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Times Square Playboy | |
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Directed by | William C. McGann |
Written by | Roy Chanslor |
Based on | the 1926 playHometowners byGeorge M. Cohan |
Produced by | Hal B. Wallis |
Starring | Warren William June Travis Barton MacLane |
Cinematography | L. William O'Connell |
Edited by | Jack Killifer |
Music by | Leo F. Forbstein Heinz Roemheld |
Production company | |
Distributed by | Warner Bros. |
Release date |
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Running time | 62 minutes |
Country | United States |
Language | English |
Times Square Playboy is a 1936 Americanromance film directed byWilliam C. McGann and starringWarren William,June Travis andBarton MacLane.[1] It is based on the 1926 playHometowners byGeorge M. Cohan, and was produced and distributed byWarner Bros. It is also known by thealternative title ofHis Best Man. The film'sart direction was byEsdras Hartley, its costume design byOrry-Kelly.[2]
Hardworking New York City stockbroker Vic Arnold is elated to announce at a business meeting that Beth Calhoun has agreed to marry him. He invites his best friend, Ben "Pig Head" Bancroft, to come from his home town of Big Bend, Indiana, to be hisbest man.
However, Ben becomes convinced that the much younger Beth is only marrying Vic for his money and that she is secretly still attached to college football star and admirer Joe Roberts, who is about her age. Despite the efforts of his wife Lottie, he accuses Beth of being a gold digger, and her brother Wally and their parents of complicity. Insulted, Beth makes Vic choose between them. Vic refuses to give up his best friend, so Beth gives him back his engagement ring.
Later, Ben finds out he was mistaken. Wally returns a $40,000 bracelet Vic gave Beth; he also reveals that Joe, who has repeatedly proposed to Beth, is actually much richer than Vic. However, when Vic opens the jewelry case, it is empty. The Calhouns show up to defend themselves from the insinuation that Beth kept the bracelet. Ben then admits he hid it in order to bring everybody together. He even resorts to putting Wally in ahalf nelson to get him to stay and listen to his heartfelt apology. In the end, he succeeds in reuniting the couple.
The New York Times gave the film a lukewarm review, calling it "a noisy comedy which manages to be alternately amusing and dull" and "suffers in the main because it is too reverent an adaptation of the parent work", though the "principal rôles are in capable hands and are played for what they are worth by Warren William and Gene and Kathleen Lockhart".[3]