| The Assistant | |
|---|---|
 Theatrical release poster | |
| Directed by | Kitty Green |
| Written by | Kitty Green |
| Produced by |
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| Starring | |
| Cinematography | Michael Latham |
| Edited by |
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| Music by | Tamar-kali |
Production companies |
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| Distributed by | Bleecker Street |
Release dates |
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Running time | 87 minutes[1] |
| Country | United States |
| Language | English |
| Budget | $1.7 million[2] |
| Box office | $1.4 million[2][3] |
The Assistant is a 2019 American drama film written, directed, produced, and edited byKitty Green. The film starsJulia Garner as a junior assistant at a film production company withMatthew Macfadyen,Makenzie Leigh,Kristine Froseth, Jon Orsini, andNoah Robbins in supporting roles.
The Assistant premiered at theTelluride Film Festival on August 30, 2019, and was released in the United States on January 31, 2020, byBleecker Street. It was well-received by critics, who especially praised Garner's performance and the film's claustrophobic depiction of office life.
The film takes place over the course of a single day in the life of Jane, a junior assistant who has been working at a film production company inNew York City for five weeks. She arrives before dawn and performs various menial administrative tasks. Her job's long hours and demanding tasks keep her busy and stressed. During a phone call with her mother, Jane learns that she forgot to call her father on his birthday.
As Jane's day progresses, it becomes clear that her boss has been having sex in his office with women and facilitating a culture ofsexual harassment at the company. Many of the male executives make snide comments about the boss's affairs while the female executives handle their own workloads and discuss the possibility of transferring to other departments. Whenever Jane does something her boss deems a mistake, he verbally abuses her over the phone as her two male junior assistant coworkers watch silently. Throughout the day, a variety of people from the boss's life interact with Jane, including his wife, his children's nanny, a famous actor, and a group of Chinese film producers.
In the afternoon, a young, inexperienced woman named Sienna arrives fromIdaho, saying she has been offered a job as a junior assistant. Concerned for Sienna's well-being, Jane goes to thehuman resources department to file a report after dropping Sienna off at a five-star hotel being paid for by the company. Wilcock, the head of HR, encourages Jane to share her concerns, but later makes clear that he is turning a blind eye to her harassment claims, before demeaning her, speaking down to her, and calling her jealous. He also implies that filing a formal complaint would accomplish nothing. As Jane leaves his office, he reminds her that she has nothing to worry about, as Jane is not the boss's "type". Visibly upset, Jane receives a call from her boss when she returns to her desk. He has been informed about her visit to HR and demands she write an email apology addressed to him, which she does. He replies saying that he is especially "tough" on Jane because he knows how great she is.
Toward the end of the day, Sienna arrives at the office so Jane can teach her how to use the phone systems. As night falls, Jane prepares a microwave dinner for herself while other employees leave; her boss stays late in his office with a young actress. Over the intercom, he tells Jane he no longer needs her for the day. Jane goes to a coffee shop across the street and calls her father as she eats a muffin. After she hangs up, she sees a silhouette in her boss's window appearing to have sex.
