| The Phantom Tollbooth | |
|---|---|
 Theatrical release poster | |
| Directed by |
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| Screenplay by |
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| Based on | The Phantom Tollbooth 1961 novel byNorton Juster |
| Produced by | Chuck Jones |
| Starring | |
| Cinematography | Lester Shorr |
| Edited by | Jim Faris |
| Music by | Dean Elliott |
Production company | |
| Distributed by | Metro-Goldwyn-Mayer |
Release date |
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Running time | 89 minutes |
| Country | United States |
| Language | English |
The Phantom Tollbooth (also known asThe Adventures of Milo in the Phantom Tollbooth) is a 1970 Americanlive-action/animatedfantasy film based onNorton Juster's1961children's bookof the same name. Produced byChuck Jones atMGM Animation/Visual Arts, the film starsButch Patrick as Milo, alongside the voice talents ofMel Blanc,Daws Butler,Candy Candido,Hans Conried,June Foray, Patti Gilbert,Shepard Menken,Cliff Norton,Larry Thor, andLes Tremayne. Jones also co-directed the film withAbe Levitow, while Dave Monahan directed the live-action segments. Completed in 1968, the film was held up from release by MGM until late 1970 due to internal studio problems. The animation studio closed soon after the film's release, with MGM having no further involvement in the animation business until 1993 with the startup of their newMetro-Goldwyn-Mayer Animation studio. Upon release, the film was well-reviewed but its commercial performance was poor.
Milo is a bored boy who lives in aSan Francisco apartment block and suffers from feelings ofapathy. One day while telling his friend over the phone that there's "no rhyme or reason" in his life, he is surprised by a large, gift-wrapped package that appears in his room. He opens the package and discovers a tollbooth which is a gateway into a magicalparallel universe. As Milo uses the tollbooth's toy car and pays the toll with coins, the movie moves from live action to animation. After getting accustomed to this, he drives further, and is transported to the enchanted Kingdom of Wisdom in the Lands Beyond.
Accompanied by Tock, a "watchdog" who actually has a large pocket watch in his body, Milo has a series of adventures in places like the Doldrums, Dictionopolis (Kingdom of Words), Digitopolis (Kingdom of Mathematics), the Mountains of Ignorance, and the Castle in the Air. Together, they must rescue the Princesses of Sweet Rhyme and Pure Reason, who are being held captive in the Castle in the Air, and restore order to the Kingdom of Wisdom.
The many eccentric characters they meet include the Whether Man, the Humbug, the Spelling Bee, the noisy Dr. Kakofonous A. Dischord, King Azaz the Unabridged, the Mathemagician, Faintly Macabre the Not-So-Wicked Which, Chroma the Great, and Officer Short Shrift as well as demons like the Senses Taker, the Terrible Trivium, the Demon of Insincerity, and the Gelatinous Giant. In all of the places he visits he finds a new friend to guide him on his mission to Rhyme and Reason. The princesses are freed, and the victory of Rhyme and Reason is celebrated.
At the end of Milo's adventure, he hears his friend on the phone and finds out he's only been away for five minutes. He is about to inquire further when his friend says he has to go, as there is a giant gift box in his room... The film ends with a song about Milo finding things to do and being happy within the real world and shows him smiling while playing at a playground.
In 1963,Metro-Goldwyn-Mayer contracted with Sib Tower 12 Productions to have Chuck Jones and his staff produce newTom and Jerry cartoons. For his first project withMGM Animation/Visual Arts, Jones read the bookThe Dot and the Line written byNorton Juster, which was adapted into an animated short that won theAcademy Award for Animated Short Film. In January 1966, MGM optioned to adaptThe Phantom Tollbooth into a feature-length film. Jones remarked, "It was a natural progression to another Juster work. On this one Les Goldman and Abe Levitow are my co-producers. Levitow and I are directing andMaurice Noble is production designer." Early into development, it was decided that the first few scenes of Milo would be filmed in live-action before transitioning into animation.[1]
In a departure from the novel, Ralph was added to the film to act as a friend to Milo. Jones explained, "It had to be a boy named Ralph. Anybody called Steve or Mike would have called with something to do. Ralph sounds like a wet tennis shoe."[2]
On October 24, 1970, the film premiered in Los Angeles as part of MGM's children's matinee weekend engagements. The release was accompanied with six other films that were released across key cities throughout the United States.[3][4]
The film was released inVHS,Betamax, CED, andLaserDisc formats in the 1980s byMGM/UA Home Video. In 2011, it was released in a remastered DVD edition byWarner Home Video via theWarner Archive Collection label. The DVD is matted in a similar manner toTom and Jerry: The Chuck Jones Collection.[5]
Music byLee Pockriss; lyrics byNorman Gimbel, Norman L. Martin andPaul Vance (two more songs) unless otherwise noted.[6]
The film was a box office flop.[7]Charles Champlin of theLos Angeles Times wrote that the film "is a lively and warming enchantment with real appeal for the 7-plus age group—and the plusses run up well into adulthood."[8]Stefan Kanfer, reviewing forTime, complimented the film's animation, but remarked the plot "bogs the film down. More than 20 characters are thrown at the audience in 90 minutes; children will barely be able to recognize them before they disappear forever." In conclusion, he stated "The youthful viewer and his parents should overlookPhantom Tollbooth's flaws and concentrate on the film's underlying moral. Discovery and delight do not come at the end of the trail, but along the way. The going is the goal."[9]
Time Out Paris wrote that the story has "too many lessons" but "some very nice ideas".[10]TV Guide rated it three stars out of four and described it as "a charming film that combines some fairly sophisticated ideas [...] with cute and likable characters that are sure to grab a child's attention".[11] Tom Hutchinson of theRadio Times rated it 4/5 stars and wrote that the film has "wonderful ideas", but they are "likely to be a bit above the heads of very young children".[12] Thereview aggregator websiteRotten Tomatoes reports that100% of ten critics gave the film a positive review with an average rating of 7/10.[13]
Juster had no input into the adaptation and has expressed his hatred for the film in an interview: "It was a film I never liked. I don't think they did a good job on it. It's been around for a long time. It was well reviewed, which also made me angry."[14]
In February 2010, directorGary Ross began development of a live-action remake ofThe Phantom Tollbooth forWarner Bros., the current owner of the film.Alex Tse wrote the first draft.[15][16] As of August 2016, the remake has moved toTriStar Pictures, with Michael Vukadinovich writing the adaption.[17]
In December 2017,TriStar Pictures picked up the project, and it was announced thatMatt Shakman would direct its upcoming "live-action/hybrid" film adaptation ofThe Phantom Tollbooth with a screenplay by Michael Vukadinovich andPhil Johnston.[18] In 2018,Carlos Saldanha replaced Shakman due to scheduling conflicts whileTheodore Melfi replaced Vukadinovich and Johnston.[19]
