 | This articlepossibly containsoriginal research. Pleaseimprove it byverifying the claims made and addinginline citations. Statements consisting only of original research should be removed.(September 2024) (Learn how and when to remove this message) |
The Searchers | |
|---|---|
.jpg) | |
| Background information | |
| Origin | Liverpool, England |
| Genres | |
| Years active |
|
| Labels | UK: US: |
| Members |
|
| Past members |
|
| Website | the-searchers |
The Searchers were an English rock band formed inLiverpool in 1959. Part of theMerseybeat scene, they flourished during theBritish Invasion of the 1960s,[1][2] with hits including "Sweets for My Sweet", "Love Potion No. 9", "Sugar and Spice", "Needles and Pins", "Don't Throw Your Love Away", "When You Walk in the Room", "What Have They Done to the Rain" and "Goodbye My Love". With theSwinging Blue Jeans, the Searchers tied for being the second group from Liverpool, afterthe Beatles, to have a hit in the US, when their "Needles and Pins" and the Swinging Blue Jeans' "Hippy Hippy Shake" both reached theHot 100 on 7 March 1964.In June 2025, The Searchers playedGlastonbury Festival for the first time as the band's "final show ever" after 68 years of performing.
Founded as askiffle group inLiverpool in 1959 by guitaristJohn McNally and guitarist/singerMike Pender, the band took their name from the 1956John Fordwestern filmThe Searchers.[3]
The band grew out of an earlier skiffle group called The Army Generations formed by McNally in 1955, with his friends Ron Woodbridge on vocals and guitar, Tony West on bass and Joe Kennedy on drums. In March 1957, they were joined by guitarist Brian Dolan. In 1959, The Army Generations changed their name to The Searchers. When Woodbridge, West and Dolan all lost interest, McNally and Kennedy were joined by Pender and lead singer/bassistTony Jackson, with the new line-up initially playing gigs as "Tony and the Searchers".
 | This sectionneeds additional citations forverification. Please helpimprove this article byadding citations to reliable sources in this section. Unsourced material may be challenged and removed.(July 2020) (Learn how and when to remove this message) |
In 1960, Jackson, Pender and McNally were joined by new drummerChris Curtis and lead singerJohnny Sandon. The band had regular bookings at Liverpool'sIron Door Club as Johnny Sandon and The Searchers.[4]
Sandon left the band in late 1961[5] to joinThe Remo Four.[6] The group settled into a quartet named The Searchers, with Jackson becoming the lead singer. They continued to play at theIron Door,The Cavern, and other Liverpool clubs. Like many similar acts they would do as many as three shows at different venues in one night. They negotiated a contract with theStar-Club in theSt. Pauli district ofHamburg for 128 days, with three one-hour performances a night, starting in July 1962.[5]
The band returned to a residency at the Iron Door Club and it was there that they tape-recorded the sessions that led to aPye Records recording contract withTony Hatch as producer. The first single, "Sweets for My Sweet", featuring Tony Jackson as main vocalist supported by Pender and Curtis, shot to No. 1 in the UK in 1963, firmly establishing the band as a major spearhead of the "Merseybeat" boom, just behindThe Beatles and alongsideGerry and the Pacemakers. Their first album,Meet The Searchers, sung mostly by Jackson and Pender, was released in August 1963 and reached No. 2 on the British album charts the next month.[7] With a slightly changed track listing, including the song "Needles and Pins", written by Sonny Bono and Jack Nitzche for Jackie De Shannon, it hit No. 22 in the US albums chart in June 1964.[8]
In the US, their first single was issued onMercury and the second onLiberty, both without success; then a deal was arranged with US-basedKapp Records to distribute their records in America.
Philips Records then released an earlier recording they held of a cover of Brenda Lee's hit "Sweet Nuthins", which dismayed the group. It made the lower end of the UK chart, but did not disturb their momentum.
In the 1964 filmSaturday Night Out, the group played the title song of the soundtrack.[9]
Hatch played piano on some recordings and wrote "Sugar and Spice", the band's UK No. 2 hit record, under the pseudonym Fred Nightingale, a secret he kept from the band at the time. Apparently Curtis disliked this song (largely a revamp of the key aspects of first hits) and refused to sing on it. Jackson again took lead vocal, though Curtis later agreed to sing the distinctive high-harmony vocal links between verses. "Love Potion No.9", sung by Jackson, was a non-UK single lifted from the first LP that was a hit in the US on Kapp Records in 1965.
