| The Humans | |
|---|---|
| Written by | Stephen Karam |
| Characters |
|
| Date premiered | September 30, 2015 (2015-09-30) |
| Place premiered | Roundabout Theatre Company – Laura Pels Theatre |
| Original language | English |
| Subject | Family |
| Setting | An apartment in lower Manhattan |
| Official site | |
The Humans is aone-act play written byStephen Karam. The play opened onBroadway in 2016 after an engagementOff-Broadway in 2015.The Humans was a finalist for the 2016Pulitzer Prize for Drama and won the 2016Tony Award for Best Play.
The entire play takes place during a single evening in a sparsely furnished, somewhat shabby basement duplex apartment in New York City’sChinatown. Brigid Blake, a young aspiring composer, and her boyfriend Richard Saad, who is completing his social work degree, have just moved in together and are hosting Thanksgiving dinner for Brigid’s family.
The guests are Brigid’s working-class, Irish-American parents, Erik and Deirdre Blake, her sister Aimee, a Philadelphia lawyer suffering from ulcerative colitis and a recent breakup with her girlfriend, and Fiona “Momo” Blake, Brigid’s grandmother, who suffers from severedementia. Momo frequently mumbles incoherently throughout the evening, requiring constant care and attention.
As the family settles in, old patterns of conversation, teasing, and tension quickly reemerge. Erik and Deirdre disapprove of Brigid living with Richard before marriage and are skeptical of her career ambitions. Deirdre, who works an unglamorous office job, also expresses resentment about how she feels mocked for her lack of sophistication. Erik, meanwhile, is distracted and uneasy the whole night, increasingly frayed and preoccupied.
Richard, whose family is wealthy, tries to make polite conversation but feels somewhat alienated from the Blakes’ dynamic. He mentions that he’s about to inherit a trust fund when he turns forty, suggesting a different kind of future stability that Brigid’s parents can’t guarantee. Brigid resents her parents for not supporting her financially after grad school. Deirdre feels increasingly marginalized and left out of her daughters’ lives.
Underlying all of this is Erik’s growing anxiety. Eventually, he reveals the real reason for his unease: he has been fired from his job as a janitor at aCatholic school after an incident that, while not fully detailed, involved inappropriate behavior — possibly being caught sleeping overnight at the school. Compounding the situation, Erik and Deirdre had invested heavily in a lake house inScranton for retirement, but they were forced to sell it at a loss after Erik’s firing. Now they are facing serious financial insecurity.
Meanwhile, Momo has a sudden, violent outburst, needing to be restrained and comforted. The family members scramble to soothe her, exposing their vulnerabilities and their love for her despite everything.
The play also carries an almost horror-movie-like atmosphere: strange thumps are heard from the apartment above, lights flicker and buzz, mysterious stains appear on the ceiling, and the apartment feels unsettlingly dark and oppressive. These eerie details create a haunting metaphor for the emotional and existential dread the family is experiencing.
In the final moments, after the family leaves and Richard goes downstairs to do laundry, Erik, left alone in the darkening apartment, becomes overwhelmed by fear and grief. Terrified and paralyzed by his failures, the loss of security, and the disintegration of his life as he knew it, Erik collapses emotionally as the lights go out completely.
The play had its world premiere at the American Theater Company in Chicago, Illinois, in November 2014, directed by PJ Paparelli.Chris Jones, in his review for theChicago Tribune, wrote: "kind, warm, beautifully observed and deeply moving new play, a celebration of working-class familial imperfection and affection and a game-changing work for this gifted young playwright."[1]
The Humans openedOff-Broadway at the Laura Pels Theatre on September 30, 2015, in previews, and officially on October 25, 2015, in a limited run produced by theRoundabout Theatre Company, with positive reviews, and ran until January 3, 2016.[2] It transferred toBroadway at theHelen Hayes Theatre, opening on February 18, 2016, and closing on July 24, 2016. The play then transferred to theSchoenfeld Theatre, re-opening on August 9, 2016. (The Helen Hayes had major renovations starting in August 2016.)[3][4] The play closed its Broadway engagement on January 15, 2017.[5]
