| The Baader Meinhof Complex | |
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| Directed by | Uli Edel |
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| Based on | Der Baader Meinhof Komplex byStefan Aust |
| Produced by | Bernd Eichinger |
| Starring | |
| Cinematography | Rainer Klausmann |
| Edited by | Alexander Berner |
| Music by |
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| Budget | €13.5 million ($19.7 million)[2] |
| Box office | $16,498,827[2] |
The Baader Meinhof Complex (German:Der Baader Meinhof Komplex[deːɐ̯ˈbaːdɐˈmaɪnhɔfkɔmˈplɛks]ⓘ) is a 2008 Germandrama film directed byUli Edel. Written and produced byBernd Eichinger, it starsMoritz Bleibtreu,Martina Gedeck, andJohanna Wokalek. The film is based on the 1985 German best selling non-fiction book of the same name byStefan Aust. It retells the story of the early years of theWest Germanfar-leftterrorist organisation theRote Armee Fraktion (Red Army Fraction, or Red Army Faction, a.k.a. RAF) from 1967 to 1977.
The film was nominated forBest Foreign Language Film at the81st Academy Awards. It was also nominated forBest Foreign Language Film at the66th Golden Globe Awards, and forBest Film Not in the English Language at the62nd British Academy Film Awards.
In 1967, a visit by theShah of Iran toWest Berlin leads to a clash between theWest German student movement and German police. In the chaos, unarmed protestorBenno Ohnesorg is fatally shot by policemanKarl-Heinz Kurras, outraging the West German public, includingleft-wing journalistUlrike Meinhof, who claims in a televised debate that West Germany is afascistpolice state. Inspired by Meinhof's rhetoric, radical communistsGudrun Ensslin andAndreas Baader mastermind theFrankfurt department store firebombings of 1968. While covering their trial, Meinhof is moved by the radicals' commitment and befriends Ensslin during a prison interview before leaving her husband for radical-linked journalist Peter Homann. Left-wing activistRudi Dutschke is injured in an assassination attempt by neo-naziJosef Bachmann, further radicalizing the Left.
Ensslin and Baader are released pending an appeal and recruit youths, includingAstrid Proll andPeter-Jurgen Boock, to their cause. After spending some time abroad, Baader, Ensslin, and Proll move in with Meinhof, who begins advocatingviolent action but does not wish to leave her two children. When Baader is arrested again, Meinhof arranges an "interview" off prison grounds, which Ensslin and the others use to break him out; though the plan called for Meinhof to appear innocent and stay behind, she flees with the radicals, incriminating herself. Meinhof sends her children toSicily and the group receives guerilla training fromFatah inJordan. Homann, overhearing the others asking Fatah to kill him and Meinhof planning to recruit her children as suicide bombers, leaves the group and arranges for his colleagueStefan Aust to return Meinhof's children to their father.
The radicals, now calling themselves theRed Army Faction (RAF), return to Germany and begin robbing banks. In response,German Federal Police chiefHorst Herold orders allmunicipal police to be put under federal command for one day. During that day, RAF memberPetra Schelm is pursued by police and killed in a shootout; viewing her death as murder rather thanresisting arrest, Baader and Ensslin overrule Meinhof's objections and launch a deadly bombing campaign against police stations andUnited States military bases. However, under Herold's command, the police respond in force to the RAF's activities and many members, including Baader, Ensslin, Meinhof, andHolger Meins, are arrested and imprisoned. They stage ahunger strike in separate prisons that results in Meins' death, while the authorities move Baader, Ensslin, Meinhof, andJan-Carl Raspe toStammheim Prison, where they work on their defense for their trial and smuggle orders outside. In 1975, a group of younger RAF recruits acting on these ordersseize the West German embassy in Stockholm, where they kill two hostages and threaten to blow up the embassy if the prisoners are not released, but their bombs accidentally detonate, wounding everyone inside and killing RAF membersUlrich Wessel andSiegfried Hausner. The prisoners are appalled by the poor execution of their orders. Meinhof, suffering from depression and remorse over the deaths caused by the RAF's bombings, is subjected to sadistic emotional abuse by Baader and Ensslin, leading her to hang herself; the others falsely claim she was killed by the government.
