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Tirthankara

From Wikipedia, the free encyclopedia
Supreme spiritual teacher in Jainism
"Jinas" redirects here. For Buddhism, seeFive Jinas. For the singular, seeJina (disambiguation).

Jain miniature painting of 24 Jain Tirthankaras,Jaipur,c. 1850
The 24 Tirthankaras forming the tantric meditative syllableHrim, painting on cloth,Gujarat,c. 1800

InJainism, aTirthankara (IAST:tīrthaṅkara;lit.'ford-maker') is a saviour and supreme preacher of thedharma (righteous path).[1] The wordtirthankara signifies the founder of atirtha,[2] a fordable passage acrosssaṃsāra, the sea of interminable birth and death. According to Jains,tirthankaras are the supreme preachers ofdharma, who have conqueredsaṃsāra on their own and made a path for others to follow.[3] After understanding the true nature of the self or soul, theTīrthaṅkara attainskevala jnana (omniscience). A Tirthankara provides a bridge for others to follow them fromsaṃsāra tomoksha (liberation).[4]

InJain cosmology, the wheel of time is divided into two halves,Utsarpiṇī, the ascending time cycle, andavasarpiṇī, the descending time cycle (said to be current now). In each half of the cycle, exactly 24tirthankaras grace this part of the universe. There have been infinitely many tirthankaras in the past.[5] The firsttirthankara in the present cycle (Hunda Avsarpini) wasRishabhanatha, who is credited with formulating and organising humans to live in a society harmoniously. The 24th and lasttirthankara of the present half-cycle wasMahavira (599 BC–527 BC).[6][7][8] History records the existence of Mahavira and his predecessor,Parshvanatha, the 23rdtirthankara.[9]

Atirthankara organises thesangha, a fourfold order ofmale and female monastics,srāvakas (male followers) andśrāvikās (female followers).[10]

Thetirthankara's teachings form the basis for the Jaincanons. The inner knowledge oftirthankara is believed to be perfect and identical in every respect, and their teachings contain no contradictions. The degree of elaboration varies according to society's spiritual advancement and purity during their period of leadership. The higher the level of society's spiritual advancement and purity of mind, the lower the elaboration required.

While Jains document and reveretirthankaras, their grace is said to be available to all living beings regardless of religion.[11]

Tīrthaṅkaras arearihants who, after attainingkevala jñāna (pure infinite knowledge),[12] preach thedharma. AnArihant is also calledJina (victor), one who has conquered inner enemies such as anger, attachment, pride, and greed.[4] They dwell exclusively within the realm of their soul and are entirely free ofkashayas, inner passions, and personal desires. As a result of this, unlimitedsiddhis, or spiritual powers, are readily available to them, which they use exclusively for living beings' spiritual elevation. Throughdarśana, divine vision, anddeshna, divine speech, they help others attainkevalajñana andmoksha (final liberation).

Meaning

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The wordtirthankara signifies the founder of atirtha, a fordable passage acrosssaṃsāra, the sea of interminable births and deaths.[13][14][15][16]Tirthankaras are variously called "Teaching Gods", "Ford-Makers", "Crossing Makers", and "Makers of the River-Crossing".[17][16]

Historicity and Hagiography

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The HistoricalTirthankaras

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Academic and historical consensus broadly acceptsParshvanatha (c. 8th century BCE) andMahavira (c. 6th century BCE) as historical figures.[18][19] Parshvanatha, the 23rdtirthankara, is understood as a predecessor who preached the "fourfold restraint" (chaturyama dharma).[20][21] Mahavira is seen as a reformer and the final systematizer of Jain thought, who re-established theJain monastic and lay community based on Parshvanatha's teachings, notably addingcelibacy as the fifth great vow.[19]

The Hagiographical Tradition

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The lives of the other 22tirthankaras are considered to be part of a sacred, cosmological history operating within vast, non-historical timeframes. Texts such as theKalpa Sutra detail their lives, which follow a formulaic pattern: birth into a royal family, a period of worldly life, renunciation of the world (diksha), a period of asceticism leading to omniscience (kevala jnana), and finally, final liberation (nirvana).

The Rishabhanatha Debate

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Rishabhanatha (or Adinatha), the firsttirthankara, holds a unique position. He is credited within the tradition as the founder of human civilization, teaching agriculture, law, and social order. While he is a hagiographical figure, some scholars have speculated on a pre-historical link. They point to the nude standing figures and the prominent "bull" motif found on seals from theIndus Valley Civilization (c. 3300–1300 BCE) as possible, though unproven, evidence of a proto-Jain or proto-Rishabha cult.

Theological Significance and Sectarian Views

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Tīrthaṅkara-naam-karma

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Tirthankara images atSiddhachal Caves insideGwalior Fort.

