| "The Well" | |||
|---|---|---|---|
| Agents of S.H.I.E.L.D. episode | |||
| Episodeno. | Season 1 Episode 8 | ||
| Directed by | Jonathan Frakes | ||
| Written by | Monica Owusu-Breen | ||
| Cinematography by | Jeff Mygatt | ||
| Editing by | Debby Germino | ||
| Original air date | November 19, 2013 (2013-11-19) | ||
| Running time | 43 minutes | ||
| Guest appearances | |||
| Episode chronology | |||
| |||
| Agents of S.H.I.E.L.D.season 1 | |||
| List of episodes | |||
"The Well" is the eighth episode of thefirst season of the American television seriesAgents of S.H.I.E.L.D. Based on theMarvel Comics organizationS.H.I.E.L.D., it followsPhil Coulson and his team of S.H.I.E.L.D. agents as they search for anAsgardian weapon while fighting a paganist hate group. It is set in theMarvel Cinematic Universe (MCU) and acknowledgesthe franchise's films. The episode was written byMonica Owusu-Breen, and directed byJonathan Frakes.
Clark Gregg reprises his role as Coulson from the film series, and is joined by series regularsMing-Na Wen,Brett Dalton,Chloe Bennet,Iain De Caestecker, andElizabeth Henstridge. The episode serves as a direct tie-in to the filmThor: The Dark World, depicting the immediate aftermath of the film, but has its own stand alone storyline revolving around a separate Asgardian character (portrayed by guest starPeter MacNicol). The storyline also begins to reveal the backstories of several main characters, especially Dalton'sGrant Ward, whose memories of the titular well are revealed as flashbacks throughout the episode.
"The Well" originally aired onABC on November 19, 2013, and according toNielsen Media Research, was watched by 6.89 million viewers.
InNorway, the leaders of a pagan hate group obsessed withNorse mythology find part of a staff, hidden within an ancient tree, that grants them superhuman strength. AgentPhil Coulson and his team ofS.H.I.E.L.D. agents, having recently assisted with the cleanup ofLondon following the Convergence,[a] investigate the tree and deduce that it contained anAsgardian staff. Consulting withElliot Randolph, a professor of Norse mythology, they learn of the Berserker, an Asgardian warrior who remained on Earth after a long ago war, and broke his war staff into three pieces. The professor reveals three poems, each pointing to the location of a piece; one matched the tree in Norway. Randolph sends the team toBaffin Island, but they soon realize that this was misdirection. They follow one of the poems to underground catacombs inSpain, where Randolph forces agentGrant Ward to touch a second piece of the staff, unlocking painful memories of a young boy in a well.
The pagans attack Randolph with their own piece of the staff, taking his. Coulson arrests Randolph, and they discover that he is the Asgardian Berserker. He directs them toIreland, to a church where he hid the third piece of the staff, but the pagans also find the church. The staff causes great surges of adrenalin within its users, and for Ward this comes from his memories—he had been forced by his older brother to trap their younger brother in a well. Ward manages to defeat the pagans, with the help of agentMelinda May, who can control the staff after learning to live with her own bad memories. Coulson,Jemma Simmons, andLeo Fitz manage to keep Randolph alive long enough for his Asgardian heart to heal itself, and though Coulson wishes to touch the staff himself to try and unlock memories from his death[b] and resurrection, Randolph convinces him not to. That night, Ward turns down agentSkye's offer to talk about his past, instead going to May's hotel room.