In September 2018, it was announcedKitty Green would write and direct the film withJames Schamus and Scott Macaulay producing under their Symbolic Exchange banner.[5] Green was inspired to make the film while she was promoting her documentaryCasting JonBenét at the Sundance Film Festival in 2017. Members of the press and festival organizers assumed Green got her ideas for the documentary from her male colleagues. The experience nearly led her to leave filmmaking, but she instead decided to "explore the underlyingsexism she was exposed to, a subject that initially took the form ofsexual misconduct on college campuses but pivoted when theWeinstein story broke."[4]
To prepare for the film, Green spoke with people who had "worked under toxic, often predatory bosses" in the entertainment industry.[6] Her interviews included former assistants at film studios, agencies, and production companies, some of whom had worked at theWeinstein Co.[6] Green "picked up on patterns of women feeling disempowered, threatened or ignored, incorporating them into the screenplay."[6] She said she experienced some early difficulties in getting the film made because it was critical of the film industry. Green said there were several female executives "who really loved it" and said they would recommend it to their colleagues, but then Green received emails back from these executives that said their colleagues were "refusing to even read it".[6]
In December 2018,Julia Garner joined the film's cast.[7] Green cast Garner after seeing her on the TV seriesThe Americans and needing someone "striking" to contrast with the mundanity of the office tasks in the film.[6] In April 2019,Matthew Macfadyen,Kristine Froseth,Makenzie Leigh,Noah Robbins andDagmara Domińczyk joined the cast. Production concluded that month in New York City.[8]
Although the boss figure is a looming presence in the film, he is never actually seen. Green said, "I was always more interested in the machinery [of the workplace]. We know what happens when the door is closed. We've read those stories. … What I was more interested in was what's on the other side of the door: what people knew, what was going on, the culture in an environment like that."[6] Green also eschewed the use of ascore, saying, "the cultural silence [around sexual harassment in the office] is something we were exploring. That quiet was really important to me."[6]
The Assistant premiered at theTelluride Film Festival on August 30, 2019.[9] Shortly afterward,Bleecker Street acquired its distribution rights and released it in theaters on January 31, 2020.[10][11] It also screened as an official Spotlight selection at the2020 Sundance Film Festival.[12]
OnRotten Tomatoes, the film holds an approval rating of 93% based on 242 reviews, with an average rating of 7.7/10. The site's critical consensus reads, "Led by a powerhouse performance from Julia Garner,The Assistant offers a withering critique of workplace harassment and systemic oppression."[13]Metacritic, which uses aweighted average, assigned the film a score of 79 out of 100, based on 43 critics, indicating "generally favorable" reviews.[14]
Writing forThe Guardian,Peter Bradshaw calledThe Assistant "a claustrophobic, intimately unsettling movie" and wrote, "it can claim to be the first drama that addresses the#MeToo issue".[15] In a similarly positive review, Moira Macdonald of theSeattle Times lauded Julia Garner's performance and said the film shone "a light on a malevolent shadow". She also called it "wound taut and perfectly controlled", just like its protagonist, making for an experience that "feels entirely real".[16]
Jeannette Catsoulis ofThe New York Times called the film "less a #MeToo story than a painstaking examination of the way individual slights can coalesce into a suffocating miasma of harassment", and wrote that Garner's performance "makes the slow draining of Jane's soul almost visible".[17]Justin Chang ofNPR concluded that "it's the rigorous understatement ofThe Assistant that makes it so powerful in its vision of how easily theHarvey Weinsteins of the world could exploit their absolute authority for years with little fear of consequence."[18]
| Award | Category | Nominee(s) | Result | Ref. |
|---|---|---|---|---|
| Boston Society of Film Critics Awards | Best Actress | Julia Garner | runner-up | [19] |
| Casting Society of America Awards | Outstanding Achievement in Casting - Low Budget Feature - Comedy or Drama | Avy Kaufman, Scotty Anderson | Nominated | [20] |
| Columbus Film Critics Association Awards | Best Overlooked Film | Nominated | [21] | |
| Breakthrough Film Artist | Kitty Green | Nominated | ||
| Best Actress | Julia Garner | Nominated | ||
| Deauville Film Festival | Grand Special Prize | Kitty Green | Nominated | [22] |
| Louis Roederer Foundation's Directing Prize | Won | |||
| Golden Trailer Awards | Best Drama | Nominated | [23] | |
| Gotham Awards | Best Feature | Kitty Green, Scott Macaulay,James Schamus, P. Jennifer Dana, Ross Jacobson | Nominated | [24] |
| Audience Award | Nominated | |||
| Heartland Film Festival | Truly Moving Picture Award | Kitty Green | Won | [25] |
| Independent Spirit Awards | Best Female Lead | Julia Garner | Nominated | [26] |
| Best First Screenplay | Kitty Green | Nominated | ||
| Best Cinematography | Michael Latham | Nominated | ||
| IndieWire Critics' Poll | ICP Award for Best First Feature | 7th place | [27] | |
| St. Louis Film Critics Association Awards | Special Merit (for best scene, cinematic technique or other memorable aspect or moment) | Nominated | [28] | |
| Online Film & Television Association Awards | Best Feature Debut | Kitty Green | Nominated | [29] |
| Women Film Critics Circle Awards | Adrienne Shelly Award | Nominated | [30] | |