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| Founded | 1903; 122 years ago (1903) |
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| Location |
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Area served | United Kingdom |
| Members | 122,000[2] |
Key people | Jenny Waldman (director)Lord Smith of Finsbury (chairman) |
| Revenue | £8,120,000[1] |
| Website | http://www.artfund.org |
Art Fund (formerly theNational Art Collections Fund) is an independent membership-based Britishcharity, which raises funds to aid the acquisition of artworks for the nation. It gives grants and acts as a channel for many gifts and bequests, as well as lobbying on behalf of museums and galleries and their users. It relies on members' subscriptions and public donations for funds and does not receive funding from the government or theNational Lottery.
Since its foundation in 1903 the Fund has been involved in the acquisition of over 860,000 works of art of every kind, including many of the most famous objects in British public collections, such asVelázquez'sRokeby Venus in theNational Gallery,Picasso'sWeeping Woman in theTate collection, theAnglo-SaxonStaffordshire Hoard inBirmingham Museum and Art Gallery and the medievalCanterbury Astrolabe Quadrant in theBritish Museum.[3]
![[icon]](/mt/?noimg=&dark=on&url=http%3a%2f%2fen.wikipedia.org%2fwiki%2fFile%3aWiki_letter_w_cropped.svg) | This sectionneeds expansion with: history between 1906 and 2005. You can help byadding to it.(September 2023) |
The original idea for an arts charity can be traced to a lecture given byJohn Ruskin in 1857 when he called for the establishment of a "great society" to save works of art for public collections and "watch over" them.
At the start of the 20th century owners of private art collections, under financial pressure, began to auction off many great works of art, often to wealthy citizens of other countries. Artist and criticD. S. MacColl published his concerns and suggested setting up a public organisation to fundraise.[4] The National Art Collections Fund was founded in 1903 in order to help museums and galleries acquire works of art. The founders, who included MacColl,Christiana Herringham,Roger Fry andRobin Benson,[5] were prompted by what they saw as the inadequacy of government funding of museums. Members paid aguinea per year, and donations were welcomed. Herringham wrote toLord Balcarres, the first chairman, "If we are to influence public opinion we ought only to buy for the nation work that is of its kind first-class… It should be worthy of a prominent place and we should be proud to have presented to the Nation work of intrinsically fine quality." An early campaign by the Fund was to acquire Velázquez'sRokeby Venus.[4]
Art criticFrank Rutter said it made him "boil with rage" that the Fund had spent thousands of pounds on Old Master paintings, some of which he considered of dubious merit or condition, but "would not contribute one half penny" to his appeal in 1905 to buy the firstImpressionist painting for theNational Gallery, although it welcomed the prestige of presenting the painting,Eugène Boudin'sThe Entrance to Trouville Harbour, the following year.[6] He said "the Fund's inertia and snobbish ineptitude are entirely characteristic of the art-officialdom in England."[6]
In 2005 the Fund was caught up in the controversy surrounding the purchase by theTate gallery ofThe Upper Room byChris Ofili.[7]
In the summer of 2006 the organisation's name was changed from National Art Collections Fund to The Art Fund.[8] The operational name was subsequently simplified to Art Fund (without a definite article).
Also in 2006, the Fund was caught out when it was discovered that theAmarna Princess, purportedly an ancient Egyptian sculpture, was actually a forgery byShaun Greenhalgh.
In addition to using its own funds to help museums and galleries acquire art, Art Fund organises national fundraising campaigns to secure significant works of art that are in danger of being lost from public view.
In 2009 Art Fund led a fundraising campaign to save theStaffordshire Hoard, a collection of over 3,500 gold and silver artefacts discovered inStaffordshire. Over £900,000 was raised through public donations, and the campaign received substantial funds from trusts and foundations. As a result of the campaign, the £3.3 million treasure was acquired forBirmingham Museum and Art Gallery and thePotteries Museum & Art Gallery,Stoke-on-Trent.
In 2010The Procession to Calvary byPieter Brueghel the Younger, which had been hung inWakefield'sNostell Priory for over 200 years, came under risk of being sold on the open market. Art Fund worked with theNational Trust to raise the £2.7 million required to purchase the painting for the National Trust's art collection.
In 2013King and McGaw partnered with Art Everywhere, a charitable project putting on the world's largest art exhibition. This filled 22,000 billboards across the UK with art prints with all the profits going to Art Fund.[9] The following year the campaign was expanded to 30,000 billboards displaying 25 artworks including theStudy of Cirrus Clouds byJohn Constable,The Circle of Lustful byWilliam Blake andA Lady with a Squirrel and a Starling byHans Holbein the Younger.[10]
| External videos | |
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 William Morris Gallery – Museum of the Year 2013, (2:30), ArtFundUK |
Art Fund sponsors theMuseum of the Year award (known as theGulbenkian Prize from 2003 to 2007 and the Art Fund Prize from 2008 to 2012). This is a £100,000 prize awarded annually to the museum or gallery that had the most imaginative, innovative or popular project during the previous year.[11]
In 2008 Art Fund helped Tate and the National Galleries of Scotland acquire ARTIST ROOMS, a collection of postwar and contemporary art. Since then Art Fund has supported a tour of the collection around the UK, as well as providing additional funds to help museum display the works. By the beginning of 2011 ARTIST ROOMS tours had been seen by approximately 12 million people across Britain.
{{cite web}}: CS1 maint: archived copy as title (link)| International | |
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