| The World According to Garp | |
|---|---|
 Theatrical release poster | |
| Directed by | George Roy Hill |
| Screenplay by | Steve Tesich |
| Based on | The World According to Garp byJohn Irving |
| Produced by | George Roy Hill |
| Starring | |
| Cinematography | Miroslav Ondříček |
| Edited by | Stephen A. Rotter |
Production companies | Warner Bros. Pan Arts |
| Distributed by | Warner Bros. |
Release date |
|
Running time | 136 minutes |
| Country | United States |
| Language | English |
| Budget | $17 million |
| Box office | $29,712,172 |
The World According to Garp is a 1982 Americancomedy drama film produced and directed byGeorge Roy Hill and starringRobin Williams in the title role. Written bySteve Tesich, it is based onthe 1978 novel byJohn Irving. For their roles,John Lithgow andGlenn Close (in her film debut) were respectively nominated forBest Actor in a Supporting Role andBest Actress in a Supporting Role at the55th Academy Awards.
T.S. Garp is the out-of-wedlock son of afeminist mother, Jenny Fields, who wanted a child but not a husband. A nurse duringWorld War II, she encountered a dyingball turret gunner known only asTechnical Sergeant Garp ("Garp" being all he is able to utter), who was severely brain damaged in combat, and whose morbidpriapism allows her torape him andbecome impregnated. She names the resultant child after Garp.
Garp grows up and becomes interested in wrestling and fiction writing, topics in which his mother has little interest. Garp's writing piques the interest of Helen Holm, the daughter of the school's wrestling coach. She is wary of him. His mother observes his interest in sex and is intellectually curious about it, having no more than a clinical interest. She interviews a prostitute and offers to hire her for Garp. Immediately after, Jenny decides to write a book on her observations of lust and human sexuality.
Her book is a partial autobiography, calledSexual Suspect, and is an overnight sensation. Jenny becomes a feminist icon. She uses the proceeds from the book to fund a center at her home for troubled and abused women. Meanwhile, Garp's first novel is published by his mother's publisher, which impresses Helen. The two marry and eventually have two sons, Duncan and Walt. Garp becomes a devoted parent and successful fiction writer, while Helen becomes a college professor.
Garp spends time visiting his mother and the people who live at her center, includingtransgender ex-football player, Roberta Muldoon. He also first hears the story of Ellen James, a girl who wasraped at age 11 by two men who then cut out her tongue so that she could not identify her attackers. A group of women represented at Jenny's center, "Ellen Jamesians", voluntarily cut out their own tongues as a show of solidarity. Garp is horrified by the practice and learns that the Jamesians have received a letter from Ellen James begging them to stop the practice, but they have voted to continue. Garp flirts with and possibly has sex with his children's 18-year-old babysitter while driving her home.
Having learned of Helen's infidelity with one of her students, Garp rushes home with his children in the back seat and accidentally crashes into her lover's car parked in their driveway, while she is in the car performingfellatio on the student. As a result, Walt, who frequently foreshadows his fear of death, is killed and Duncan loses an eye. Garp, through the aid of his mother, learns to forgive himself and Helen. The couple reconcile and have a baby daughter, who they name after Jenny.
Jenny receives death threats because of both her center and her book. To Garp's dismay, she dismisses the danger and decides to publicly endorse a politician who supports her message. Garp writes a thinly fictional book based on the life of Ellen James and its aftermath. The book is very successful and well-regarded, but is highly critical of the Jamesians. Garp begins to receive death threats from them.
During a political rally, Jenny is shot and killed by an anti-feminist fanatic. The women of Jenny's center hold a memorial for her, but forbid all men from attending. Garp, dressed as a woman, is infiltrated into the memorial by Muldoon. He is identified by Pooh, a voyeuristic and jealous Jamesian he knew when they both were in primary school. A commotion breaks out and Garp is in danger of being hurt, until a woman leads him out of the memorial to a taxi. The woman reveals herself to be Ellen James, and uses the gesture to thank Garp for his book about her. The Jamesians are further outraged that Garp attended the memorial.
