| "The Huckle-Buck" | |
|---|---|
 194978 label | |
| Single byPaul Williams and His Hucklebuckers | |
| B-side | "Hoppin' John" |
| Released | January 1949 |
| Recorded | December 15, 1948 |
| Label | Savoy683 |
| Songwriter | Andy Gibson |
| Producer | Teddy Reig |
"The Hucklebuck" (sometimes written "The Huckle-Buck") is ajazz andR&B dance tune first popularized byPaul Williams and His Hucklebuckers in 1949. The composition of the tune was credited toAndy Gibson, and lyrics were later added byRoy Alfred. The song became acrossover hit and adance craze, in many ways foreshadowing the popular success ofrock and roll a few years later. It was successfully recorded by many other musicians includingLucky Millinder,Roy Milton,Tommy Dorsey,Frank Sinatra,Lionel Hampton,Louis Armstrong,Chubby Checker,Bo Diddley,Otis Redding,Quincy Jones,Canned Heat,Coast to Coast,Brendan Bowyer andCrystal Swing.
The tune, structured around atwelve-bar blues progression, was originally recorded by Paul Williams and his band, credited as His Hucklebuckers, inNew York City, on December 15, 1948, with producerTeddy Reig. The composition was credited to Andy Gibson, and the recording was released bySavoy Records. The personnel on the session were Phil Guilbeau (trumpet), Miller Sam (tenor saxophone), Paul Williams (baritone and alto saxophone), Floyd Taylor (piano), Herman Hopkins (bass), and Reetham Mallett (drums).[1]
Williams had first heard the tune when it was played by Lucky Millinder and his band at a rehearsal earlier that year for a concert, either inNewark orBaltimore, at which both bands performed. The tune had originally been written by Gibson for Millinder, as "D'Natural Blues" (unrelated to the similarly-titled 1928Fletcher Henderson tune),[2] and Millinder and his band recorded it with that title, in January 1949, forRCA Records. The tune itself was strongly influenced by "Now's the Time", a composition byCharlie Parker who first recorded it in 1945, also produced by Reig for the Savoy label, with a band that includedDizzy Gillespie,Miles Davis, andMax Roach.[3][4][5] Millinder later took court action against Gibson and United Music, the publishing company, forcopyright infringement, but eventually dropped the case while retaining the rights to "D'Natural Blues".[6][7]
After Williams began performing Gibson's composition, he noticed that, at a show inDevon, Pennsylvania, audience members were performing a new dance, called the Hucklebuck, to it.[8] Williams renamed the song as "The Huckle-Buck", and his recording rapidly rose to the top of theR&B chart. It reached the #1 spot in March 1949, staying in that position for 14 weeks, and spending a total of 32 weeks on the chart.[9] It reportedly sold half a million copies, and broke sales records. Williams' concerts became increasingly riotous; Reig claimed that he taught Williams to perform vigorously, "kicking as he played, bending and dipping, getting down on the floor while blowing that saxophone." Though Williams had already had several R&B hits, "The Huckle-Buck" established his popularity, and he was billed as Paul "Hucklebuck" Williams for the remainder of his career.[3] Millinder's recording of "D'Natural Blues", also an instrumental, reached #4 on the R&B chart, staying on the chart for 12 weeks.[10]
| "The Hucklebuck" | |
|---|---|
 | |
| Single byChubby Checker | |
| from the albumTwist with Chubby Checker | |
| B-side | "Whole Lotta Shakin' Goin' On" |
| Released | October 1960 |
| Label | Parkway813 |
| Songwriter | Andy Gibson |
| Producer | Kal Mann |
The success of Williams' instrumental recording led to words being written to the tune, byTin Pan Alley lyricist Roy Alfred. The lines included: "Wiggle like a snake/ Waddle like a duck/ That's the way you do it/ When you do the Hucklebuck."[2] The first vocal version was by Roy Milton, whose recording on theSpecialtyrecord label entered the R&B chart in April 1949, rising to #5.[11] A version by the Tommy Dorsey Orchestra, with vocals byCharlie Shavers,[12] entered theBillboard pop chart in May 1949, also rising to #5, and later the same year Frank Sinatra's recording reached #10 on the pop chart. Recordings were also made in 1949 byTito Burns, Lionel Hampton, andPearl Bailey withHot Lips Page.[5]
The song was later covered by many other musicians – it has been said that "nostandard has been covered in as many different styles as the Hucklebuck."[3] As well as jazz andpop versions, there have beenblues versions byEarl Hooker,Canned Heat, and others, and recordings in styles such asrockabilly,easy listening,soul,ska,Latin,punk, and R&B.[3] The 1960 recording by Chubby Checker reached #14 on the US pop chart and co-charted with the b-side at #2 inCanada.[13] InIreland, the Royal Showband featuringBrendan Bowyer had a #1 hit with the song in 1965,[2] and the bandCoast to Coast had a #5 pop hit in Britain with it in 1981.[14]
The Hucklebuck became a wildly successful dance craze in 1949, partly due to its sexual connotations.LeRoi Jones reported that people danced atrent parties inNewark, night after night "until they dropped."[3] The basic dance has been described as having "a double point with the feet to the side on each side (four counts) then a lift and twist of the leg and a small kick, then a shimmy, hip gyration... The dance could get very sexual in nature when done as a couple dance with the male dancing behind the female, one hand on her waist or hip and the other on her shoulder, gyrating the hips in unison or with shocking variations such as when the female dancers would lie down on their backs and the male dancers would stand over the center of her, slowly doing hip gyrations, hip rolling, wiggling dance movements, slowly working their way over and past the female's head."[15]