Mike Pender took the main lead vocal on the next two singles, both of which topped the UK charts, "Needles And Pins" and "Don't Throw Your Love Away", each featuring Chris Curtis on co-lead/high-harmony vocal, though live footage of these songs, as performed onThe Ed Sullivan Show and NME Poll Winners concert respectively, show Pender and Jackson singing the lead vocal together in close harmony, with vocal support from Curtis. Both tracks also featured a distinct 12-string electric guitar sound, which was actually dual 6-strings. This combination of vocal harmonies and 12-string electric guitar would provide a key influence for American bandthe Byrds.
After scoring with their hit "Needles And Pins", bassist Tony Jackson, who had gone from being lead singer to being only allowed one co-lead vocal on their third album (on "Sho' Know A Lot About Love"), left the band and was replaced by a Searchers' Hamburg pal,Frank Allen from Cliff Bennett and The Rebel Rousers. Jackson was then signed to Pye as a solo act and, backed by The Vibrations, issued a few singles of which the first, "Bye Bye Baby", charted in the UK in 1964. He also re-cut "Love Potion No. 9" but it failed to chart. The last Searchers single recorded with Jackson was "Some Day We're Gonna Love Again".[10]
Frank Allen's debut single with the band, a cover ofJackie DeShannon's "When You Walk in the Room", by now featuring John McNally’s actual 12-string Rickenbacker guitar, peaked at No. 3 in the UK, and subsequent UK chart hits followed with "What Have They Done to the Rain", "Goodbye My Love" and "Take Me For What I'm Worth" (written byP.F. Sloan). Some lesser UK chart hits followed in 1965 and 1966, with "He's Got No Love", "When I Get Home" and covers ofthe Rolling Stones' "Take It Or Leave It" andthe Hollies' "Have You Ever Loved Somebody". An EP release,Ain't Gonna Kiss Ya, featuring The Searchers' first LP track, "Ain't Gonna Kiss Ya" (sung by Jackson), also charted in 1963.
The Searchers' second albumSugar and Spice was quickly issued in late 1963, consisting of tracks not used on the first album and others, plus the second single. Further Pye albums wereIt's the Searchers (1964),Sounds Like Searchers and finallyTake Me for What I'm Worth (both 1965). A budget "Golden Guinea" reissue of the second album, plus the compilationsSmash Hits andSmash Hits Vol 2, on Pye's budget "Marble Arch" label, were issued during 1966 and 1967 in place of any later album of new material. As late as 1970, Marble Arch issued an edited version ofIt's the Searchers, the group's third album, originally released in 1964.
.jpg)
Chris Curtis's choice ofBobby Darin's "When I Get Home" was a relative chart failure by the band's standards. This to an extent undermined Curtis's position as song selector for the band, and some internal disagreements resurfaced over musical policy and direction that had been evident earlier when Tony Jackson had left, and likely played a part in Curtis leaving as well. This departure was a major blow, as Curtis had been chief songwriter, song selector, and key high harmony voice, as well as a figurehead member and the main PR man. Curtis left the band in April 1966 and was replaced by theKeith Moon-influenced John Blunt. In January 1970 he was replaced byBilly Adamson. After Curtis' departure Frank Allen handled the high harmonies. In 1967, Curtis formed a new band called Roundabout with keyboard playerJon Lord and guitaristRitchie Blackmore. Curtis's involvement in the project was short-lived; Roundabout evolved intoDeep Purple the following year.
As musical styles evolved, the Searchers did attempt to move with the times, recording covers of songs by the Rolling Stones ("Take It Or Leave it") and the Hollies ("Have You Ever Loved Somebody"), which was a minor UK chart hit, though a rival cover of the latter by Paul & Barry Ryan probably robbed both parties of a bigger hit. They began to write their singles'A-sides, first with the Curtis-Pender track "He's Got No Love", which had a Stones-style guitar hook, and later a Pender-Allen song, "Secondhand Dealer", the final Pye single, which was aRay Davies-style "observational" song. However, Pye records dropped the group in 1967 when their original contract expired. No further chart successes occurred.
The band continued to record forLiberty Records andRCA Records, and worked on the British "Chicken-in-a-Basket" touring circuit. They had a minor US hit in 1971 with "Desdemona". A contract with RCA Victor's UK wing resulted in an album of rerecorded hits titledSecond Take (1972), later reissued on the budget RCA International label asNeedles & Pins. However, that was overshadowed by Pye'sGolden Hour of the Searchers compilation of the original hits that came out at the same time. Despite recording new material, including covers ofNeil Sedaka's "Solitaire" and theBee Gees' "Spicks And Specks", which were issued as RCA singles with scant promotion, much of their new work was not issued at the time, and RCA later dropped the group.
