 First edition | |
| Author | Shirley Hazzard |
|---|---|
| Language | English |
| Publisher | Farrar Straus and Giroux (USA) Virago Press (UK) |
Publication date | 2003 |
| Publication place | Australia |
| Media type | Print (paperback) |
| Pages | 278 pp |
| ISBN | 0-374-16644-7 |
| OCLC | 52341650 |
| 823/.914 21 | |
| LC Class | PR9619.3.H369 G74 2003 |
| Preceded by | The Transit of Venus |
The Great Fire (2003) is a novel by the Australian authorShirley Hazzard. It won the U.S.National Book Award for Fiction[1] and aMiles Franklin literary award (2004). The novel was Hazzard's first sinceThe Transit of Venus, published in 1980.
The novel commences inJapan in 1947, and subsequently takes inHong Kong,England andNew Zealand.[2] Written in thethird-person narrative, the novel principally follows its protagonist, the decoratedBritish war veteran Aldred Leith, who is travelling through post-warAsia to write a book. At times the narrator follows Peter Exley, an Australian friend of Leith's who is investigatingJapanese war crimes, and Helen Driscoll, an Australian teenager with whom Leith falls in love while billeted in Japan.[3]
The New Yorker wrote of the novel:
Hazzard is nothing if not discriminating. Hierarchies of feeling, perception, and taste abound in her writing, and this novel—her first in more than twenty years—takes on the very notion of what it means to be civilized. The fire of the title refers primarily to theatomic bombing of Japan, but also to the possibility of transcendent passion in its aftermath. In 1947, a thirty-two-year-old English war hero visitingHiroshima during the occupation finds himself billeted in a compound overseen by a boorish Australian brigadier and his scheming wife. He is immediately enchanted, however, by the couple's children—a brilliant, sickly young man and his adoring sister—who prove to be prisoners in a different sort of conflict. In the ensuing love story, Hazzard's moral refinement occasionally veers toward preciosity, but such lapses are counterbalanced by her bracing conviction that we either build or destroy the world we want to live in with our every word and gesture.