Jain texts propound that a special type ofkarma, thetīrthaṅkara nama-karma, raises a soul to the supreme status of aTīrthaṅkara. TheTattvartha Sutra, a major Jain text, lists 16 observances that lead to thebandha (bondage) of thiskarma:[22]

  • Purity of right faith
  • Reverence
  • Observance of vows and supplementary vows without transgressions
  • Ceaseless pursuit of knowledge
  • Perpetual fear of the cycle of existence
  • Giving gifts (charity)
  • Practising austerities according to one's capacity
  • Removal of obstacles that threaten the equanimity of ascetics
  • Serving the meritorious by warding off evil or suffering
  • Devotion to omniscient lords, chief preceptors, preceptors, and the scriptures
  • Practice of the six essential daily duties
  • Propagation of the teachings of the omniscient
  • Fervent affection for one's brethren following the same path.

Panch Kalyanaka (Five Auspicious Events)

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Main article:Panch Kalyanaka
Auspicious 14 dreams seen by a tirthankara's mother during pregnancy as an ornamentation on cover of 19th-century manuscript

Five auspicious events calledPañca kalyāṇaka mark everytirthankara's life:[23]

  1. Chyavana kalyāṇaka (conception): When a tirthankara'sātman (soul) comes into their mother's womb.[24]
  2. Janma kalyāṇaka (birth): Birth of a tirthankara.Indra performs a ceremonial bath ontirthankara onMount Meru.[25][26]
  3. Diksha kalyāṇaka (renunciation): When a tirthankara renounces all worldly possessions and becomes an ascetic.
  4. Keval Gyan kalyāṇaka (omniscience): When a tirthankara attainskevalajñāna (infinite knowledge). Asamavasarana (divine preaching hall) is then erected from where they deliver sermons and establish 'tirth (chaturvidhsangha).
  5. Nirvāṇa/Moksha kalyāṇaka (liberation):Nirvana is when a tirthankara leaves their mortal body. It is followed by the final liberation,moksha, after which their soul resides inSiddhashila.

Samavasarana

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Samavasarana of TirthankaraRishabha (Ajmer Jain temple)
Main article:Samavasarana

After attainingkevalajñāna, thetirthankara preaches the path to liberation in thesamavasarana. According to Jain texts,devas (heavenly beings) erect the heavenly pavilion wheredevas, humans, and animals assemble to hear thetirthankara.[27] A samavasarana is a three-level structure. The lowest level, made of rajat (silver), is the parking space for vehicles. The second is the svarna (gold) level. All animals reside in the svarna level, while the highest level, made of precious gems, is reserved for various important figures, such as kings and their families, the devas and the ascetics. Humans and animals hear atirthankara's speech in their language. It is believed that during this speech, there is no unhappiness for miles around the site.[28]

Tīrthaṅkaras of the present cosmic age

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Jainism postulates that time has no beginning or end. It moves like the wheel of a cart. The wheel of time is divided into two halves,Utsarpiṇī (ascending half cycle) andAvasarpiṇī (descending half cycle). 24tirthankaras are born in each half of this cycle. In Jain tradition, thetirthankaras were royal in their final lives, and Jain texts record details of those lives. Their clan and families are also among those recorded in legendary stories. According to Jain canons,Rishabhanatha, the firsttirthankara,[13] founded theIkshvaku dynasty,[29] from which 21 othertirthankaras rose over time. TwotirthankarasMunisuvrata, the 20th, andNeminatha, the 22nd – belonged to theHarivamsa dynasty.[30]

In Jain tradition, the 20tirthankaras attainedmoksha on MountShikharji, in the present Indian state ofJharkhand.[31] Rishabhanatha attained nirvana on Mount Ashtāpada (Mount Kailash),Vasupujya inChampapuri,Bihar,Neminatha on MountGirnar,Gujarat, and Mahavira, the lasttirthankara, atPawapuri, near modernPatna. Twenty-one of thetirthankaras are said to have attainedmoksha in thekayotsarga (standing meditation posture), while Rishabhanatha, Neminatha, and Mahavira are said to have done so in thePadmasana (lotus position).[17]

List of the 24Tirthankaras

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A metal sculpture ofTirthankaras of present, previous and next cosmic ages (72 in total)

Present cosmic age

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Main article:List of Tirthankaras
Jain chaumukha sculpture atLACMA, 6th century

In chronological order, the names, emblems and colours of the 24tirthankaras of this age are:[1][32][33][34]

