Thomas De Quincey | |
|---|---|
 Thomas de Quincey by SirJohn Watson-Gordon | |
| Born | Thomas Penson Quincey (1785-08-15)15 August 1785 Manchester, Lancashire, England |
| Died | 8 December 1859(1859-12-08) (aged 74) Edinburgh, Scotland |
| Resting place | St Cuthbert's Churchyard, Edinburgh, Scotland |
| Notable works | Confessions of an English Opium-Eater "On the Knocking at the Gate in Macbeth" |
| Signature | |
 | |
Thomas Penson De Quincey (/dəˈkwɪnsi/;[1]né Thomas Penson Quincey; 15 August 1785 – 8 December 1859) was an English writer, essayist, and literary critic, best known for hisConfessions of an English Opium-Eater (1821).[2][3] Many scholars suggest that in publishing this work De Quincey inaugurated the tradition of addiction literature in the West.[4]
Thomas Penson Quincey was born at 86 Cross Street,Manchester, Lancashire.[5] His father was a successful merchant with an interest in literature. Soon after Thomas's birth, the family moved toThe Farm and then later to Greenheys, a larger country house inChorlton-on-Medlock near Manchester. In 1796, three years after the death of his father, Thomas Quincey, his mother – the erstwhile Elizabeth Penson – took the nameDe Quincey.[6] That same year, his mother moved toBath and enrolled him atKing Edward's School. He was a weak and sickly child. His youth was spent in solitude, and when his elder brother, William, came home, he wrought havoc in the quiet surroundings. De Quincey's mother was a woman of strong character and intelligence but seems to have inspired more awe than affection in her children. She brought them up strictly, taking De Quincey out of school after three years because she was afraid he would become big-headed, and sending him to an inferior school atWingfield, Wiltshire.[2]: 1–40 [3]: 2–43
Around this time, in 1799, De Quincey first readLyrical Ballads byWilliam Wordsworth andColeridge.[6] In 1800, De Quincey, aged 15, was ready for theUniversity of Oxford; his scholarship was far in advance of his years. "That boy could harangue an Athenian mob better than you or I could address an English one," his master at Bath said.[7] He was sent toManchester Grammar School, in order that after three years' stay he might obtain a scholarship toBrasenose College, Oxford, but he took flight after 19 months.[3]: 25, 46–62
His first plan had been to reach Wordsworth, whoseLyrical Ballads (1798) had consoled him in fits of depression and had awakened in him a deep reverence for the poet. But for that De Quincey was too timid, so he made his way toChester, where his mother dwelt, in the hope of seeing a sister; he was caught by the older members of the family, but through the efforts of his uncle, Colonel Penson, he received the promise of aguinea (equivalent to £101 in 2023) a week to carry out his later project of a solitary tramp through Wales.[2] While on his journey around Wales andSnowdon, he avoided sleeping ininns to save what little money he had and instead lodged with cottagers or slept in a tent he had made himself. He sustained himself by eating blackberries androse hips, only rarely getting enough proper food from the goodwill of strangers.[8] From July to November 1802, De Quincey lived as a wayfarer. He soon lost his guinea by ceasing to keep his family informed of his whereabouts and had difficulty sustaining himself. Still, apparently fearing pursuit, he borrowed some money and travelled to London, where he tried to borrow more. Having failed, he lived close to starvation rather than return to his family.[2]: 57–87
Discovered by chance by his friends, De Quincey was brought home and finally allowed to go toWorcester College, Oxford, on a reduced income. Here, we are told, "he came to be looked upon as a strange being who associated with no one." In 1804, while at Oxford, he began the occasional use ofopium.[6] He completed his studies, but failed to take the oral examination leading to a degree, and he left the university without graduating.[2]: 106–29 He became an acquaintance of Coleridge and Wordsworth, having already sought outCharles Lamb in London. His acquaintance with Wordsworth led to his settling in 1809 atGrasmere in theLake District. He lived for ten years inDove Cottage, which Wordsworth had occupied and which is now a popular tourist attraction, and for another five years atFoxghyll Country House, Ambleside.[9] De Quincey was married in 1816, and soon after, having no money left, he took up literary work in earnest.[2]: 255–308
He and his wife Margaret had eight children before her death in 1837. One of their sons,Paul Frederick de Quincey (1828–1894), emigrated to New Zealand.[10]
