| The End of Silence | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | February 25, 1992 | |||
| Recorded | October 1991 | |||
| Studio | Showplace Studios, Dover, New Jersey | |||
| Genre | ||||
| Length | 72:30 | |||
| Label | Imago | |||
| Producer | Andy Wallace | |||
| Rollins Band chronology | ||||
| ||||
| Singles from The End of Silence | ||||
| ||||
The End of Silence is the third studio album by the Americanrock bandRollins Band, led by formerBlack Flag singerHenry Rollins. The album spawned two singles, including theMTV hit "Low Self Opinion". It was their first release to reach the USBillboard 200 chart, and is considered their mainstream breakthrough, with the band having previously released a string of underground albums.
The End of Silence was the band's first release for the independent labelImago Records. The label signed them to an eight album contract, on the back of their performance at the inaugural edition ofLollapalooza in 1991. At the time, the label had a distribution deal withBMG, which has led to some considering this as the major label debut of Rollins Band.[3] It has been claimed that the album title was a reference to the broader exposure the band would get by being on a larger label.[4] In 1992, Rollins commented, "it's weird doing the Imago thing. You walk in there and it's this major label. I've made I don't know how many records and I've been paid maybe three times in my life. [It's] weird to get a royalty check in the mail. 'What's this for?', and they say 'you make records, that's what you get paid for'."[5]
It was recorded over six weeks during October 1991, at Showplace Studios inDover, New Jersey.[6] Many of the songs onThe End of Silence had already been written before the band recorded their previous studio album, 1989'sHard Volume.[7] "Another Life" has been described as being about drug addiction, while "Just Like You" revolves around Rollins' abusive father.[8] Regarding the lyrical content, Rollins said in 1992 "I wrote lyrics that really challenged me. I finally had the courage to write about my father on the song 'Just Like You'. I really had problems dealing with it in the past."[5]
The cover features a stylized drawing of the sun identical to the one tattooed on Rollins' back. The album's liner notes credit the artwork to California tattoo artist Rick Spellman.
In their 1999 bookVH1 Rock Stars Encyclopedia, authors Dafydd Rees and Luke Crampton described it as "mixing elements of blues and jazz into an otherwise uncompromisingly intense punk-metal set."[9] In 2022,Guitar World labelled it as being the heaviest album the band had released up until that point,[10] whileMetal Hammer in 2021 considered it to have the sound the band would later become synonymous with, saying that "blues rock, jazz, swing and prog all propped up a rock hard alt-metal sound."[11] Regarding the mixture of styles onThe End of Silence, guitaristChris Haskett said in 2020, "there was never a strategy or plan for writing the music so it wouldn’t be right to say we intended to combine anything in particular."[7] It has been noted for having less of a punk-focused sound than their prior works. Haskett said, "Hard Volume is when thehard rock edge (especiallyVan Halen) starts creeping in and colors how we write together.End of Silence is when we really fully took on our own ensemble voice. The music on it is more collective and, I think, organic than on the earlier two albums."[7]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [12] |
| Christgau's Consumer Guide |  [13] |
| Collector's Guide to Heavy Metal | 8/10[14] |
| Los Angeles Times |  [15] |
| MusicHound Rock | [16] |
| Rolling Stone | [17] |
| Select | [18] |
| Spin Alternative Record Guide | 6/10[19] |
| Vox | 9/10[20] |
The End of Silence has received positive reviews from critics, and as of 1996 had sold 260,000 copies, making it their most commercially successful release prior to 1994'sWeight.[21]Stephen Thomas Erlewine ofAllMusic gave it four out of five stars in his review. He observed that the singles received substantial airplay on MTV'sHeadbangers Ball program, writing that the album "further cemented Rollins' profile with yet another audience: metalheads."[12] Erlewine further wrote, "Rollins released other solid records, butThe End of Silence remains his best."Hard Report's February 1992 review states that, "[Rollins'] influence bleeds through the alternative and metal ranks, in a variety of forms", adding that the album is "a hard blast of Rollins at his best, in a form that should enjoy a very warm reception from metal radio (perhaps more so than alternative)".[22] In February 1992,Billboard gave it a positive review, writing that, "Henry Rollins makes the leap to the majors without compromising [their] ear-bending sound, which creamed unsuspecting audiences at the Lollapalooza tour last year."[23] Jon Dominguez of Californian paper thePalo Verde Valley Times wrote in October 1992 that "The End of Silence is very intense and it sounds and feels so real", adding that "some of the tracks are over ten and eleven minutes long, but I never lose interest."[24]
Steve Hochman of theLos Angeles Times gave it a three and a half rating out of four in March 1992, and labelled it as the "crowning achievement" of Rollins' career.[15] In December 1992, music writerChris Morris named it as one of his ten best records of 1992, praising the band for "pushing outside of the hard rock envelope."[25] A more negative review at the time came from thePittsburgh Post-Gazette's Tony Norman, who in March 1992 called it a "step backwards in rock's self indulgent past". He further said, "since a lot of hipsters don't seem to care that former Black Flag singer Henry Rollins traded in the punk aesthetic for jams that extend six minutes beyond their logical conclusion, I'll state what should be obvious to anyone who wades through all 72 minutes ofThe End of Silence — it's boring man."[26]
Tool bassistJustin Chancellor has mentioned that he was a fan ofThe End of Silence when it was first released.[27] In a 2006 retrospective on the making of the album, Albert Mudrian ofDecibel magazine wrote, "whileKurt Cobain was altering the course of popular music’s history, underground icon Henry Rollins and his band were busy eating cheese sandwiches, avoiding the temptations of nearby stripper joints, and putting a masterpiece of dark, angular grooves and introspective firestorms to tape."[28] In the 2009 bookSpray Paint the Walls: The Story of Black Flag, author Stevie Chick considered the album's lyrical themes to be similar to that of Rollins' last few albums with Black Flag, but noted that it had "a more muscular and, ultimately, audience-pleasing [sound]".[29] In 2022,Louder Sound ranked it as the second best Rollins Band album, behind onlyWeight.[30] That same year,Spin included it on a list titled "30 Overlooked 1992 Albums Turning 30".[31]Metal Hammer included it on a 2021 list of the 20 best metal albums of 1992, and also listed it as being one of the 100 best metal albums released in the 1990s.[11][1]
| Year | Publication | Country | Accolade | Rank | |
|---|---|---|---|---|---|
| 1992 | Rock de Lux | Spain | "Albums of the Year" | 23 | [32] |
| 1992 | Sounds | Germany | "Albums of the Year" | 24 | [33] |
| 1992 | Select | United Kingdom | "Albums of the Year" | 40 | [34] |
| 1996 | Visions | Germany | "The Eternal Readers Charts" | 63 | [35] |
| 1996 | Visions | Germany | "The Best Albums 1991–96" | * | [36] |
| 1999 | Visions | Germany | "The Most Important Albums of the Nineties" | 15 | [37] |
| 2000 | Terrorizer | United Kingdom | "100 Most Important Albums of the Nineties" | * | [38] |
| 2004 | Decibel | United States | "Hall of Fame" | 19 | [39] |
| 2005 | Rock Hard | Germany | "The 500 Greatest Rock & Metal Albums of All Time" | 426 | [40] |
| 2022 | Metal Hammer | United Kingdom | "Top 20 Best Metal Albums of 1992" | * | [1] |
| "*" denotes an unordered list. | |||||
All songs written byHenry Rollins,Chris Haskett,Andrew Weiss and Sim Cain.
Album
| Singles
| ||||||||||||||||||||||||||||||||||||
Blues rock, jazz, swing and prog all propped up a rock hard alt-metal sound.