Garp returns to his old school as the wrestling coach, and intimates an ambition to take uphang gliding. One day during practice, Pooh enters the gymnasium and shoots him at close range with a pistol. He is airlifted by helicopter with Helen. Commenting that he is finally flying, Garp flashes back to a time when his mother would toss him into the air (seen in the opening credits sequence).
In a 2023 interview,John Irving stated thatGeorge Roy Hill approached him to write the screenplay, but that a bone of contention was the character of Roberta Muldoon, who Irving imagined more empathetically:
It was the early 1980s when George Roy Hill asked me if I would write the screenplay forGarp, but I knew we didn’t see eye to eye about Roberta. George was a World War II guy; he couldn’t see past the comedic part of a transgender woman who’d been anNFL player. A pity, becauseJohn Lithgow, who was cast as Roberta in the film, could have played her as I wrote her. Roberta is a force of normality in an otherwise extreme world; she is the only character who loves Garp and his mother equally, the only character who isn’t in a rage about someone or something. I declined to write theGarp script because George wouldn’t do Roberta my way.[1]
Onreview aggregatorRotten Tomatoes, 71% of 21 critics give the film a positive review, with an average rating of 6.2/10.[2] OnMetacritic, the film holds aweighted average score of 63 out of 100, based on 14 critics, indicating "generally favorable reviews".[3]
Roger Ebert of theChicago Sun-Times gave the film three stars out of four. He was "entertained but unmoved", considering it a "palatable" interpretation of the novel, "wonderfully well-written", yet "cruel, annoying and smug", and wrote:
I thought the acting was unconventional and absorbing (especially byWilliams, byGlenn Close as his mother, and by John Lithgow as atranssexual). I thought the visualization of the events, by director George Roy Hill, was fresh and consistently interesting. But when the movie was over, my immediate response was not at all what it should have been. All I could find to ask myself was: What the hell was that all about?[4]
Janet Maslin ofThe New York Times wrote that "the movie is a very fair rendering of Mr. Irving's novel, with similar strengths and weaknesses. If the novel was picaresque and precious, so is the film – although the absence of the book's self-congratulatory streak helps the movie achieve a much lighter, more easy-going style."[5]
Pauline Kael ofThe New Yorker wrote, "There's no feeling of truth in either the book or the movie," and that this "generally faithful adaptation, seems no more (and no less) than acastration fantasy".[6]
However,Leonard Maltin, in his annualMovie Guide, gave the film a rare four-star review (one of only 408 films out of nearly 16,000 given the designation during the 45-year period that it was published). CallingGarp "dazzling" and "beautifully acted by all, especially Close (in her film debut)... and Lithgow", Maltin went on to praise the film as an "absorbing, sure-footed odyssey through vignettes of social observation, absurdist humor, satire and melodrama".[7]
| Award | Category | Nominee(s) | Result | Ref. |
|---|---|---|---|---|
| Academy Awards | Best Supporting Actor | John Lithgow | Nominated | [8] |
| Best Supporting Actress | Glenn Close | Nominated | ||
| Los Angeles Film Critics Association Awards | Best Supporting Actor | John Lithgow | Won | [9] |
| Best Supporting Actress | Glenn Close | Won | ||
| National Board of Review Awards | Top Ten Films | 7th Place | [10] | |
| Best Supporting Actress | Glenn Close | Won | ||
| National Society of Film Critics Awards | Best Supporting Actor | John Lithgow | 2nd Place | [11] |
| Best Supporting Actress | Glenn Close | 2nd Place | ||
| New York Film Critics Circle Awards | Best Supporting Actor | John Lithgow | Won | [12] |
| Best Supporting Actress | Glenn Close | Runner-up | ||
| Writers Guild of America Awards | Best Drama – Adapted from Another Medium | Steve Tesich | Nominated | [13] |