In July 1818, de Quincey became editor of theWestmorland Gazette, aTory newspaper published inKendal, after its first editor had been dismissed,[11] but he was unreliable at meeting deadlines, and in June 1819 the proprietors complained about "their dissatisfaction with the lack of 'regular communication between the Editor and the Printer'", and he resigned in November 1819.[12] His political sympathies tended towards theright. He was "a champion of aristocratic privilege" and "reservedJacobin as his highest term of opprobrium." Moreover, he heldreactionary views on thePeterloo massacre and theSepoy rebellion, onCatholic Emancipation, and on the enfranchisement of the common people.[13]
De Quincey was also a proponent ofBritish imperialism, believing it to be inherently just regardless of its cost.[14] Despite his ideological commitment to personal identity and freedom that derived from his addiction to and struggles with opium,[15] and in spite of his opposition to the notion of slavery,[13] De Quincey aligned himself againstthe abolitionist movement in Britain.[16] In his articles forThe Edinburgh Post, on the issue in 1827 and 1828, he accused anti-slavery campaigners of running "schemes of personal aggrandizement", and worried that abolition would undermine the basis of the British Empire and cause uprisings like theHaitian Revolution against colonial rule.[17][18] Instead he proposed that there should begradual reformation led by the slave-owners themselves.[18]
In 1821, he went to London to dispose of some translations from German authors, but was persuaded first to write and publish an account of hisopium experiences, which that year appeared in theLondon Magazine. His account proved to be a new sensation that eclipsed interest in Lamb'sEssays of Elia, which were then appearing in the same periodical. TheConfessions of an English Opium-Eater were soon published in book form.[19] De Quincey then made a number of new literary acquaintances.Thomas Hood found the shrinking author "at home in a German ocean of literature, in a storm, flooding all the floor, the tables and the chairs—billows of books..."[3]: 259f De Quincey was a famed conversationalist. Richard Woodhouse wrote, "His conversation appeared like the elaboration of a mine of results..."[2]: 280
From this time on, De Quincey maintained himself by contributing to various magazines. He soon exchanged London and the Lakes forEdinburgh,[20] the nearby village ofPolton, andGlasgow, and he spent the remainder of his life in Scotland.[2]: 309–33 In the 1830s, he was listed as living at 1 Forres Street, a large townhouse on the edge of the Moray Estate inEdinburgh.[21]
Blackwood's Edinburgh Magazine and its rivalTait's Magazine received numerous contributions.Suspiria de Profundis (1845) appeared in Blackwood's, as didThe English Mail-Coach (1849).Joan of Arc (1847) was published inTait's. Between 1835 and 1849,Tait's published a series of De Quincey's reminiscences of Wordsworth, Coleridge,Robert Southey and other figures among theLake Poets, a series that taken together constitutes one of his most important works.[22]
Along with his opium addiction, debt was one of the primary constraints of De Quincey's adult life.[3]: 319–39 De Quincey came into his patrimony at the age of 21, when he received £2,000 (equivalent to £204,870 in 2023) from his late father's estate. He was unwisely generous with his funds, making loans that could not or would not be repaid, including a £300 loan to Coleridge in 1807. After leaving Oxford without a degree, he made an attempt to study law, but desultorily and unsuccessfully; he had no steady income and spent large sums on books (he was a lifelong collector). By the 1820s he was constantly in financial difficulties. More than once in his later years, De Quincey was forced to seek protection from arrest in the debtors' sanctuary of Holyrood in Edinburgh.[2]: 342f [3]: 310f (At the time,Holyrood Park formed a debtors' sanctuary; people could not be arrested for debt within those bounds.[23] The debtors who took sanctuary there could emerge only on Sundays, when arrests for debt were not allowed.) Yet De Quincey's money problems persisted; he got into further difficulties for debts he incurred within the sanctuary.[2]: 372
His financial situation improved only later in his life. His mother's death in 1846 brought him an income of £200 per year. When his daughters matured, they managed his budget more responsibly than he ever had himself.[2]: 429f
De Quincey suffered neuralgic facial pain, "trigeminal neuralgia" – "attacks of piercing pain in the face, of such severity that they sometimes drive the victim to suicide."[24] He reports using opium first in 1804 to relieve his neuralgia. Thus, as with many addicts, his opium addiction may have had a "self-medication" aspect for real physical illnesses, as well as a psychological aspect.[25]