In October 2013, Marvel revealed that the eighth episode would be titled "The Well", and would be written byMonica Owusu-Breen, withJonathan Frakes directing.[1] It was originally produced as the seventh episode.[2][3]: 87, 93 Speaking to the repressed darkness Grant Ward experiences, Owusu-Breen said the darkness to a character like Ward is "inherent" continuing, "so there's something interesting about what it means to have that controlled violence and what it would be inside of you. Especially on the hero side. Where that darkness can come from was really interesting to us."[3]: 97
Main cast membersClark Gregg,Ming-Na Wen,Brett Dalton,Chloe Bennet,Iain De Caestecker, andElizabeth Henstridge star asPhil Coulson,Melinda May,Grant Ward,Skye,Leo Fitz, andJemma Simmons, respectively.[1] It was revealed that the guest cast for the episode would includePeter MacNicol as ProfessorElliot Randolph,Michael Graziadei asJakob Nystrom,Erin Way asPetra Larsen, Toby Wilson as Neils,Alex Neustaedter as Maynard and Sylvia Brindis as Elena.[1] Wilson, Neustaedter, and Brindis did not receive guest star credit in the episode. Neustaedter's character, whose name is not used within the episode, would later be renamedChristian for thesecond season of the series.[4]
Filming occurred from September 24 to October 3, 2013.[3]: 93 Location shooting for the episode occurred inDowntown Los Angeles, theEbell of Los Angeles, andGriffith Park.[5]: 7:45 Various locations were considered for the Irish monastery, but they were not suitable for the required mounting necessary for the various stunts that take place in the location, so a set was constructed.[3]: 97 Dalton broke a bone in his hand during the filming of a fight sequence, hitting it against the hard foam prop of the Asgardian staff. As such, the injury had to be incorporated into the next episode.[5]: 36:34 The episode uses footage from the2006 Dublin riots to portray riots inNorway.[6]
Because the actual story of the episode stands apart from the episode's tie-in withThor: The Dark World (2013), composerBear McCreary "felt no pressure from either the producers" or himself to incorporate material from the scores for theThor films into the episode. Instead, McCreary composed his own Asgard theme, which introduces "a new tone toAgents of S.H.I.E.L.D., one that embraces Marvel's fantasy roots". McCreary wrote the theme as "an old fanfare, a melody that captured the majesty ofAsgardian nobility", but because of the more grounded nature of the series, and the fact that the theme was often needed for quiet dialogue scenes while MacNicol's Randolph recounts Asgardian legends, McCreary often just used the "essence" of the theme in the episode: for MacNicol's scenes, McCreary "thinned [the theme] out to subtle wisps", while English horns, bassoon, and cello quote the theme in "mysterious settings".[7]
The anarchist group that opposes the protagonists in the episode is represented musically by "a snarling distorted synth bass, oscillating in minor thirds", which McCreary designed as a metaphor for "how their minds are altered when they touch the staff and absorb the Asgardian rage". For the series of flashbacks revolving around the titular well, McCreary used "a recurring cluster of pitches that rings disturbingly hollow. The sound is not urgently scary, nor is it sad. It leaves the audience alone to interpret the images on screen." Though he didn't consider it a theme, referring to it as the "Ward Chord", McCreary said that "it does function thematically because it recurs with each flashback, and increases tension each time."[7]
To tie-in withThor: The Dark World, the episode opens with a montage of footage from the film briefly featuringChris Hemsworth asThor.[8][9] Director Jonathan Frakes said many on the series were "so excited" about this episode being the first official tie-in with the films, and figuring out how the film assets fromThe Dark World would fit into the episode. However, as the episode was being edited, the amount of material diminished, resulting in the very brief opening montage.[5]: 6:06
The episode then deals with the immediate aftermath of the film, showing the series' characters literally cleaning up the mess left behind by the film's characters. Executive producerJed Whedon explained that S.H.I.E.L.D. cleaning up after superhero events is something that has always happened, but never been depicted in the series before.[10] Actress Bennet noted that it was not actually necessary for audiences to see the film to understand the episode.[11] The rest of the episode's story deals with Asgardians in general.[9][12] Whedon described this as the episode's story spilling "into more of the ancient aspects into Asgardians and how they visited us long ago, so we get into a little bit of that aspect of Asgard and how it's affected our planet in the past and currently."[10] Coulson mentions that he consulted with Randolph around the events ofThor.[9][12]
"The Well" was first aired in the United States onABC on November 19, 2013.[13] It premiered in the United Kingdom onChannel 4 on November 24, 2013,[14] while it aired on theSeven Network in Australia on November 20, 2013.[15]
The episode, along with the rest ofAgents of S.H.I.E.L.D.'s first season, was released onBlu-ray andDVD on September 9, 2014. Bonus features include behind-the-scenes featurettes, audio commentary, deleted scenes, and a blooper reel.[16] On November 20, 2014, the episode became available for streaming onNetflix.[17] The episode, along with the rest of the series, was removed from Netflix on February 28, 2022,[18] and later became available onDisney+ on March 16, 2022.[19]
In the United States the episode received a 2.4/7 percent share among adults between the ages of 18 and 49, meaning that it was seen by 2.4 percent of all households, and 7 percent of all of those watching television at the time of the broadcast. It was watched by 6.89 million viewers.[13] TheUnited Kingdom premiere had 2.1 million viewers[14] and inAustralia, the premiere had 1.5 million viewers, including 0.7 million timeshifted viewers.[15]
Following the airing of the episode, Rajan Zed, the president of the Universal Society ofHinduism, called for an apology for its insinuation that the Hindu godVishnu could be an alien. In a statement concerning the incident, the Society said that "faith was something sacred and attempts at debasing it hurt the adherents. Television and Hollywood should be more conscious while handling faith related subjects, as television and cinema were very mighty mediums and these could create stereotypes in the minds of some audiences." Zed elaborated that "Hinduism ... should not be taken lightly. Symbols of any faith, larger or smaller, should not be mishandled." A fictional version of Vishnu has previously appeared as a character inMarvel Comics.[20]