Upon completing her sentence in 1977,Brigitte Mohnhaupt takes over command of the RAF and organizes the assassination of Attorney GeneralSiegfried Buback as revenge for Meins and Meinhof's "murders". Mohnhaupt,Christian Klar, andSusanne Albrecht also attempt to kidnapDresdner Bank presidentJürgen Ponto, but they kill him when he fights back. Aware the imprisoned RAF members ordered both murders, the authorities place them in solitary confinement, but Ensslin and Baader obtain radios to continue smuggling orders. Launchinga new campaign of terror, Mohnhaupt abducts industrialistHanns Martin Schleyer while thePopular Front for the Liberation of Palestine hijacksLufthansa Flight 181, again with the goal of securing the prisoners' release, but the West German governmentrefuses to negotiate for Schleyer, while the PFLP hijackers are defeated byGSG 9. Baader and Ensslin tauntingly warn a negotiator and a prison chaplain respectively that the violence will continue; however, the latter also confides that she fears she will be killed soon.
The next morning, Baader and Raspe are found dead from gunshot wounds next to smuggled handguns, while Ensslin is found having been hung from her cell's barred window;Irmgard Möller is also found stabbed four times in the chest, but she survives. The news devastates the RAF, who insist they were murdered, but Monhaupt explains that they, like Meinhof, were "in control of the outcome until the very end". The RAF then murders Schleyer, signifying the continuation of RAF terrorism past the original members.
The film began production in August 2007 with filming at several locations includingBerlin,Munich,Stammheim Prison,Rome andMorocco. The film was subsidized by several film financing boards to the sum ofEUR 6.5 million.
The American trailer is narrated by actorWill Lyman, a voice commonly associated with serious documentary films.
When the film opened in Germany last year, some younger viewers came out of theaters crestfallen that the Red Army Faction members, still mythologized, were such dead-enders. Some who were older complained that the film had made the gang look too attractive. But they were dead-enders, and they were attractive. A film about them, or any other popular terrorist movement, has to account for both facts if it seeks to explain not just their crimes but also their existence.
The film premiered on 15 September 2008, in Munich and was commercially released in Germany on 25 September 2008.[4] The film was chosen as Germany'sofficial submission to the81st Academy Awards forBest Foreign Language Film.[5]
The Baader Meinhof Complex has an approval rating of 85% onreview aggregator websiteRotten Tomatoes, based on 98 reviews, and an average rating of 7.00/10. The website's critical consensus states, "Intricately researched and impressively authentic slice of modern German History, with a terrific cast, assured direction, and a cracking script".[6]Metacritic assigned the film a weighted average score of 76 out of 100, based on 22 critics, indicating "generally favorable reviews".[7]
The Hollywood Reporter gave the film a favourable review, praising the acting and storytelling, but also noting a lack of character development in certain parts.[8] A mixed review with similar criticism was published inVariety.[9] Fionnuala Halligan ofScreen International praised the film's excellent production values as well as the efficient and crisp translation of a fascinating topic to film, but felt that the plot flatlines emotionally and does not hold much dramatic suspense for younger and non-European audiences unfamiliar with the film's historical events.[10]
Stanley Kauffmann ofThe New Republic wrote The Baader Meinhof Complex was 'A dynamic and fascinating account of the German terrorists of the 1970s'.[11]
Christopher Hitchens lavishly praisedThe Baader-Meinhof Complex in a review forVanity Fair. He singled out what he considered "the filmmakers' decision to strike against Hollywood's usual practice of glamorizing Marxist insurgents" by making an explicit connection between revolutionary and criminal violence. By slowly erasing the difference between the two, Hitchens wrote, the film exposed the "uneasy relationship between sexuality and cruelty, and between casual or cynical attitudes to both," as well as the RAF's tendency to offer unquestioning support to the most extreme factions of the Marxist and Islamist underground. Relating his own memories of West Germany during the era, Hitchens further describedFar Left terrorism by adherents of thecounterculture of the 1960s as representing, "a form ofpsychosis" that swept through the formerAxis powers of Germany, Japan, and Italy a generation after the end of theSecond World War. Comparing the RAF to theJapanese Red Army and the ItalianRed Brigades, Hitchens wrote, "The propaganda of the terrorists showed an almost neurotic need to 'resist authority' in a way that their parents' generation had so terribly failed to do." In conclusion, Hitchens praised the film's depiction of an escalating cycle of violence and paranoia in "which mania feeds upon itself and becomes hysterical."[12]