The group continued to tour through the 1970s, playing both the expected old hits as well as contemporary songs such as an extended live version ofNeil Young's "Southern Man". They were rewarded in 1979 whenSire Records signed them to a multi-record deal. Two albums were released:The Searchers andPlay for Today (retitledLove's Melodies outside the UK). Both records garnered critical acclaim and featured some original tracks, as well as covers of songs such asAlex Chilton's "September Gurls" andJohn Fogerty's "Almost Saturday Night". But with scant promotion and little if any radio airplay, they did not break into the charts. The first album was quickly revamped following release with a few extra tracks added, one song dropped (a cover ofBob Dylan's "Coming From The Heart"), and a new sleeve.
The albums did, however, revive the group's career, because concerts from then on alternated classic hits with the newer songs that were well received. A Sire single, "Hearts in Her Eyes", written byWill Birch and John Wicks ofthe Records, and successfully updating their distinctive 12-string guitars/vocal harmonies sound, picked up some radio airplay. Meanwhile, PRT Records actively promoted the group's sixties back catalogue, with compilations such asThe Searchers File andSpotlight on the Searchers, which were on sale at group gigs, along with the Sire albums, and helped re-establish them.[11]
According to John McNally, the band was ready to head into the studio to record a third album for Sire when they were informed that, due to label reorganisation, their contract had been dropped.
In 1981, the band signed toPRT Records (formerly Pye, their original label) and began recording an album. But only one single, "I Don't Want To Be The One"[12] backed with "Hollywood", ended up being released. They promoted this with a UK Television appearance on "The Leo Sayer Show", which was rare for them by then, but the single got little if any radio airplay (like their Sire singles) and was not stocked by most record shops.[citation needed] The rest of the tracks, except one, would be included as part of 1992'sThe Searchers 30th Anniversary Collection 1962-1992.
After a farewell performance in London in December 1985, Mike Pender left the group to form a new band[13] and now tours asMike Pender's Searchers (originally a permanent band but now made up of musicians hired as necessary), performing Searchers' songs and some new material of his own.[14] McNally, Allen and Adamson recruited formerFirst Class vocalistSpencer James as Pender's replacement.[13]
In 1988,Coconut Records signed the Searchers and the albumHungry Hearts was the result. It featured updated remakes of "Needles and Pins" and "Sweets for My Sweet" plus live favorite "Somebody Told Me You Were Crying". While the album was not a major hit, it did keep the group in the public eye.[15]
The band continued to tour, with Eddie Rothe replacing Adamson on drums, and during that period was considered[by whom?] to be one of the most popular 1960s bands on the UK concert circuit. In turn, in 2010, Eddie Rothe left The Searchers after becoming engaged to singerJane McDonald,[16] and was replaced on 26 February byScott Ottaway. Rothe died on 26 March 2021 aged 67.[17]
The original bassist for the Searchers, Tony West (born 1938 in Liverpool), died in his sleep on 11 November 2010, aged 72 inHightown, Merseyside.[18] Billy Adamson, the band's drummer from 1970 to 1998, died in France on 11 November 2013, aged 69.[19] In September 2017, John McNally had a stroke and stood aside from the band for two months to recover.[20]
In 2018, The Searchers announced that the band would be retiring, and they ended their farewell tour on 31 March 2019.[21] They did not rule out the possibility of a reunion tour,[22] and it was announced on the band's website in 2021 that they would undertake a further farewell tour in 2023, this time with drummer Richard Burns.[23] In August 2023, Frank Allen announced that the band were to be doing yet another farewell tour in 2024.[24][25] The original drummer for the Searchers, Joe Kennedy, later served in theUnited States Navy. He died on 21 November 2023, aged 81.[26] Drummer John Blunt died on 13 March 2024.[27][28]
In 2025, the band announced a UK tour for June, including their final appearance at their first time slot atGlastonbury.[29] In June 2025, it was announced the original vocalist Ron Woodbridge had died.[30] The Searchers gave their last performance on 27 June 2025 at theGlastonbury Festival 2025.[31]
| 1955 – 1957 (The Army Generations) | 1957 – 1959 (The Army Generations until January 1959, The Searchers from January 1959 onwards) | 1960 – February 1962 | February 1962 – July 1964 |
|---|---|---|---|
|
|
|
|
| August 1964 – May 1966 | May 1966 – January 1970 | January 1970 – December 1985 | December 1985 – November 1998 |
|
|
|
|
| November 1998 – February 2010 | February 2010 – March 2019 | March 2019 – April 2023 | April 2023 – June 2025[24][25][32] |
|
| Disbanded |
|
The Searchers have a core catalogue consisting of nine studio albums.[33]
Studio Albums
| International | |
|---|---|
| National | |
| Artists | |
