| Through the Looking Glass | |
|---|---|
| Chamber opera byAlan John | |
 Alice Liddell, on whose life the opera is based | |
| Librettist | Andrew Upton |
| Language | English |
| Based on | Through the Looking-Glass byLewis Carroll |
| Premiere | |
Through the Looking Glass is achamber opera by the Australian composerAlan John to alibretto byAndrew Upton, based onLewis Carroll's 1871book and on the life ofAlice Liddell, the girl for whom Carroll wrote the story's 1865 prequel,Alice's Adventures in Wonderland.
The work was commissioned by theVictorian Opera and theMalthouse Theatre in association withOpera Australia; it premiered on 20 May 2008 at theMerlyn Theatre (Malthouse Theatre). The performance time is approximately 70 minutes.
| Role | Voice type | Premiere cast, 20 May 2008 Conductor:Richard Gill |
|---|---|---|
| Alice (both the young girl in the story and the adult Alice Liddell) | mezzo-soprano | Dimity Shepherd |
| Lewis Carroll, Train Driver, The Red King, Humpty Dumpty, The White Knight | tenor | David Hobson |
| Tiger Lily, Passenger, The White Queen, Pudding, Ensemble | soprano | Margaret Haggart |
| Rose, The Red Queen, Passenger, Sheep, Unicorn, Ensemble | mezzo-soprano | Suzanne Johnston |
| Violet, Passenger, Tweedledee, The White King, Ensemble | tenor | Kanen Breen |
| Daisy, Guard, Tweedledum, Mutton Ensemble | bass | Gary Rowley |
| Young Alice, Fawn | Stephanie Pidcock, Jacqueline Bathman, Dana Hehir, alternating with: Emilia Bertolini, Francesca Codd, Hayley Heath | |
| Director | Michael Kantor | |
| Set & costume design | Peter Corrigan | |
| Lighting design | Paul Jackson | |
| Dramaturge | Maryanne Lynch | |
| Musical Preparation | David McSkimming | |
| Assistant Conductor | Nicholas Carter | |
| Assistant Director | Anna Tregloan | |
"Alas, poor Alice; locked forever in a dream", sings Young Alice. Will she ever grow up? Lewis Carroll arrives and interrupts the reverie telling them that he has a book in which the story is written in a backside down and inside out way.
Alice begins her journey into looking-glass world – she enters a tulgey wood where she is uncertain of what she is seeking. A chorus reminds her to beware the manxome foe with his vorpal blade and especially avoid the Jabberwock.
Alice moves through the garden of live flowers, each one of whom has a personal remark to make on her appearance. Alice's threat that she will pick the live flowers sends them into a panic which ends with the arrival of the Red Queen.
The Red Queen gives Alice firm advice on how to behave in life, including how one needs to run to keep up with things, which leads to the entry of three Young Alices, who explain that what appears to be a game of chess, might be moved through and how she will meet a White Knight and finally end up as Queen.
Alice travels by train to the third square in spite of the wishes of the passengers to throw her from the train.
Jumping a brook, the train lands in a forest where things have no names. Alice struggles to remember her name as does a Fawn whom she meets, and who finally flees from her once it has remembered its name in case Alice might try to tame it.
The tulgey wood leads her on to the fourth square, the home of the Tweedles, where a massive battle is about to ensue. The arrival of a monstrous crow prevents the battle and Alice finds herself ...
... addressing the White Queen, who explains the difficulties of living backwards and how to believe in as many as six impossible things before breakfast. The Young Alices offer the advice that it is better to suffer now for crimes one might commit, to which Alice replies that she has never heard such a thing.
Alice, accompanied by Lewis Carroll and the Young Alices, embark on a boat journey on "a perfect summer's day". Alice leaning out of the boat trying to grasp the rushes and Carroll remembering how the story poured from him, while a sheep knits, unobserved by Alice.
Alice meets Humpty Dumpty ("Are you the Jabberwock?" asks Young Alice) who explains to her how words are very important and who also sings her his very disturbing song, "I sent a message to the fish."
Alice finds herself in a square where a picnic takes place. Alice is introduced to the food, oysters, a leg of mutton and a pudding. An argument breaks out amongst the picnickers over who eats what and how much until a voice calls out reminding them that they are deep in a tulgey wood. Is it the Jabberwock?
Alice, the mature woman, seeks permission from the White Knight to grow up. He captures her soul in a photograph.
The Young Alice and the grown-up Alice sing of memories of sunny days and "moving under sunny skies never seen by waking eyes."
The work was placed on the syllabus of theVictorian Certificate of Education Theatre Studies program.
