| Tomb of the Unknown Soldier | |
|---|---|
Μνημείο του Αγνώστου Στρατιώτη | |
| Greece | |
 The Tomb in Athens | |
 | |
| For Greeks who died in war | |
| Unveiled | March 25, 1932 (1932-03-25) |
| Location | 37°58′31″N23°44′11″E / 37.97528°N 23.73639°E /37.97528; 23.73639 |
| Designed by | Emmanuel Lazaridis |
TheTomb of the Unknown Soldier (Greek:Μνημείο του Αγνώστου Στρατιώτη,romanized: Mnimío tou Agnóstou Stratióti) is awar memorial located inSyntagma Square inAthens, in front of theOld Royal Palace. It is acenotaph dedicated to theGreek soldiers killed duringwar. It was sculpted between 1930 and 1932 by sculptor Fokion Rok.
The tomb is guarded by theEvzones of thePresidential Guard.
The decision to build a monument was taken by army general and “constitutional dictator”Theodoros Pangalos. In his capacity as Army Minister, an advertisement was placed in theEspera newspaper, requesting a "submission for a study of the construction of a tomb of the Unknown Soldier, in front of theOld Royal Palace, suitable for this purpose". On 9 October 1926, the Army Ministry approved and granted by majority the study made by architect Emmanuel Lazaridis.
The location of the monument at the Old Palace was suggested both by the architect himself and by Pangalos, who wished for the Army Ministry to be housed in the building. However in 1929, after fervent reaction and continuous meetings,Eleftherios Venizelos, setting aside his disagreements with Pangalos, decided that the best location would be the original one in Syntagma Square, reasoning that the Monument ought to be in the city centre, much like theArc de Triomphe in Paris.
The construction committee had given all responsibility for the construction to Lazaridis. Initially, he had worked with sculptor Thomas Thomopoulos who had proposed as a central sculpture a representation of theGigantomachy with an angel (representing Greece) lovingly receiving the dead soldier. Despite Lazaridis initially agreeing to this design, Thomopoulos's sculpture was never built due to lack of funds.
In 1930, Lazaridis instead assignedFokion Rok as sculptor with a unanimous decision of the construction committee. The committee then approved a new proposal for the sculpture, a gunner lying on the ground. This design was deemed appropriate owing to its calmness and simplicity.
For the construction, a large-scale excavation and levelling of terrain took place.
The Tomb was unveiled on 25 March 1932 by then Prime MinisterAndreas Michalakopoulos, with the participation of many foreign delegations, followed by a parade of the monument guard. At the same time, a torch was brought from the monastery ofAgia Lavra to light theeternal flame in the centre of the cenotaph.
The Tomb is in the French urban and classical tradition, combined with the modern spirit ofArt Deco and with symbolic references toAncient Greece. The main issue was the integration of the Tomb with Syntagma Square and with theneoclassical Palace and the contribution to the redevelopment of the square.
The Tomb is a large-scale Π-shaped retaining wall of limestone. The sculpture is at the centre of the wall. To the left and to the right there are two side staircases while in the centre there is a rectangular raised grave. The stairs of the monuments are purely decorative, as the steps are for observation during ceremonies.
The sculpture represents the naked male figure of a dead warrior lying on the ground. He holds a circular shield in his left hand and wears an Ancient Greek-style helmet. The representation of the body gives the impression that the Unknown Soldier is ready to arise at any moment.
To the left and right of the sculpture are phrases from the works ofThucydides. To the left, "ΜΙΑ ΚΛΙΝΗ ΚΕΝΗ ΦΕΡΕΤΑΙ ΕΣΤΡΩΜΕΝΗ ΤΩΝ ΑΦΑΝΩΝ" ("There's one empty bier made up for the unidentified [fallen] ones"); to the right, "ΑΝΔΡΩΝ ΕΠΙΦΑΝΩΝ ΠΑΣΑ ΓΗ ΤΑΦΟΣ" ("The whole earth is the sepulchre of famous men"). Both are quotes fromHistory of the Peloponnesian War. Over the main sculpture in smaller writing, one reads "ΕΙΣ ΑΦΑΝΗ ΣΤΡΑΤΙΩΤΗ" ("To an unknown soldier").
The names of battles where many Greek people died in recent history are written into the limestone walls around the sculpture.
To the left of the monument, descending by the steps, are inscribed the names of battle locations of theFirst andSecond Balkan War andWorld War I:Elassona,Sarantaporo, Lazarades,Porta Pass,Katerini,Sorovich,Yenidje,Thessaloniki,Ostrovon andKorytsa, Pesta, Gribovo,Pente Pigadia,Preveza,Aetorrachi, Manoliassa,Bizani,Driskos,Kilkis–Lachanas,Belles,Kresna-Tsoumagia, Petsovo,Nevrokopi,Banitsa, Machomea, Golobilo, Sborsko,Preslap,Erigon, Ravine,Monastiri,Skra,Strymon,Doiran,Belles, Grankorone andTzena.
To the right of the monument, descending by the steps, are inscribed the names of battle locations of theRussian Civil War inUkraine andGreco-Turkish War:Cherson,Sermikas,Odissos,Sevastoupolis,Artaki,Aidinio,Proussa,Philadelphia,Toumlou Bunar,Koutacheia,Dorilaion,Afyonkarahisar,Sangarios and Kale-Groto.
To the left and right of the figure of the dead soldier are the names of battle locations ofWorld War II and later engagements in which Greeks died:Pindus,Morova,Korytsa,Kalamas, Tomoros,Trebeshina,Cheimarra,Argyrokastron,(Hill) 731, Boubesi,Kalpaki,Kleisoura,Premeti,Ostrovitsa,Pogradec,Roupel, Perithori,Crete,El Alamein,Rimini,Roubikonas,Dodecanese,Korea,Cyprus,Aegean andIonion.
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