| The Jurist | |
|---|---|
| Artist | Giuseppe Arcimboldo |
| Year | 1566 |
| Medium | Oil-on-canvas |
| Dimensions | 64 cm × 51 cm (25 in × 20 in) |
| Location | Nationalmuseum,Stockholm |
The Jurist (Italian:L'Avvocato), also known asThe Lawyer, is anoil-on-canvas painting by Italian artistGiuseppe Arcimboldo, painted in 1566.
It shows a member of the legal profession, whose facial features are depicted using meat and fish, and whose body is composed of legal documents. Two versions of the painting exist; the first, from 1566, is held by theNational Museum of Fine Arts (Nationalmuseum) inStockholm (acquired from a collection atGripsholm Castle in 1866), and a later version is held by a private collector inMilan.
Arcimboldo was employed as court painter toMaximilian II and was already well established as an artist by the time he createdThe Jurist. He was known for his innovative style, particularly for hisportraits in which the subjects were composed of everyday objects. His fantastical and imaginative paintings somewhat foreshadowed theSurrealist movement of the 20th century, but were also appreciated as part of theMannerist tradition of his own time. His series of paintings,The Four Seasons, which depicted the changing seasons as series of portraits composed of seasonal plants, were particularly popular, and he even created a portrait ofRudolf II (entitledVertemnus) in the same style.
The features of the face are represented by the plucked carcasses of poultry and the sneering mouth by fish. It is not known if the subject is a caricature of the legal profession in general or based on a real jurist of the time. The German juristUlrich Zasius is normally suggested as the subject; the Nationalmuseum lists the picture in its catalogue asThe Lawyer (Ulrich Zasius), butCalvin has also been suggested. Arcimboldo's portrait ofThe Librarian (Il Bibliotecario), painted the same year, has a more noble aspect, although this portrait too has been interpreted as a parody of librarianship, book collectors, and intellectualism.
