| I Love You, Honeybear | ||||
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| Released | February 9, 2015 (2015-02-09) | |||
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| Length | 44:54 | |||
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| Father John Misty chronology | ||||
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| Singles from I Love You, Honeybear | ||||
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I Love You, Honeybear is the second studio album by Americanfolk musician Josh Tillman under his pseudonymFather John Misty. It was released on February 9, 2015, in the United Kingdom and Europe byBella Union, and in the rest of the world on February 10, 2015, bySub Pop. Produced by both Tillman andJonathan Wilson, this is Tillman's second studio album since his departure fromFleet Foxes. The album was also mixed byPhil Ek, and mastered byGreg Calbi atSterling Sound. According to Tillman, the release is aconcept album.I Love You, Honeybear received widespread acclaim from critics, and was ranked as one of the best albums of 2015 by numerous publications.
The album was produced byJonathan Wilson and was mixed byPhil Ek and mastered atSterling Sound.[2]
Josh Tillman describedI Love You, Honeybear as aconcept album about himself. The album deals with Tillman's personal life, including him "engaging in all manner of regrettable behavior," as well as his relationship with his wife Emma.[3] Because of the album's raw, personal nature, Tillman worried about playing the songs live and initially had a hard time playing those songs to people close to him.[4]
Tillman called the song "Bored in the USA" a "sarcastic ballad."[5]Pitchfork described the song as mocking the "entire franchise of privileged white men making their spiritual void the dark center of the universe."[6] Tillman added alaugh track to the song as a way of "neutralizing uncomfortable ideas."[5]
The song "Chateau Lobby #4 (in C for Two Virgins)" was about Tillman and his wife Emma exploring Los Angeles when they first met. "True Affection", an electronic song, dealt with isolation and Tillman's frustration with "trying to woo someone with text message and email and trying to make a connection that way." "Holy Shit" was written on the day Tillman and his wife were married. "Nothing Good Ever Happens at the Goddamn Thirsty Crow" is divided into two parts. The first part, acountry blues song, deals with Tillman "turning down aggressive women" at the Crow, a bar inSilver Lake, Los Angeles. The second part, ajazz dirge, deals with men harassing Tillman's wife at the Crow while Tillman is on tour. "I Went to the Store One Day", the last song on the album, chronicles Tillman's and his wife's relation from the day they met in a store to their deaths.[4]
On November 3, 2014, Tillman performed the track "Bored in the USA" onLate Show with David Letterman.[7] The next day, the release date forI Love You, Honeybear was announced.[2] On December 8, 2014, a music video for the song "Chateau Lobby #4 (In C For Two Virgins)" was released.[8] Concerning this music video, Tillman said: "I was going to rent a wedding chapel, get a dozen kittens and stage a kitten wedding, over which I would preside and intercut with performance footage of me lip-syncing the song".[9] As the original idea wasn't realisable, Tillman said about the final version: "I don't care all that much if you like the music video or not. The label isn't crazy about it. Management isn't crazy about it. […] I made it on an iPad on my wedding anniversary with the one I love."[9]
On January 27, 2015, Tillman launched a fake music streaming service called Streamline Audio Protocol where he uploaded a lo-fi version ofI Love You, Honeybear for streaming. The version includes the entire album without vocals and other instruments featured in the actual release of the album. Tillman described this service as something where "the consumer can decide quickly and efficiently whether they like a musical composition, based strictly on its formal attributes, enough to spend money on it."[10]
Soon after the release of theSub Pop deluxe LP version on February 10, 2015, fans and label recognized that the pressing was damaged due to packaging issues which finally caused a warp defect. On February 11, 2015, the label released an official statement, confirming that the first pressing of the deluxe version will no longer be available and that they will press a new version. The statement reads as follows: "[W]e are sorry that many of these fancy, colored-vinyl, deluxe versions of Father John Misty's new album,I Love You, Honeybear are, it appears, warped! In our efforts to replicate the "wow factor" of such legendary album packages asthe Rolling Stones'Sticky Fingers zipper cover byAndy Warhol, we wound up accidentally replicating the "defect factor" of the same. In short, the extra, bulging thickness of the pop-up art in the Father John Misty jacket creates a lump that, when the LPs are sealed and packed, pushes into the LPs, causing the vinyl to warp and making that handsome, painstakingly and expensively produced jacket an elaborate record-destroying device. This oversight, and any attendant suffering, is our fault, and we are very sorry. We promise to be less ambitious in the future. We are currently making 100% non-warped, colored-vinyl LPs to replace these damaged LPs."[11]
Further on in the same article the label explains its decision to releaseI Love You, Honeybear as a double LP: "Due to its length and the wide audio spectrum of the recording, we at Sub Pop, together with Father John Misty, decided that the album sounded much better cut at 45 RPM over 2 pieces of vinyl. Though we all prefer the listening experience of a single piece of vinyl, we decided in this case to prioritize audio quality (an admittedly very subjective determination)."[11]