Film and Red Army Faction scholarChristina Gerhardt wrote a more critical review forFilm Quarterly. Arguing that its nonstop action failed to engage the historical and political events depicted, she wrote "During its 150 minutes, the film achieves action-film momentum—bombs exploding, bullets spraying, and glass shattering—and this inevitably comes at the expense of historical excavation."[13]
French movie directorOlivier Assayas, who subsequently made a film about left-wing terroristCarlos the Jackal in 2010, wrote that the film addresses a very painful subject for modern Germany and called it, "some kind of revolution." He admitted, however, that his own perspective was limited: "I’m not German and I’m not an expert, but I never really bought the collective suicide theory. For me it’s absolutely impossible to believe. So I don’t thinkThe Baader Meinhof Complex fully addresses the issue. The supposed suicides in Stammheim prison are for me the elephant in the living room of German politics dealing with that subject. You have to take a position on the subject and face it. The Baader Meinhof Complex doesn’t exactly face it."[14]
TheFilmbewertungsstelle Wiesbaden, Germany's national agency which evaluates movies on their artistic, documentary and historical significance, gave the movie the rating "especially valuable." In their explanatory statement the committee says: "the film tries to do justice to the terrorists as well as to the representatives of the German state by describing both sides with an equally objective distance." The committee summarized the film as: "German history as a big movie production: impressive, authentic, political, tantalizing."
Aust's film has been criticized in Germany and Israel for making terrorist thuggery too glamorous. But in order to capture Baader-Meinhof accurately, the film needs to convey its appeal at the time. From mental patients to left-wing ideologues, from rebellious teens to sexually frustrated professionals, the gang's members captivated many Germans with derring-do and self-conscious theatricality.[15]
Prior to seeing the film,Michael Buback, the son of West German Attorney GeneralSiegfried Buback, expressed doubts that the film would seriously attempt to present the historical truth.[16] He later amended this statement after seeing the film, but expressed regret thatThe Baader-Meinhof Complex concentrates almost exclusively on members of the RAF, which carried the danger that viewers would identify too strongly with the protagonists.[17]
As a protest against the "distorted" and "almost completely false" portrayal of the RAF's assassination of bankerJürgen Ponto, Ignes Ponto, his widow and witness, returned herFederal Cross of Merit. She further accused the German government, which co-produced the film through various film financing funds, as jointly responsible for the "public humiliations" suffered by the Ponto family. Jürgen Ponto's daughter Corinna, also made a statement calling the film's violation of her family's privacy "wrong" and "particularly perfidious."[18]
Jörg Schleyer, the son of murderedConfederation of German Employers' Associations PresidentHanns Martin Schleyer, praised the film. In an interview withDer Spiegel, Schleyer expressed a belief thatThe Baader-Meinhof Complex accurately portrays the RAF, for the first time in a German film, as, "a ruthless and merciless gang of murderers." Commenting on the film's graphic violence, he said, "Only a movie like this can show young people how brutal and bloodthirsty the RAF's actions were at that time."[16]
The German TV channelARD aired the film split in two parts with new footage added to each part. This extended version was later released in Germany on DVD as well. The first part adds ten minutes and 41 seconds of new footage, the second part 3 minutes and 41 seconds.