By his own testimony, De Quincey first used opium in 1804 to relieve his neuralgia; he used it for pleasure, but no more than weekly, through 1812. It was in 1813 that he first commenced daily usage, in response to illness and his grief over the death of Wordsworth's young daughter Catherine. During 1813–1819 his daily dose was very high, and resulted in the sufferings recounted in the final sections of hisConfessions. For the rest of his life, his opium use fluctuated between extremes; he took "enormous doses" in 1843, but late in 1848 he went for 61 days with none at all. There are many theories surrounding theeffects of opium on literary creation, and notably, his periods of low use were literarily unproductive.[26] From 1842 until 1859 he spent long periods in a cottage near Midfield House south ofLasswade, assembling his writings in the peace of the countryside.[27]
He died in his rooms on 42 Lothian Street, in south Edinburgh, and was buried inSt Cuthbert's Church yard at the west end ofPrinces Street.[28] His stone, in the southwest section of the churchyard on a west-facing wall, is plain and says nothing of his work. His residence on Lothian Street was demolished in the 1970s to make way for theEdinburgh University student centre.[29]
During the final decade of his life, De Quincey labored on a collected edition of his works.[2]: 469–82 He believed the task was impossible.[30]Ticknor and Fields, aBoston publishing house, first proposed such a collection and solicited De Quincey's approval and co-operation. It was only when De Quincey, a chronic procrastinator, failed to answer repeated letters fromJames Thomas Fields[2]: 472 that the American publisher proceeded independently, reprinting the author's works from their original magazine appearances. Twenty-two volumes ofDe Quincey's Writings were issued from 1851 to 1859.
The existence of the American edition prompted a corresponding British edition. Since the spring of 1850, De Quincey had been a regular contributor to an Edinburgh periodical calledHogg's Weekly Instructor, whose publisher,James Hogg, undertook to publishSelections Grave and Gay from Writings Published and Unpublished by Thomas De Quincey. De Quincey edited and revised his works for the Hogg edition; the 1856 second edition of theConfessions was prepared for inclusion inSelections Grave and Gay…. The first volume of that edition appeared in May 1853, and the fourteenth and last in January 1860, a month after the author's death. Both of these were multi-volume collections, yet made no pretence to be complete. Scholar and editor David Masson attempted a more definitive collection:The Works of Thomas De Quincey appeared in fourteen volumes in 1889 and 1890. Yet De Quincey's writings were so voluminous and widely dispersed that further collections followed: two volumes ofThe Uncollected Writings (1890), and two volumes ofPosthumous Works (1891–93). De Quincey's 1803 diary was published in 1927.[2]: 525 Another volume,New Essays by De Quincey, appeared in 1966.
 | This sectionneeds additional citations forverification. Please helpimprove this article byadding citations to reliable sources in this section. Unsourced material may be challenged and removed. Find sources: "Thomas De Quincey" – news ·newspapers ·books ·scholar ·JSTOR(July 2020) (Learn how and when to remove this message) |
His immediate influence extended toEdgar Allan Poe,Fitz Hugh Ludlow,Charles Baudelaire andNikolai Gogol, but even major 20th-century writers such asJorge Luis Borges admired and claimed to be partly influenced by his work.Berlioz also loosely based hisSymphonie fantastique onConfessions of an English Opium-Eater, drawing on the theme of the internal struggle with one's self.
Dario Argento used De Quincey'sSuspiria, particularly "Levana and Our Ladies of Sorrow", as an inspiration for his "Three Mothers" trilogy of films, which includeSuspiria,Inferno andThe Mother of Tears. This influence carried over intoLuca Guadagnino's2018 version of the film.
Shelby Hughes createdJynxies Natural Habitat, an online archive of stamp art onglassine heroin bags, under the pseudonym "Dequincey Jinxey", in reference to De Quincey. She also used the pseudonym in interviews related to the archive.
De Quincey's accomplished mastery of Greek was widely known and respected in the 1800s. Treadwell Walden, Episcopal priest and sometime rector ofSt. Paul's Church, Boston, quotes a letter from De Quincey'sAutobiographic Sketches in support of his 1881 treatise about the mistranslation of the wordmetanoia into "repent" by most English translations of the Bible.[31]
De Quincey had a well-known horror of self-replication and the loss of personal identity and freedom, linked ineluctably with his enslavement to opium
{{cite book}}: CS1 maint: publisher location (link)
| International | |
|---|---|
| National | |
| Academics | |
| Artists | |
| People | |
| Other | |
