Sholto David Maurice RobertsonOBE (29 November 1928 – 4 July 2012), known asToby Robertson, was the artistic director of theProspect Theatre Company from 1964 to 1978. He was recognized as having "re-established the good name and reputation of touring theatre in the UK after it had become a byword for second-rate tattiness in the 1950s".[1]
The son of David Lambert Robertson, a naval officer, and his wife, Felicity Douglas, a playwright, Robertson was educated atStowe School, Buckinghamshire, andTrinity College, Cambridge. Christened Sholto, he became known as "Toby" (he claimed, as a result of reciting "To be, or not to be" from an early age). He did his national service with the East African Rifles.[1]
He appeared in a Marlowe Society production ofRomeo and Juliet at thePhoenix Theatre in London, in 1952, and with the Elizabethan Players in aRichard II in Kidderminster in 1954. He appeared at Stratford-upon-Avon in 1957 inPeter Brook's production ofThe Tempest withJohn Gielgud (whom he also understudied). The following year he made his professional London debut inEugene O'Neill'sThe Iceman Cometh, directed byPeter Wood, at the Arts theatre.[1]
Robertson worked in television between 1959 and 1963, directing more than 25 new plays, several for ITV'sArmchair Theatre and the BBC'sThe Wednesday Play. He also assisted Brook on his 1963 filmLord of the Flies. In 1962, Robertson directedMaxim Gorky'sThe Lower Depths for theRoyal Shakespeare Company.[1]
Robertson became involved as a director with theProspect Theatre Company, which was launched at theOxford Playhouse in 1961. When in 1964 the company found a permanent base at the Arts Theatre, Cambridge, Robertson became its artistic director and annually staged three to four classical plays.[2][3]
Prospect pioneered a type of theatre production in which emphasis was placed on quality acting and strikingly designed costumes, while its minimal stage designs enabled the company to easily tour regional theatres.[1] It was with Prospect thatIan McKellen made his breakthrough performances with the company of Richard II (directed by Cottrell) and Marlowe's Edward II (directed by Robertson) at the Edinburgh festival in 1969, the latter causing a storm of protest over the enactment of the homosexual Edward's lurid death.[4] Both those productions subsequently toured Britain and Europe before being staged at theMermaid Theatre in London and breaking box-office records at thePiccadilly Theatre.[1]
Derek Jacobi first played Hamlet for Prospect in 1977,[5] a production which when revived in 1979 toured Denmark, Australia and the first-ever Western theatrical tour of China.[6] Other actors whose careers were effectively launched or enhanced by Prospect includedPrunella Scales,Dorothy Tutin andTimothy West, and the company mounted critically acclaimed productions of plays by Shakespeare, Chekhov, Dryden, Gogol and John Vanbrugh, as well as Cottrell's adaptation ofE.M. Forster'sA Room with a View.[1]
However, when Prospect attempted to make theOld Vic its home from 1977, there were questions whether this contravened the terms of their touring subsidy.[1] Matters of repertoire also became controversial, when a proposed season for late 1979 - which included the double bill ofThe Padlock andMiss in Her Teens, to mark the bicentenary ofDavid Garrick's death, and a revival ofWhat the Butler Saw - were vetoed by the Arts Council as unsuitable for touring repertory.[7] An internal report by Prospect then questioned "whether Prospect can any longer satisfy the triple task of filling the Vic, of satisfying the [Arts Council] Director of Touring's requirements for product of a certain familiar sort, and of realizing the vision of Toby Robertson".[8] As a result, Robertson was in effect fired from the post of artistic director in 1980 while he was abroad with the company in China. His friendship with Timothy West, his successor as artistic director at the Old Vic, was irreparably soured.[1]
Robertson subsequently ranTheatr Clwyd in north Wales between 1985 and 1992.[3] He persuaded several leading actors, includingVanessa Redgrave,Sir Michael Hordern andTimothy Dalton, to perform at the theatre.[3]
Robertson directed several opera productions. ForScottish Opera he directedA Midsummer Night’s Dream (1972), the 1975 world premiere ofRobin Orr’sHermiston, andMarriage of Figaro (1977).[4]
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