| The Big Snooze | |
|---|---|
 Title card | |
| Directed by | Bob Clampett (planned) Arthur Davis (finished) (both uncredited) |
| Story by | Bob Clampett (uncredited) |
| Starring | Mel Blanc |
| Music by | Carl Stalling |
| Animation by | Rod Scribner I. Ellis Manny Gould J.C. Melendez |
| Layouts by | Thomas McKimson |
| Backgrounds by | Philip DeGuard |
| Color process | Technicolor |
Production company | |
| Distributed by | |
Release date |
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Running time | 7:25 |
| Country | United States |
| Language | English |
The Big Snooze is a 1946Warner Bros.Looney Tunes cartoon planned byBob Clampett and finished byArthur Davis, who were both uncredited as directors.[1] It featuresBugs Bunny andElmer Fudd, voiced byMel Blanc andArthur Q. Bryan.[2]
Its title was inspired by the 1939 bookThe Big Sleep, and its1946 film adaptation, also a Warner release.
Bugs and Elmer are in the midst of their usual hunting-chasing scenario. After Bugs tricks Elmer into running through a hollow log and off a cliff three times, Elmer angrily quits because he feels that the writers never let him catch the rabbit. He tears up his Warner Bros. cartoon contract and walks off the set to devote his life to fishing, stunning Bugs, who piteously asks him to reconsider.
During a relaxing fishing trip, Elmer falls asleep. Bugs observes Elmer's nap, remarks that the dream he notices Elmer is having — that of a classic log and saw, representing snoring — is "a heavenly dream". Then, Bugs decides he had "better look into this", and downs a sleeping pill. He dreams he is inside Elmer's dream, in a boat crooning "Someone's Rocking My Dreamboat". He decides to use Nightmare Paint to disrupt the "serene scene".
Within Elmer'sdreamland, Bugs creates unsettling situations: Elmer appears nearly nude, wearing only his derby hat and a strategically placed "loincloth" consisting of a laurel wreath. Next, in a musical parody of "The Campbells Are Coming", and a visual parody of thePink Elephants on Parade sequence from theDisney filmDumbo (1941), Bugs creates a situation where "miwwions and biwwions of wabbits" are dancing over Elmer while Bugs' voice is heard singing, "The rabbits are coming. Hooray! Hooray!" When Elmer asks where they are all coming from, Bugs replies, "From me, Doc," and is shown literally multiplying them from anadding machine.
Looking for another way to torment Elmer, Bugs consults the bookA Thousand and One Arabian Nightmares, exclaiming, "Oh, no! It's too gruesome!" before peeking over the book to cheerfully tell the audience, "But I'll do it!" Elmer realizes what Bugs has in mind, pleading, "No, no! No, not that! Not that, please!" as Bugs ties him to railroad tracks, just as "theSuper Chief" (Bugs in an Indian chief'swar bonnet, leading a conga line of baby rabbits) crosses over Elmer's head.
Elmer chases Bugs through a surreal landscape, and Bugs inquires, "What's the matter doc, ya cold? Here, I'll fix dat." Before Elmer can react, Bugs dresses him indrag, (dress, wig, lipstick) transforming the inept hunter into a woman with anhourglass figure who resemblesRita Hayworth. Bugs inspects his handiwork, then lifts the backdrop to reveal a trio of literalwolves inZoot suits, lounging by the sign atHollywood and Vine, who catcall at Elmer.
As Bugs and Elmer fall off a cliff, Bugs drinks some "Hare Tonic (Stops Falling Hare)" and screeches to a halt in mid-air, while the dream Elmer continues to careen toward earth, finally crash-landing into the real Elmer's snoozing body. He wakes up with a start, exclaiming, "Ooh, what a howwible nightmare!"
Elmer dashes back to the cartoon's original background, pieces his Warner contract back together, and agrees to continue. The chase through the log begins anew. Bugs faces the audience in a closeup, finishing with thecatchphrase from the "Beulah" character on the radio showFibber McGee and Molly,[3] "Ahlove dat man!"
Animation historianJerry Beck writes, "InThe Big Snooze, Clampett, who has drawn up imaginary worlds several times before, outdoes himself with the imagery in Elmer's nightmare. The abstract rabbits foreshadow the minimalism ofUnited Productions of America (UPA) cartoons, and the surreal landscape combining clouds, yellow skies, and musical notes is the closest we'll come to visualizing a Looney Tunes acid trip."[4]
Contrary to popular belief,The Big Snooze was left unfinished upon Bob Clampett's departure. According to historian Milton Gray, Arthur Davis completed the short but didn't understand Clampett's humor, so he had to finish what he had and scrapped the rest.[1][5] Clampett would not see the completed film decades later and admitted to Gray that some things in the short were done very different from his original intention.
| Preceded by | Bugs Bunny Cartoons 1946 | Succeeded by |