Directed byJoe Mantello, the Off-Broadway cast featured Cassie Beck (Aimee),Reed Birney (Erik),Jayne Houdyshell (Deirdre), Lauren Klein (Fiona "Momo" Blake),Arian Moayed (Richard), andSarah Steele (Brigid). While off-Broadway, the script won the 2016Obie Awards for Karam's playwriting and Houdyshell's performance.[6] The Off-Broadway cast moved to Broadway.[7][8][9]
ThePittsburgh Public Theater stagedThe Humans from November 9 to December 10, 2017, directed by Pamela Berlin; it was admiringly reviewed in thePittsburgh Post-Gazette.[10]Artists Repertory Theatre, located in Portland, Oregon, staged it from November 19 to December 17.[11]
The play embarked on a limited US national tour, starting in November 2017 at the Seattle Repertory Theatre.[12] The tour cast featuredRichard Thomas as Erik,Pamela Reed as Deirdre,Daisy Eagan as Brigid, Lauren Klein as Momo, Therese Plaehn as Aimee and Luis Vega as Richard.[13] The tour concluded on July 29, 2018, at the Ahmanson Theatre in Los Angeles.[14]
The play opened in London at theHampstead Theatre in September 2018 and closed on October 13, 2018. The Broadway cast reprise their roles, as does the director Mantello.[15]
Off the Dock Players produced the play inSandwich, New Hampshire. It opened on February 14, 2020, and closed on February 23. The production was directed by Nancy Blaine and starred Hank Offinger, Rebecca Cole, Ashley Bullard, Abe Garon, Marena Harris, and Lisa Thompson.[16]
"The Humans" had a Japanese premier in the New National Theater, Tokyo, between June 12–29, 2025.[17]The Japanese translated production is directed by Yuko Kuwahara, known for her 2022 NNT production "Lobby Hero". The cast includes Shizuyo Yamazaki as Amy, Aoyama Misato as Brigid, Takeshi Hosokawa as Richard, Miyoko Inagawa as Momo, Masuko Wabunko as Deirdre, Mitsuru Hirata as Eric and Kishi Shusha as the Elderly Chinese woman.[18]
In his review of the Broadway production inThe New York Times,Charles Isherwood called it the "finest new play of the Broadway season so far" and praised the cast, direction, and the set "... that perfectly captures the unsettled atmosphere the writing so deftly establishes."[19]
Jesse Green, reviewing the Broadway production forVulture, wrote: "With its irrational layout and strange, sickening noises, the apartment, as the stage directions put it, is 'effortlessly uncanny,' as is the play itself ... It is still the most, well, human play I’ve ever seen about fear and disappointment and the attachments that transcend them."[20]
The Pulitzer Prize committee called the play a “profoundly affecting drama that sketches the psychological and emotional contours of an average American family."[21]
| Year | Award | Category | Nominee | Result |
|---|---|---|---|---|
| 2016 | Lucille Lortel Awards[2][22] | Outstanding Lead Actor in a Play | Reed Birney | Nominated |
| Outstanding Lead Actress in a Play | Jayne Houdyshell | Nominated | ||
| Outstanding Featured Actress in a Play | Lauren Klein | Nominated | ||
| Outstanding Scenic Design | David Zinn | Nominated | ||
| Outstanding Lighting Design | Justin Townsend | Nominated | ||
| Outstanding Sound Design | Fitz Patton | Nominated | ||
| Drama Desk Awards[23][24] | Outstanding Play | Won | ||
| Drama Desk Special Award for Outstanding Ensemble | Won | |||
| Director of a Play | Joe Mantello | Nominated | ||
| Lighting Design for a Play | Justin Townsend | Won | ||
| Sound Design in a Play | Fitz Patton | Won | ||
| Obie Awards[25] | Playwriting | Stephen Karam | Won | |
| Distinguished Performance by an Actress | Jayne Houdyshell | Won | ||
| Year | Award | Category | Nominee | Result |
|---|---|---|---|---|
| 2016 | Tony Awards[26][27] | Best Play | Won | |
| Best Featured Actor in a Play | Reed Birney | Won | ||
| Best Featured Actress in a Play | Jayne Houdyshell | Won | ||
| Best Scenic Design in a Play | David Zinn | Won | ||
| Best Lighting Design in a Play | Justin Townsend | Nominated | ||
| Best Direction of a Play | Joe Mantello | Nominated | ||
| Pulitzer Prize[21] | Drama | Nominated | ||
| Drama League Awards[28][29] | Outstanding Production of a Broadway or Off-Broadway Play | Won | ||
| Distinguished Performance | Reed Birney | Nominated | ||
| Jayne Houdyshell | Nominated | |||
| Outer Critics Circle Awards[30][31] | ||||
| Outstanding New Broadway Play | Won | |||
| Outstanding Actor in a Play | Reed Birney | Nominated | ||
| Outstanding Actress in a Play | Jayne Houdyshell | Nominated | ||
| Outstanding Director of a Play | Joe Mantello | Nominated | ||
| New York Drama Critics Circle[32][33] | Best Play | Stephen Karam | Won | |
A film adaptation of the play, written and directed by Karam, began production in September 2019. It was released in November 2021.