| To Wong Foo, Thanks for Everything! Julie Newmar | |
|---|---|
 Theatrical release poster | |
| Directed by | Beeban Kidron |
| Written by | Douglas Carter Beane |
| Produced by | G. Mac Brown |
| Starring | |
| Cinematography | Steve Mason |
| Edited by | Andrew Mondshein |
| Music by | Rachel Portman |
Production companies | |
| Distributed by | Universal Pictures[1] |
Release date |
|
Running time | 105 minutes[1] |
| Country | United States |
| Language | English |
| Budget | $30 million[2] |
| Box office | $47.8 million[3] |
To Wong Foo, Thanks for Everything! Julie Newmar is a 1995 Americanroadcomedy-drama film directed byBeeban Kidron and starringWesley Snipes,Patrick Swayze, andJohn Leguizamo as three New York Citydrag queens who embark on aroad trip. Its title refers to an iconicautographed photo ofJulie Newmar they carry with them on their journey. Newmar also has acameo appearance in the film as herself.
The film was released in the United States on September 8, 1995, and held the number-one spot at the North American box office for two weeks with a worldwide gross of $47.8 million. Critical response was mixed, with particular criticism towards the plot and its familiar elements, but the performances of Swayze, Snipes, and Leguizamo were lauded. It has since become a cult favorite amongst the LGBT community. At the53rd Golden Globe Awards, Swayze was nominated for theGolden Globe Award for Best Actor – Motion Picture Musical or Comedy, and Leguizamo was nominated for theGolden Globe Award for Best Supporting Actor – Motion Picture.
World Golf Hall of Fame memberJuan Antonio "Chi-Chi" Rodríguez sued Universal Pictures for defamation, especially involving the use of his name in the film,[4] eventually settling on undisclosed terms.[5]
After tying for the win inNew York City's "Drag Queen of the Year" contest, Noxeema Jackson and Vida Boheme win a trip toHollywood to take part in the even bigger "Drag Queen of America" pageant. Before they depart, Vida persuades Noxeema to take along the inexperienced "drag princess" Chi-Chi Rodriguez as their protégé (they initially refer to him simply as a "boy in a dress" rather than as a full-fledged drag queen). To do this, they cash in their plane tickets to a friend, John Jacob Jingleheimer Schmidt, and use the money to buy a yellow convertible 1967Cadillac DeVille. They set off forLos Angeles in it, carrying with them an iconic autographed photo ofJulie Newmar (signed "To Wong Foo, Thanks for Everything! Julie Newmar") that Vida took from a restaurant wall.
While on the road, they are pulled over by Sheriff Dollard, who hurls racial slurs then forces Vida out of the car and tries to rape her. Vida strikes him, and he is knocked unconscious. He is presumed dead, and the queens drive off. At a rest stop, they recover from the incident, but their car breaks down. Bobby Ray, a young man from the nearby small town of Snydersville, happens to pass by and gives them a ride to a bed and breakfast inn. The inn is owned by Carol Ann and her abusive car repairman husband, Virgil.
They are stranded in the town for the weekend waiting for the replacement part for their car. Chi-Chi is harassed by a group of rednecks but is saved by Bobby Ray. While volunteering to help with the town's Strawberry Social, they decide the town's women need a day with them getting their hair done, picking out new outfits, and talking in a café. While searching for the new outfits, they are ecstatic to find vintage fashions from the 1960s in the town's clothing store and give the female residents (and themselves) a makeover.
Following their makeover, they are abused by the same rednecks that attempted to harass Chi-Chi. Fed up, Noxeema handles the situation in a typical New York City manner and teaches their ringleader a lesson in manners by making him apologize and compliment the female residents. Vida, Noxeema, and Chi-Chi do what they can to be positive, and they set out to improve the lives of the townspeople, including offering assistance in organizing the Strawberry Social. Meanwhile, Sheriff Dollard is ridiculed by his colleagues, who believe he was beaten up by a girl. He goes in search of the drag queens.
Vida becomes acutely aware of Carol Ann's abuse at the hands of Virgil and, one night, decides to intervene, beating Virgil up before throwing him out of the house. Carol Ann is able to repair their car, but they remain for the Strawberry Social. Carol Ann reveals to Vida that she knew she was a drag queen all along due to herAdam's apple.
Virgil runs into Sheriff Dollard at a bar, and they realize that the newcomers are the same people Dollard has been searching for. They head back to Snydersville, and Dollard demands that the townspeople turn them over. The other townspeople, who now realize that their new friends are not women, devise a ruse to protect them. One by one, they confront Dollard, each one claiming to be a drag queen (in a similar fashion toSpartacus). Dollard is humiliated and flees. The Strawberry Social commences with everyone dressed in vibrant red outfits. The townspeople then say goodbye to Noxeema, Vida, and Chi-Chi as they prepare to leave. In honor of their friendship, Vida gives Carol Ann the autographed photo of Julie Newmar that has accompanied them on their trip.