No.NameEmblemColour
1Rishabhanatha[35] (Adinatha)BullGolden
2Ajitanatha[35]ElephantGolden
3Sambhavanatha[35]HorseGolden
4Abhinandananatha[35]MonkeyGolden
5Sumatinatha[35]FlamingoGolden
6Padmaprabha[35]PadmaRed
7Suparshvanatha[35]SwastikaGreen
8Chandraprabha[35]CrescentMoonWhite
9Pushpadanta (Suvidhinath)[35]Crocodile orMakaraWhite
10Shitalanatha[35]Kalpavriksha according to the Digambara.Srivatsa according to SvetambaraGolden
11Shreyanasanatha[35]RhinocerosGolden
12Vasupujya[35]BuffaloRed
13Vimalanatha[35]BoarGolden
14Anantanatha[35]Porcupine according to theDigambara
Falcon according to theŚvētāmbara
Golden
15Dharmanatha[35]VajraGolden
16Shantinatha[35]Antelope ordeerGolden
17Kunthunatha[35]GoatGolden
18Aranatha[35]Nandavarta orfishGolden
19Māllīnātha[35]KalashaBlue
20Munisuvrata[35]TortoiseBlack/Dark Blue
21Naminatha[35]Blue lotusGolden
22Neminatha[35]ShankhaBlack/Dark Blue
23Parshvanatha[35]SnakeGreen
24Mahavira[35]LionGolden

Next cosmic age

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Part ofa series on
Jainism

The next 24tirthankaras, who will be born inutsarpinī age, are:

No.NamePrevious human birth
1PadmanabhaKingShrenika[36]
2SurdevMahavira's uncle Suparshva
3SuparshvaKing Kaunik's son kingUdayin
4SvamprabhThe ascetic Pottil
5SarvanubhutiŚrāvaka Dridhayadha
6DevshrutiKartik's Shreshti
7UdaynathShravak Shamkha
8PedhalputraShravak Ananda
9PottilShravak Sunand
10ShatakSharavak Shatak
11SuvratSatyaki of Mahabharata
12AmamKrishna
13ShrinishkashaySatyaki Rudhra
14NishpulakKrishna's brother Balbhadra also known asBalrama
15NirmamShravika Sulsa
16ChitraguptaKrishna's brother's motherRohini Devi
17SamadhinathRevati Gathapatni
18SamvarnathSharavak Shattilak
19YashodharRishi Dwipayan
20VijayKarna ofMahabharata
21MalladevNirgranthaputra or Mallanarada
22DevachandraShravak Ambadh
23AnantviryaShravak Amar
24BhadrakatSwati

Iconography and Art

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Mahāvīr Swami iconography at Shree Mahaveerji

A tīrthaṅkara is represented either in thelotus position (Padmasana) or in the meditation Khadgasana (Kayotsarga) posture.[37][38] The latter, which is similar to the militarystanding at attention, is a difficult posture to hold for long and is preferred by Jains because it minimizes the amount of the body in contact with the earth, and thus the risk to sentient creatures living in or on it. If seated, they are usually depicted seated with their legs crossed in front, the toes of one foot resting upon the knee of the other leg, and the right hand lying over the left in the lap.[1]

Tirthankara images have no distinctive facial features, clothing, or (mostly) hairstyles, and are differentiated based on the symbol or emblem (Lanchhana) belonging to eachtirthanakara exceptParshvanatha. Statues of Parshvanatha have a snake crown. The first Tirthankara,Rishabha, is identifiable by thelocks of hair falling on his shoulders. SometimesSuparshvanath is shown with a small snake-hood. The symbols are marked in the centre or the corner of the statue's pedestal. The Jain sectsDigambara andŚvetāmbara have different depictions of idols. Digambara images are naked without any ornamentation, whereas Śvetāmbara ones are clothed and decorated with temporary ornaments.[39] The images are often marked withSrivatsa on the chest andTilaka on the forehead.[40] Srivatsa is one of theashtamangala (auspicious symbols), which sometimes resemblesfleur-de-lis, anendless knot, a flower, or a diamond-shaped symbol.[41]

The bodies of tirthankara statues are exceptionally consistent throughout over 2,000 years of the historical record. The bodies are rather slight, with very wide shoulders and a narrow waist. Even more than is usual in Indian sculpture, the depiction takes relatively little interest in accurate depiction of musculature and bones but is interested in modeling outer surfaces as broad swelling forms. The ears are extremely elongated, alluding to the heavy earrings the figures wore in their early lives before they took the path to enlightenment, when most were wealthy, if not royal.

