| The Hollow Men | |
|---|---|
| byT. S. Eliot | |
 Eliot in 1923 | |
| Written | 1925 |
| Country | England |
| Language | English |
| Publisher | Faber & Faber |
| Publication date | 1925 |
| Lines | 98 |
| Quote | This is the way the world ends |
"The Hollow Men" (1925) is a poem by the modernist writerT. S. Eliot. Like much of his work, its themes are overlapping and fragmentary, concerned with post–World War I Europe under theTreaty of Versailles, hopelessness,religious conversion, redemption and, some critics argue, his failing marriage withVivienne Haigh-Wood Eliot.[2] It was published two years before Eliot converted toAnglicanism.[3]
Divided into five parts, the poem is 98 lines long. Eliot'sNew York Times obituary in 1965 identified the final four as "probably the most quoted lines of any20th-century poet writing in English".[4]
Eliot wrote that he produced the title "The Hollow Men" by combining the titles of the romanceThe Hollow Land byWilliam Morris with the poem "The Broken Men" byRudyard Kipling;[5] but it is possible that this is one of Eliot's many constructed allusions. The title could also be theorised to originate fromShakespeare'sJulius Caesar[according to whom?] or from the characterKurtz inJoseph Conrad'sHeart of Darkness, who is referred to as a "hollow sham" and "hollow at the core". The latter is more likely since Kurtz is mentioned in one of the twoepigraphs.
The two epigraphs to the poem, "Mistah Kurtz – he dead" and "A penny for the Old Guy", are allusions to Conrad's character and toGuy Fawkes. In the 1605Gunpowder Plot, Fawkes attempted to blow up the English Parliament and hisstraw-man effigy (a 'Guy') is burned each year in the United Kingdom onGuy Fawkes Night (5 November).[6] Certain quotes from the poem such as "headpiece filled with straw" and "in our dry cellar"[2] seem to be references to the Gunpowder Plot.
The Hollow Men follows the otherworldly journey of the spiritually dead, metaphorically compared toscarecrows stuffed with straw. These "hollow men" have the realisation, humility, and acknowledgement of their guilt and their status as broken, lost souls. Their shame is seen in lines like "[...] eyes I dare not meet in dreams [...]" calling themselves "[...] sightless [...]" and that "[...] [death is] the only hope of empty men [...]".[2] The "hollow men" fail to transform their motions into actions, conception to creation, desire to fulfillment. This awareness of the split between thought and action coupled with their awareness of "death's various kingdoms" and acute diagnosis of their hollowness, makes it hard for them to go forward and break through their spiritual sterility.[2] Eliot invokes imagery from theInferno, specifically the third and fourthcantos of theInferno which describesLimbo, the first circle ofHell – showing man in his inability to cross into Hell itself or to even beg redemption, unable to speak with God. He states that the hollow men "[...] grope together and avoid speech, gathered on this beach of the tumid river [...]",[2] and Dante states that at the Gates of Hell, people who did neither good nor evil in their lives have to gather quietly by a river whereCharon cannot ferry them across.[7] This is the punishment for those in Limbo according to Dante, people who "[...] lived without infamy or praise [...]"[7] They did not put any good or evil into the world, making them out to be 'hollow' people who can only watch others move on into the afterlife. Eliot reprises this moment in his poem as the hollow men watch "[...] those who have crossed with direct eyes, to death's other kingdom [...]".[2] Eliot describes how they wish to be seen "[...] not as lost/Violent souls, but only/As the hollow men/The stuffed men [...]".[2]
As the poem enters section five, there is a complete breakdown of language. TheLord's Prayer and what appears to be a lyric change of "Here We Go Round the Mulberry Bush" are written until this devolution of style ends with the finalstanza, maybe the most quoted of Eliot's poetry:
This is the way the world ends
This is the way the world ends
This is the way the world ends
Not with a bang but a whimper.[1]
When asked in 1958 if he would write these lines again, Eliot said he would not. According to Henry Hewes: "One reason is that while the association of theH-bomb is irrelevant to it, it would today come to everyone's mind. Another is that he is not sure the world will end with either. People whose houses were bombed have told him they don't remember hearing anything."[8]Mort Sahl (circa 1962) paraphrased the lines as an ironic commentary on modern marriage: "This is the way her world ends, not with a whim but with a banker".
The poem was first published as now known on 23 November 1925, in Eliot'sPoems: 1909–1925.[9] Eliot was known to collect poems and fragments of poems to produce new works. This is clear to see in his poemsThe Hollow Men and "Ash-Wednesday" where he incorporated previously published poems to become sections of a larger work. In the case ofThe Hollow Men four of the five sections of the poem were previously published:
The Hollow Men has had a profound effect on the Anglo-American cultural lexicon. An obituary for Eliot stated that the last four lines of the poem are "probably the most quoted lines of any 20th-century poet writing in English."[4][10]
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