They eventually make it to Los Angeles where Chi-Chi, after having received many tips from Vida and Noxeema during their ordeal, wins the title of Drag Queen of the Year. The crown is presented by Julie Newmar herself.
WriterDouglas Carter Beane originally envisioned the script as astage play but changed his mind when he realized putting a car on stage might not work.[7] Beane was inspired by ananti-gaypropaganda film titledThe Gay Agenda. Of that film, Beane said, "There's a scene where they show drag queens going through a town, and the narrator is warning the viewers that these people will take over your town, and I thought, 'Well, that would be fun'."[8]
The script found its way to Mitch Kohn, then a development executive atAmblin Entertainment.[9] Kohn passed the script along to his bossSteven Spielberg, who "loved it".[9] Spielberg had his friendRobin Williams do a humorouscold reading of the script while on a plane, which "mesmerized" the director.[7] Williams expressed interest in a possible role but did not want to distract from the three leads, so he opted for a small cameo appearance.[7]
When the script officially went into development at Amblin, multiple unnamed male directors passed on directing.[9] British directorBeeban Kidron begged Spielberg to let her direct, and he accepted.[10][11] Though advertising companies wanted to change the film's title to the shorterLadies' Night orShe's a Lady, Beane's script managed to keep the original title, which came from an autographed picture ofJulie Newmar that Beane saw on the wall of aTimes Square Chinese restaurant in the mid-1980s.[7] Beane said Wong Foo is meant to be a metaphor for God, "because you have to thank God for everything. You have to be grateful for life. You just have to stop where you are and say thank you for everything."[7] A scene was filmed where the characters provide more context, but it was deleted.[7][12]
When it came to casting the leading men, Wesley Snipes and John Leguizamo (for whom the role of Chi-Chi Rodriguez was specifically written)[7] both immediately said yes.[9] Many actors were considered for the role of Vida Boheme, includingRobert Downey Jr.,William Baldwin,Gary Oldman,Matthew Broderick,James Spader,John Cusack,Mel Gibson,Robert Sean Leonard,Willem Dafoe,John Turturro,Matt Dillon,Rob Lowe,Johnny Depp,Tom Cruise, andRobin Williams (who has a brief cameo in the finished film).[10][13] Patrick Swayze was one of the last actors to audition for Vida. Director Beeban Kidron said that it was ultimately Swayze's walk that sealed the deal, saying "Swayze had his own makeup people transform him into a woman, and he insisted that he and Beeban take a walk around the city to prove he could pass as a woman" and "With his beauty and dancer's grace, he did just that. He had the job."[9]
The film featured dozens of New York City's drag performers and underground stars in small roles or as featured extras. Included in the mix wereRuPaul,Joey Arias,Lady Bunny,Miss Understood,Candis Cayne, Flotilla DeBarge,Miss Coco Peru,Lady Catiria, andQuentin Crisp.[7] The three lead actors spent time in the local drag scene while researching their roles and were each given a drag mentor to work with in developing their characters.[7][13] Costume designerMarlene Stewart had the leads' wardrobes, including the shoes and corsets, custom-made.[14][15]
Filming took place from July to October 1994.[14] The drag contest seen in the beginning scene was filmed atWebster Hall in New York City.[7] TheJohn Shaffer Phipps Estate inOld Westbury, New York, now known asOld Westbury Gardens, was the site of the Miss Drag Queen USA contest at the end of the film.[16] Film locations inNew Jersey includedJersey City (site of the Canton Restaurant in which the opening restaurant scenes were shot)[17] andMontclair.[18] Much of the film was shot on location inNebraska in the areas ofLoma,Lincoln, andOmaha.[10] Though greatly faded, a "Welcome to Snydersville" outdoor mural remains in Loma.[19]
In interviews and recollections with actors and crew after the film, the production ofTo Wong Foo has been described as "a tough shoot", partly due to the discomfort the male leads experienced with their extensive makeup and costumes.[10][13][20] On location filming and a 4½-month-long shoot also contributed to friction among cast and crew.[21][10][20]
Kidron was pregnant when she accepted the directing job. As her due date drew nearer, Spielberg offered to step in and direct for her if needed.[7][11] Kidron ultimately completed principal photography and gave birth immediately after filming wrapped.[7][11]
A scene involving the drag trio dining at aMcDonald's was scrapped after the company told producers they did not want to be associated withdrag queen culture.[7][21]Coca-Cola agreed toproduct placement, and a billboard for the soda company is featured in a prominent scene in the film.[7]