| Aggregate scores | |
|---|---|
| Source | Rating |
| AnyDecentMusic? | 8.5/10[12] |
| Metacritic | 87/100[13] |
| Review scores | |
| Source | Rating |
| AllMusic |  [14] |
| The A.V. Club | A−[15] |
| Chicago Tribune |  [16] |
| The Guardian | [17] |
| Mojo | [18] |
| NME | 9/10[19] |
| Pitchfork | 8.8/10[20] |
| Q | [21] |
| Rolling Stone | [22] |
| Spin | 9/10[23] |
I Love You, Honeybear was met with widespread critical acclaim. AtMetacritic, which assigns anormalized rating out of 100 to reviews from mainstream publications, the album received anaverage score of 87, based on 34 reviews.[13] Aggregator AnyDecentMusic? gave it 8.5 out of 10, based on their assessment of the critical consensus.[12]
Josh Terry ofThe A.V. Club said, "With a welcoming tenor and a likeably schmaltzy delivery that finds him displaying loads of range and emotions, he's able to give his subject matter the unforgiving and ultimately warm treatment it deserves."[15]Greg Kot ofChicago Tribune said, "Misty's music cushions some of his most outrageous observations in plush wordless harmonies, strings and orchestral-pop melodies, sometimes to a point where he melts into background music."[16]Mojo stated, "There are grand arrangements and barbed bon mots in the style ofRandy Newman andHarry Nilsson, but what's most striking are the more restrained moments."[18]Exclaim!'s Matthew Ritchie gave the album a perfect score, writing that "Tillman's intentions and feelings as a songwriter have never seemed so clear."[24] Laura Studarus ofDIY said, "Still, for all his determination to thumb his nose at convention,I Love You, Honeybear finds Tillman falling face first into perhaps the most expected of musical tropes: the "mature" sophomore release."[25]
Alexis Petridis ofThe Guardian praised the album's lyrics, writing "There are moments when, if you're listening closely, the constant lyrical shifts from caustic irony to plaintive declarations of love can really knock you for six, not least on the title track."[17]Pitchfork's Mike Powell gave the album a "Best New Music" designation, calling it "an album by turns passionate and disillusioned, tender and angry, so cynical it's repulsive and so openhearted it hurts."[20]AllMusic's James Christopher Monger wrote "Honeybear has the architecture of itspredecessor, but features braver melodic choices, and at a pure pop level, is the far more challenging LP of the two, but it rewards the listener constantly."[14] Brennan Carley ofSpin said, "If Tillman's this brilliantly pointed as a paramour, we're scared to hear the breakup album."[23]
Alex Denney ofNME said, "Written around the time Tillman got hitched to this girlfriend, it's a hugely ambitious, caustically funny album about the redemptive possibilities of love, and being heartily sick of your own bullshit."[19] Marc Hirsh ofThe Boston Globe, on the other hand, criticized the album's lyrics, writing "with a default mode of arch snarkery, Misty doesn't have much to say; he gets off a sharp line here and there, but can't string them together into anything greater."[26] In an otherwise positive review,PopMatters' Sean McCarthy wrote "After an amazingly solid first half, the second half ofHoneybear suffers some lag, either because of some tracks have a lack of a memorable hook or chorus ("Strange Encounter"), or experiments that just don't pan out (see the laugh track on "Bored in the U.S.A.")."[27]Will Hermes ofRolling Stone said, "Upping the spectacle fromFear Fun his 2012 debut,I Love You, Honeybear is an autobiographical set about love, marriage and derangement that's both ironic and empathic."[22]Q stated, "For its black lyrical humour alone,I Love You, Honeybear would be a winner. The fact that it's matched to towering songwriting makes it masterful stuff."[21]
| Publication | List | Rank | Ref. |
|---|---|---|---|
| The A.V. Club | The 15 Best Albums of 2015 | 5 | |
| Billboard | 25 Best Albums of 2015 | 9 | |
| NME | Albums of the Year 2015 | 16 | |
| Pitchfork | The 50 Best Albums of 2015 | 12 | |
| Readers' Poll Results 2015 | 5 | ||
| Rough Trade | Albums of the Year 2015 | 2 | |
| Stereogum | The 50 Best Albums of 2015 | 12 |
I Love You, Honeybear debuted at number 17 on the USBillboard 200 with 28,000 copies sold in its first week. Its debut represented Tillman's best album sales week to date.[34] As of July 2015, the album has sold 74,000 copies domestically.[35] Approximately 30% of the album's units sold have been, both in its debut and cumulatively, in the vinyl configuration.[34][35]
All tracks are written byJosh Tillman.
| No. | Title | Length |
|---|---|---|
| 1. | "I Love You, Honeybear" | 4:38 |
| 2. | "Chateau Lobby #4 (in C for Two Virgins)" | 2:50 |
| 3. | "True Affection" | 3:56 |
| 4. | "The Night Josh Tillman Came to Our Apt." | 3:36 |
| 5. | "When You're Smiling and Astride Me" | 4:34 |
| 6. | "Nothing Good Ever Happens at the Goddamn Thirsty Crow" | 4:34 |
| 7. | "Strange Encounter" | 4:19 |
| 8. | "The Ideal Husband" | 3:35 |
| 9. | "Bored in the USA" | 4:22 |
| 10. | "Holy Shit" | 4:01 |
| 11. | "I Went to the Store One Day" | 4:26 |
| Total length: | 44:51 | |
Credits adapted from the album's liner notes.[36]
Performance
Arrangement
| Additional musicians
| Production
Design
|
Weekly charts[edit]
| Year-end charts[edit]
|
| Region | Certification | Certified units/sales |
|---|---|---|
| United Kingdom (BPI)[53] | Silver | 60,000‡ |
‡ Sales+streaming figures based on certification alone. | ||
| Region | Date | Label | Format | Ref. |
|---|---|---|---|---|
| United Kingdom and Europe | February 9, 2015 | Bella Union | [54] | |
| Rest of the world | February 10, 2015 | Sub Pop | [3] |
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