| The Good Son | |
|---|---|
.jpg) Theatrical release poster | |
| Directed by | Joseph Ruben |
| Written by | Ian McEwan |
| Produced by | Joseph Ruben Mary Ann Page |
| Starring | |
| Cinematography | John Lindley |
| Edited by | George Bowers |
| Music by | Elmer Bernstein |
Production company | |
| Distributed by | 20th Century Fox |
Release date |
|
Running time | 86 minutes[1] |
| Country | United States |
| Language | English |
| Budget | $17-28 million[2] |
| Box office | $60.6 million[3] |
The Good Son is a 1993 Americanpsychological thriller film directed byJoseph Ruben, produced and released by20th Century Fox. It was written by English novelistIan McEwan. Its story follows a 12-year-old boy named Mark who, after the death of his mother, is sent to stay with his aunt and uncle while his father is away on a business trip. While there, he meets his cousin Henry, who shows signs of violent and evil behavior. It starsMacaulay Culkin,Elijah Wood,Wendy Crewson,David Morse,Daniel Hugh Kelly, andJacqueline Brookes.
The film was produced by Joseph Ruben and Mary Ann Page and was released on September 24, 1993. It grossed $12.5 million during its opening weekend and $60.6 million worldwide, against a budget of $17 million.[3][2] However, it received mixed reviews from critics.
Twelve-year-old Mark Evans has recently experienced the death of his mother, Janice. Before leaving on a business trip toTokyo, Mark's father, Jack, transports him fromArizona to his Uncle Wallace and Aunt Susan's house in Rock Harbor,Maine, where he will stay during winter break. Mark is reintroduced after a decade to his extended family, including his cousins Connie and Henry; there was a third child named Richard who drowned a year before. Mark and Henry get along initially and Henry seems to be nice and well-mannered. However, Henry displays an abnormal fascination with death, making Mark feel uneasy.
Henry begins to display clear signs ofpsychopathic behavior, which Mark is unable to address to Wallace and Susan due to Henry's threats. One of his violent actions is throwing a dummy he calls 'Mr. Highway' off a bridge and onto a highway, causing a massive vehicle pileup. He then plans to kill Connie. Afraid something might happen to her, Mark spends the night in her room. The next morning, Mark awakens to find Henry has taken Connie ice skating. At the pond, Henry purposely throws her towards thin ice, which collapses. Connie is rescued, but ends up in a coma.
Even though Susan does not initially believe Mark, she becomes suspicious and interrupts Henry's attempt to suffocate Connie in her hospital bed. Susan then finds a rubber duck that Henry has hidden in his shed — it belonged to Richard and was with him in the bathtub before he drowned but not after. When Susan confronts Henry, he coldly reminds her that the toy had belonged to him first. He then flips and kindly asks for the rubber duck back. After a violent tug-of-war, he takes the toy and throws it down the well.
As Susan and Mark grow closer, Henry insinuates that he will kill Susan rather than let Mark continue to develop a relationship with her. When a fight breaks out between Henry and Mark, Wallace locks Mark in the den. Henry asks a suspicious Susan to go for a walk with him, while Mark escapes and chases after them. Susan confronts Henry, asking him if he killed Richard, to which Henry simply replies, "What if I did?" Susan realizes that Mark was right about Henry's true nature. She tells Henry that he needs help, but he refuses and flees.
Susan gives chase and upon arriving at a cliff, Henry pushes her over the edge. As Susan dangles from a branch on the cliffside, Henry tries to drop a rock on her, but Mark arrives and tackles him. Susan manages to climb back up just in time to grab hold of the boys as they roll over the edge, one in each hand. Henry holds on with both hands but Mark's one-handed grip begins to slip. With only enough strength to save one of them, Susan releases Henry and he falls to his death. Susan pulls Mark up and they look down at Henry's corpse being washed away into the ocean.
When Mark returns home to Arizona, he reflects upon Susan's choice to save him instead of Henry. He wonders if she would make the same choice again, but knows it is something that he will never ask her.