Sculptures with four heads are not uncommon in early sculpture, but unlike the comparable Hindu images, these represent four differenttirthanakaras, not four aspects of the same deity. Multiple extra arms are avoidedin tirthanakara images, though their attendants or guardians may have them.[42]

In other religions

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See also:Rishabha (Hinduism) andParanath Avtar

The firstTirthankara,Rishabhanatha is mentioned in Hindu texts like theRigveda,[43]Vishnupurana, andBhagwata Purana.[44] The Yajurveda mentions the name of three Tīrthaṅkaras: Ṛiṣhabha, Ajitnātha and Ariṣṭanemi.[45] The Bhāgavata Purāṇa includes legends about the Tirthankaras, particularly Rishabha.[46] Yoga Vasishta, Chapter 15 of Vairagya Khanda, Sloka 8, gives the saying ofRama:

I am not Rama. I have no desire for material things. Like Jina I want to establish peace within myself.[47]

Champat Rai Jain, a 20th-century Jain writer, claimed that the "Four and Twenty Elders" mentioned in theBook of Revelation (the final book of the ChristianBible) are "Twenty-fourTirthankaras".[48]

See also

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Wikimedia Commons has media related toTirthankaras.

References

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Citations

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  1. ^abcBritannica Tirthankar Definition,Encyclopædia Britannica,archived from the original on 20 March 2020, retrieved5 February 2012
  2. ^Babb 1996, p. 5.
  3. ^"Tirthankara | Definition, Names, & Facts".Encyclopedia Britannica.Archived from the original on 17 August 2017. Retrieved9 January 2021.
  4. ^abSangave 2006, p. 16.
  5. ^Dundas 2002, p. 20.
  6. ^Dundas 2002, p. 19.
  7. ^Taliaferro & Marty 2010, p. 286.
  8. ^Sanghvi, Vir (14 September 2013),Rude Travel: Down The Sages,Hindustan Times, archived fromthe original on 18 May 2015
  9. ^Zimmer 1953, p. 182-183.
  10. ^Balcerowicz 2009, p. 17.
  11. ^Flügel 2010.
  12. ^Sangave 2006, p. 164.
  13. ^abUpinder Singh 2016, p. 313.
  14. ^Balcerowicz 2009, p. 16.
  15. ^Sangave 2006, p. 169-170.
  16. ^abChampat Rai Jain 1930, p. 3.
  17. ^abZimmer 1953, p. 212.
  18. ^Jaini 1998, p. 10.
  19. ^abDundas 2002, pp. 30–31.
  20. ^Wiley 2009, p. 148.
  21. ^Dundas 2002, p. 221.
  22. ^Vijay K. Jain 2011, p. 91.
  23. ^Cort 2001, p. 110.
  24. ^"HereNow4U.net :: Glossary/Index – Terms – Eastern Terms – Chyavana Kalyanak",HereNow4u: Portal on Jainism and next level consciousness,archived from the original on 14 March 2013, retrieved22 April 2015
  25. ^Wiley 2009, p. 200.
  26. ^Wiley 2009, p. 246.
  27. ^Vijay K. Jain 2015, p. 200.
  28. ^Pramansagar 2008, p. 39-43.
  29. ^Natubhai Shah 2004, p. 15.
  30. ^Vijay K. Jain 2015, p. 151.
  31. ^Osho 2016, p. 4.
  32. ^Doniger 1999, p. 550.
  33. ^Vijay K. Jain 2015, p. 181-208.
  34. ^"Tirthankara (EMBLEMS OR SYMBOLS) pdf"(PDF). Archived fromthe original(PDF) on 13 July 2015.
  35. ^abcdefghijklmnopqrstuvwx"Name".jainworld.com.Archived from the original on 25 January 2021. Retrieved9 January 2021.
  36. ^Dundas 2002, p. 276.
  37. ^Zimmer 1953, p. 209-210.
  38. ^Umakant P. Shah 1987, p. 79.
  39. ^Cort 2010.
  40. ^"Red sandstone figure of a tirthankara".Archived from the original on 19 October 2015. Retrieved7 April 2017.
  41. ^Jain & Fischer 1978, p. 15, 31.
  42. ^Srinivasan, Doris,Many Heads, Arms, and Eyes: Origin, Meaning, and Form of Multiplicity in Indian Art, pp. 329-330, 1997, BRILL,ISBN 9004107584, 9789004107588,google booksArchived 5 April 2023 at theWayback Machine
  43. ^George 2008, p. 318.
  44. ^Rao 2007, p. 13.
  45. ^Dr. K. R. Shah 2011, p. 9.
  46. ^Ravi Gupta and Kenneth Valpey (2013), The Bhagavata Purana, Columbia University Press,ISBN 978-0231149990, pages 151–155
  47. ^"Great Men's View on Jainism".Jainism Literature Center.Archived from the original on 11 February 2021. Retrieved9 February 2021.
  48. ^Champat Rai Jain 1930, p. 78.

Sources

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