "Kumbaya," but he can be heard singing and discussing both during a 2017 podcast interview.[37]
On December 16, 1969, Saletan made a guest appearance during the first season (episode 27) ofSesame Street, the iconic children's television program. In the first of four segments on which he appeared, Saletan led the show's children and adult regulars (includingBig Bird andOscar) in an adaptation of the traditional workers' alphabet song, "So Merry, So Merry Are We", as well as a traditional counting song, "Ten Little Angels".[38] In the second, he sings and takes ideas from the children to invent new verses for "I Wish I Was a Mole in the Ground", and then plays "Cripple Creek" on banjo asGordon demonstrates thelimberjack.[39] In the third segment, he singsWoody Guthrie's "Pick it Up" and then "Mi Chacra" ("my farm"), teaching animal names in Spanish. Saletan concludes the show with Guthrie's "Gonna Take Everybody (All Work Together)".
In the early 1970s, Tony Saletan hosted three public television series for children, produced by Western Instructional Television (Hollywood, California):The Song Bag,Let's All Sing with Tony Saletan, andSinging Down the Road.[4] Two record albums were issued from these shows[40] mostly drawn from Americanfolksongs, including those discovered and developed for teaching young Shaker Villagers.[41] The first album to emerge from the WIT shows,Song Bag with Tony Saletan, likewise had an associated teacher's guide and songbook.[42] Saletan also recordedSongs and Sounds of the Sea (National Geographic Society 1973),[43]Revolutionary Tea (with the Yankee Tunesmiths, Old North Bridge Records 1975),[44] andGeorge & Ruth (songs of theSpanish Civil War, Educational Alternatives 2004).[45]
^Cohen, Ronald (2002).Rainbow Quest: The Folk Music Revival and American Society, 1940-1970. Amherst: University of Massachusetts Press. p. 148.ISBN9781558493469.
^Cohen, Ronald (2002).Rainbow Quest: The Folk Music Revival and American Society, 1940-1970. Amherst: University of Massachusetts Press. p. 141.ISBN9781558493469.
^Barretta, Scott, ed. (2013).The Conscience of the Folk Revival: The Writings of Israel "Izzy" Young. Scarecrow Press, Rowman & Littlefield. pp. 17, 47.
^Saletan, Tony (January 2000)."From Tony Saletan (2000)".WGBH: Profiles. WGBH Alumni. Retrieved30 July 2018.
^Saletan, Tony (January 2000)."From Tony Saletan (2000)".WGBH: Profiles. WGBH Alumni. Retrieved30 July 2018.
^Barretta, Scott, ed. (2013).The Conscience of the Folk Revival: The Writings of Israel "Izzy" Young. Scarecrow Press, Rowman & Littlefield. pp. 86, 101.
Eyerman, Ron; Barretta, Scott (1996). "From the 30s to the 60s: The folk music revival in the United States".Theory and Society.25 (4):501–543.doi:10.1007/BF00160675.ISSN0304-2421.S2CID142024250.
Hays, Lee; Gilbert, Ronnie; Hellerman, Fred; Darling, Erik; De Cormier, Robert (arranger) (1960).The Weavers' Song Book. NY: Harper & Row.ISBN978-0-06-007231-5.OCLC16690787. — Includes "Michael Row the Boat Ashore." "Paul Campbell" was a pseudonym adopted from 1950 to 1953 for Ronnie Gilbert, Lee Hays, Fred Hellerman and Peter Seeger (sourceArchived 2012-03-24 at theWayback Machine).
Lawless, Ray M. (1960).Folksingers and Folksongs in America. NY: Duell, Sloan & Pearce. — Includes short biographies of Saletan (pp. 204–05) and other folksingers, including reference in Pete Seeger bio to 1948 Wallace campaign (p. 211).
Saletan, Tony; McIntyre, Bruce (1974).The Song Bag: Teacher's Manual. Los Angeles, CA: Western Instructional Television.OCLC13326352. — With an associated phonograph album (OCLC12897503) or cassette tape (OCLC26290685).
Saletan, Tony (1976).Let's All Sing. Los Angeles, CA: Western Records.OCLC7904988. — Phonograph album.
– Pete Seeger attributes the rediscovery and modern adaptation of the song "Michael Row Your Boat Ashore" to Saletan. Seeger offered the same attribution (calling the song "Michael, Row The Boat Ashore") in his paperback songbook:
Shaker Village Work Camp (1954).Songs of Work. Pittsfield, MA: Shaker Village Work Camp.OCLC82064467. — Book of musical scores, compiled by Tony Saletan. Includes the songMichael Row the Boat Ashore.
Folksmiths. (1958).We've Got Some Singing To Do. New York:Folkways Records (F-2407).OCLC14186458. — 33 rpm phonograph album. Track 12 isKum Bah Yah. Theliner notesArchived 2016-03-03 at theWayback Machine credit Tony Saletan for teaching the Folksmiths several songs. Re-released on audio CD as:We've Got Some Singing to Do: The Folksmiths Travelling Folk Workshop. Washington, DC: Smithsonian Folkways (FW02407).OCLC47801193.
Saletan, Tony (2000)."Michael Row Your Boat Ashore (lyrics)".Robokopp database of choral music. Retrieved30 August 2010. — A quote from Saletan on the origins of the song, including his work at the Shaker Village Work Camp. The text is from a personal email by Saletan to the author of the webpage,Richard Kopp.
Seeger, Peggy (2009)."Heading for Home (album notes)".Peggy Seeger website. Retrieved30 August 2010. — Album was released 2003 on Appleseed Records. Notes refer to Tony Saletan and the Shaker Village Work Camp of 1954.