The Australian filmThe Adventures of Priscilla, Queen of the Desert was released in 1994 and became an international and critical success.[7]To Wong Foo shares certain plot details withPriscilla, which also concerns two drag queens and a transgender woman on a road trip who manage to win over the locals of a small town. Despite the similarities,To Wong Foo had already been in production by the timePriscilla was released.[9][7] The crew ofPriscilla had heard about the film while shooting their own, and though a producer was initially worried the films might be too similar, after readingTo Wong Foo's script, producers decided it was sufficiently different fromPriscilla.[22][23] The success ofPriscilla, along with the popularity of drag queens like RuPaul and the 1990 documentaryParis Is Burning, is credited with helping pave the way forTo Wong Foo.[7]
| To Wong Foo, Thanks for Everything! | |
|---|---|
| Soundtrack album by Various Artists | |
| Released | August 29, 1995 |
| Genre | Pop,dance music,R&B |
| Length | 44:02 |
| Label | RCA Records |
The film's soundtrack was released on August 29, 1995.[24] It consists of eleven tracks:[25][26]
| No. | Title | Length |
|---|---|---|
| 1. | "I Am the Body Beautiful" (Salt-N-Pepa) | 4:52 |
| 2. | "Free Yourself" (Chaka Khan) | 4:13 |
| 3. | "Turn It Out" (Labelle) | 4:54 |
| 4. | "Who Taught You How" (Crystal Waters) | 4:56 |
| 5. | "She's a Lady" (Tom Jones) | 2:20 |
| 6. | "Brick House" (Commodores) | 3:34 |
| 7. | "Nobody’s Body" (Monifah) | 5:21 |
| 8. | "Do What You Wanna Do" (Charisse Arrington) | 4:33 |
| 9. | "Hey Now (Girls Just Want to Have Fun)" (Cyndi Lauper) | 3:41 |
| 10. | "Over the Rainbow" (Patti LaBelle) | 5:38 |
| 11. | "To Wong Foo Suite: When I Get to Hollywood/A Day With the Moms/Moms Mabley/Stand Up" (Rachel Portman) | 7:12 |
| Total length: | 44:02 | |
Music and songs not included in the soundtrack:[27][26]
To Wong Foo was released wide in North American theaters on September 8, 1995.[28] It opened at the number-one position with $9 million[29] and remained at the top in its second week with a gross of $6.5 million.[29][9][30][31] Its lifetime box-office gross revenue totaledUS$47.8 million worldwide.[3]
The film was released onVHS after its theatrical release and onDVD on January 7, 2003, with several deleted scenes.[27] It was released as a special collector's editionBlu-ray byShout! Factory on May 28, 2019.[32] The edition includes the behind-the-scenes documentaryEasy Rider in Dresses: A Look Back at the Making of To Wong Foo, Thanks for Everything! Julie Newmar, which features interviews with screenwriter Douglas Carter Beane, director Beeban Kidron, and John Leguizamo.[33] In Sweden, the film was titledHigh Heels and released in May 1996 onVHS.[34]
OnRotten Tomatoes, the film has an approval rating of 48% based on 46 reviews, with an average rating of 5.4/10. The site's consensus states: "To Wong Foo, Thanks for Everything! Julie Newmar seeks to celebrate individuality, but is too timid and predictable to achieve its admittedly noble aims."[35] On Metacritic, the film has a weighted average score of 60 based on reviews from 24 critics, indicating "mixed or average reviews".[36] Audiences surveyed by CinemaScore gave the film a grade "B+" on scale of A to F.[37]
Though critical reviews were mixed, the performances of the three leads were roundly praised. Joe Brown ofThe Washington Post called the film "fiercely funny" and wrote, "Three snaps up for Patrick Swayze, Wesley Snipes and John Leguizamo, who walk the walk, and work it."[38]Emanuel Levy ofVariety gave a mixed review but wrote, "Sporting blond wigs, Snipes admirably wiggles his hips while wearing high-heeled red shoes. Using a low register, Swayze also excels as a man still suffering from parental rejection. Shining throughout is the brilliant Leguizamo, as the Latino spitfire who needs to prove to his comrades that he's more than 'a mere boy in a dress.'"[39]
.jpg)
_(cropped).jpg)
Roger Ebert of theChicago Sun-Times wrote, "What is amazing is how the movie manages to be funny and amusing while tippy-toeing around (a) sex, (b) controversy and (c) any originality in the plot. Credit for that belongs to Swayze, Snipes and Leguizamo, who are surprisingly good at playing drag queens."[40] While Ebert gave the film2+1⁄2 stars out of four, his colleagueGene Siskel gave a more positive review and predicted anOscar nomination for Swayze.[41]
Multiple critics pointed out the film's similarities toThe Adventures of Priscilla, Queen of the Desert and saidTo Wong Foo was subpar in comparison[38][39][42][43] due to the predictability of its plot, script and tonal unevenness.[39][44][45] The decision to have the leads spend most of the film in drag, even going to bed in their wigs and makeup, was also criticized as straining credulity.[38]Kenneth Turan of theLos Angeles Times wrote screenwriter Beane and director Kidron "don't seem to know any way to emphasize the humanity of their characters except by swaddling them in mushy cliches".[43] Actor and writerMichael Kearns argued the film and its promotion is "eager to wink and snicker at homosexuality".[46] The film's omission of "any hint of gay sexuality" was noted byJanet Maslin ofThe New York Times,[44] as well as Brown of thePost, who decried the fact that "always in the (admittedly few) mainstream movies with gay characters, [the film's] hero-ines" do not get to partake in the film's romantic story arcs, and appear to only function asasexual fairy godmothers for the townspeople of Snydersville.[38][40]Gene Shalit on theToday Show called the film "one of the funniest movies of the year".