Following the completion of his novelThe Child in Time, English novelistIan McEwan was invited by 20th Century Fox to write a screenplay "about evil – possibly concerning children."[4] McEwan recalled, "The idea was to make a low budget, high class movie, not something that Fox would naturally make a lot of money on." Despite being well received, the result was deemed insufficiently commercial by the parties that commissioned it and it floated around Hollywood until being discovered by independent producer Mary Ann Page. Enthusiastic about the script, which was originally sent to her as a writing sample, Page tried to get the project off the ground for three and a half years.[4] The film was briefly set up atUniversal Studios, during whichBrian Gilbert was attached as director. In 1988,Michael Klesic was originally cast in the role of Henry Evans. The film was soon after put on hold due to a lack of funding.[4]
Following the successes ofHome Alone andThe Silence of the Lambs, which demonstrated the box-office appeal of a movie about kids and of an "extreme thriller" respectively, Fox itself chose to revisit the project, which they now saw as viable. DirectorMichael Lehmann (Heathers) became attached,Laurence Mark was appointed as a co-producer and McEwan was called in for rewrites.Mary Steenburgen was cast as Susan andJesse Bradford had replaced Klesic as Henry because he had grown too old to play the part.[4][5] McEwan was optimistic about the project and by November 1991, sets were being built in Maine for a production that would cost approximately $12 million. This progress was suddenly interrupted whenKit Culkin,Macaulay Culkin's father and manager, at the time a notoriously influential force in Hollywood due to the child's stardom, wanted his son to star in the film.[5][2] Wishing to prove Macaulay's capacity in a dark role, he made his son's part inThe Good Son a condition for his appearing inHome Alone 2: Lost in New York. Fox agreed enthusiastically due to Culkin's bankability.[2][5]
As the movie was originally scheduled to shoot at the same time asHome Alone 2, the start date forThe Good Son was pushed back for a year, making Steenburgen no longer available and having her replaced byWendy Crewson but also enablingElijah Wood's involvement. Director Lehmann and producer Mark conflicted with the imposition, leading both to leave the project. The demanding Culkin would go on to insist that Macaulay's sister, Quinn, receive a role in the film and vetted replacement directorJoseph Ruben (Sleeping with the Enemy).[2] Furthermore, the budget had risen to an estimated $20 million.[2] McEwan found himself performing further rewrites that continued to simplify the story to satisfy Ruben's comparatively mainstream tastes and was ultimately unceremoniously removed from the project altogether when another screenwriter, Ruben's frequent collaboratorDavid Loughery, was commissioned. Despite this, McEwan was awarded sole writing credit inarbitration when he contested a shared credit.[4]
Principal photography took place between November 1992 and February 1993.[2] Interiors of the Evans household were filmed inBeverly, Massachusetts, while exteriors were filmed in theManchester-by-the-Sea village inCape Ann and the communities ofRockport,Essex,Annisquam,Danvers,Newington,Jackson andMarblehead.[2] The climactic cliff scene was filmed atLake Superior’s 200-foot (61 m) cliff,Palisade Head.[2]
The Good Son was theatrically released on September 24, 1993. It was released onVHS and Laserdisc in 1994. ADVD of the film was released on September 11, 2012. ABlu-ray release ofThe Good Son was announced on October 25, 2016 and was released on August 1, 2017.[6]
Elmer Bernstein's score toThe Good Son was released in 1993 byFox Music.[7] The score was orchestrated by Emilie A. Bernstein and Patrick Russ, and featured Cynthia Millar onondes martenot.
A tie-in novel was published alongside the movie's release in 1993, written byTodd Strasser.[8] The novel elaborates on the movie, detailing how Henry was born asociopath, rather than being some personification of evil. In the novel, Henry's mother Susan eventually discovers that Henry is unable to understand emotions like love and sorrow, and that pleasure derived from selfish actions and the torment of others are the few things he truly feels. The book also concludes differently from the movie, ending with Mark returning to Uncle Wallace's home in Maine one year later. Mark and Susan visit Henry's grave, which includes an epitaph: "Without Darkness There Can Be No Light".
The Good Son earnedUS$44,789,789 at the North Americanbox office revenues, and another $15,823,219 in other territories, for a total worldwide box office take of $60,613,008.[3][9]
OnRotten Tomatoes, the film had an approval rating of 25% based on 28 reviews, with an average rating of 4.6/10. The site's consensus stated: "The Good Son is never good enough to live up to its unsettling potential, failing to drum up much suspense and unable to make Macaulay Culkin a crediblepsychopath."[10] OnMetacritic, the film had a weighted average score of 45 out of 100 based on 17 reviews, indicating "mixed or average reviews".[11] Audiences polled byCinemaScore gave the film an average grade of "B" on an A+ to F scale.[12]
Roger Ebert, who deemed the film inappropriate for children, awarded it half a star, calling the project a "creepy, unpleasant experience".[13] He andGene Siskel later gave it "Two Thumbs Down".[14] Many critics criticized the casting of Culkin because of his comedic image fromHome Alone.[15][16]Hal Hinson ofThe Washington Post stated that "the mere presence of the adorable boy star... seems to throw the whole film out of whack, making the picture play more like an inadvertent comedy than a thriller."[17]Janet Maslin inThe New York Times wrote that the end sequence at the cliff "is one of its few suspenseful and original moments" and "is quite literally gripping."[18]
Paul Willinstein ofThe Morning Call described the film as "Home Alone meetsMisery meetsThe Hand That Rocks the Cradle."[19]
| Award | Category | Recipient | Result | Ref. |
|---|---|---|---|---|
| MTV Movie Awards | Best Villain | Macaulay Culkin | Nominated | [20] |
| Saturn Awards | Best Horror Film | The Good Son | Nominated | |
| Best Performance by a Younger Actor | Elijah Wood | Won |
John Kenneth Muir inHorror Films of the 1990s wrote that the main difference between this andThe Bad Seed was that the mother character manages to put an end to Henry's misconduct, while in the latter the mother is unable to stopRhoda Penmark.[21]