In a positive review, Edward Guthmann of theSan Francisco Chronicle wrote, "It's a distant cry from the reality of gay bashings, poverty and evictions that real-life drag queens suffer—which may be part of its point. Imagine,Wong Foo suggests, a world where people stopped judging one another and simply surrendered to the silliness that's dormant inside us."[47]
The Austin Chronicle's Alison Macor shared a similar sentiment, writing that while the film's sentimentality may go too far for some,To Wong Foo "is such a delight that it's easy to overlook the few awkward moments", adding, "The filmcamps it up but still allows us to believe in the characters."[48]
Emanuel Levy concluded though the film "is not as outrageous or funny as [Priscilla] ... it still offers some rewards as mainstream entertainment" and that "ultimately, the comedy comes across as a celebration of openness,alternative lifestyles and bonding, all life-affirming values that in the 1990s are beyond reproach—or real controversy".[39]
Swayze and Leguizamo were nominated at the1996 Golden Globe Awards, forBest Actor – Motion Picture Musical or Comedy andBest Supporting Actor, respectively.[49]
The film was nominated forOutstanding Film at the 1996GLAAD Media Awards.[50]
To Wong Foo is considered groundbreaking for being the firstmainstream Hollywood production to depict drag queens.[7][10][51] Rita Kempley ofThe Washington Post wrote that in comparison to previous films that featuredcross-dressing likeSome Like It Hot orTootsie, "The heroines [inTo Wong Foo] aren't cross-dressing to escape the mob or to prove a point, they're just being true to their nature."[52]
In a 2019 retrospective piece about the film, writer Naveen Kumar noted "the film's language and understanding of gender variance is undoubtedly limited as a product of its time" and that the film "[blended] iterations of queer experience that tend to have clearer distinctions in the real world, and for which we have more nuanced language today".[32] Among the film's language and concepts that are now considered problematic is the terminology used by the characters to describe the differences in queer identities.[32][53]
Of the leads being in drag for the duration of the film, some critics said this was an intentional part of the film'scamp element. Kumar added, "ThatTo Wong Foo's drag performances remain completely unbroken throughout the film's entirety heightens the movie's extreme emphasis on beauty and artifice" and that the film is very "conscious of its ironies [as] Swayze and Snipes were both box-office draws known for hypermasculine and romantic leading roles; the perceived incongruity of dressing them in drag is part of what fuels the comedy".[32] In this way, Kumar wrote, "To Wong Foo plays on viewers' suspension of disbelief (Swayze and Snipes, in particular, are clearly recognizable under their women's garb)" and that the "movie's own characterizations tend to blur the lines between drag as a conscious performance and their desire to actually be seen, day and night, as women".[32]
Of the characters staying in drag, Douglas Carter Beane said his intent was to create an illusion, saying, "It is aboutfantasy and the illusion. It's about the work that goes into the art form. It was never meant to be an absolutely truthful documentary look at drag."[7]Candis Cayne, who appears in the film, said its fantasy element can also be seen as problematic, "[perpetuating] an idea thattransgender identity is nothing butmake-believe".[7] Drag queenAlaska Thunderfuck said that what the film does best is "the camaraderie between the girls... the way they look out for each other and protect one another. The movie also illustrates the transformative power of drag. It helps people become empowered, no matter where they come from or what kind of life they lead".[7]
In 2017, it was announced that Douglas Carter Beane and his husband Lewis Flinn were working on a musical adaptation forBroadway.[54] In an interview, Beane stated that he had originally writtenTo Wong Foo for the stage and had retained stage rights when the screenplay was produced.[55] The musical premiered at theHope Mill Theatre inManchester on October 21, 2023.[56]
{{cite news}}: CS1 maint: bot: original URL status unknown (link)
.Archived from the original on August 29, 2022. RetrievedAugust 29, 2022.