Terry Reid | |
|---|---|
 Reid in 1974 | |
| Background information | |
| Birth name | Terrance James Reid |
| Born | (1949-11-13)13 November 1949 (age 75) St Neots, England |
| Genres | |
| Occupation(s) | Musician, songwriter |
| Instrument(s) | Vocals, guitar |
| Years active | 1961–present |
| Labels | Columbia,ABC |
| Formerly of | Peter Jay and the Jaywalkers |
| Website | terryreid |
Terrance James Reid (born 13 November 1949), nicknamed "Superlungs", is an English rock vocalist, songwriter, and guitarist best known for his emotive style of singing in appearances with high-profile musicians as vocalist, supporting act and session musician. As a solo recording and touring artist, he has released seven studio albums and four live albums. His songs have been recorded by numerous artists includingThe Hollies,Crosby, Stills & Nash,Jackson Browne,Arrival,Marianne Faithfull,Cheap Trick,Jack White withThe Raconteurs,Joe Perry,Rumer andChris Cornell.
Reid’s music career began in the early 1960s performing in a local British club where he was invited to joinPeter Jay and the Jaywalkers as lead vocalist, opening forThe Rolling Stones 1966 tour. In the later '60s, Reid was the solo supporting act for the Rolling Stones,Cream,Jethro Tull andFleetwood Mac tours. He is known to have turned down an offer byJimmy Page to be the lead vocalist of the band that becameLed Zeppelin as well as an offer fromRitchie Blackmore to frontDeep Purple.[2][3]
Terrance James Reid was born in Paxton Park Maternity Home, Little Paxton,St Neots,Huntingdonshire, England.[4] He lived in the village ofBluntisham and attendedSt Ivo School,St Ives.[5]
After leaving school at the age of fifteen, Reid joinedPeter Jay and the Jaywalkers after being spotted by the band's drummer, Peter Jay.[6][7] At the time, Reid was playing for a local band, The Redbeats, who regularly performed at the River Club in St Ives. His public profile was enhanced in 1966 when The Jaywalkers were named as a supporting act for theRolling Stones during their 23-showBritish Tour from September to October 1966. At the concert at theRoyal Albert Hall,Graham Nash ofThe Hollies became friends with Reid and suggested The Jaywalkers sign up withUK Columbia Records—an EMI label—to record with producerJohn Burgess. Their first single, the soul-inspired "The Hand Don't Fit the Glove" was a minor hit in 1967, but by then The Jaywalkers had decided to disband.[2]
Reid came to the attention of producerMickie Most, who became his manager and who was in partnership withPeter Grant at the time. His first single with Most, "Better By Far", became a radio favorite. His debut album,Bang Bang, You're Terry Reid, was released in 1968. With accompanying musiciansPeter Solley on organ and Keith Webb on drums, a 1968 tour of the United States withCream did much to gain Reid a loyal following.[2] His final performance of the tour at theMiami Pop Festival garnered positive reviews from the music press.
The song "Without Expression", fromBang Bang, You're Terry Reid, written by Reid at age 14 and later recorded under different titles.The Hollies released it as "A Man With No Expression" in 1968,Crosby, Stills, Nash and Young recorded it as "Horses Through a Rainstorm" in 1969, andREO Speedwagon covered it in 1973 as "Without Expression (Don't Be the Man)."John Mellencamp[8] also included it on his greatest hits albumThe Best That I Could Do: 1978–1988, again with the parenthetical "Don't Be the Man", with Nash singing lead on the first two. "Horses Through a Rainstorm" was slated to appear onDéjà Vu before being replaced at the last minute byStephen Stills's "Carry On". Both versions were not released until years later.[9]
Yardbirds guitaristJimmy Page, managed by Peter Grant, became interested in Reid's work, and when The Yardbirds disbanded, Page wanted Reid to fill the vocalist spot for his proposed new group, the New Yardbirds, which was to becomeLed Zeppelin.[2] Reid had already committed to go on the road for two tours with the Rolling Stones and another with Cream (as an opening act on the 1968 US Tour). Reid suggested to Page that if he were compensated for the gig fees he would lose and if Page would callKeith Richards to explain why Reid had to pull out of the US tours, Reid would try some things out with Page. It never happened and Reid told Page to consider a young Birmingham-based singer,Robert Plant, instead, having previously seen Plant'sBand of Joy as a support act at one of his concerts. Reid also suggested Page check out their drummerJohn Bonham. Reid also rejected an offer fromRitchie Blackmore to replace the departingRod Evans inDeep Purple.[10]
The style of what he was doing, that kind of opening up, he had a flexibility and power and control. So he could go, as Esther Phillips said, from a whisper to a scream in split seconds.[3]
In 1969, Reid supported British tours, notablyJethro Tull andFleetwood Mac. Reid, Solley and Webb toured the United States again when he opened for the Rolling Stones on their1969 American Tour. He did not appear at the infamous Rolling Stones concert atAltamont Music Festival.[11]
In December 1969, Reid had a falling out with producer Mickie Most, who wanted Reid to become a balladeer and strictly follow Most's own formula. Before this, Reid had toured extensively in major venues in the US, including two tours with the Rolling Stones and another with Cream (he also performed atMick andBianca Jagger's wedding inSaint-Tropez in 1971). Unable to record or release his music, Reid concentrated on live work, mostly in the US whilst awaiting the outcome of litigation with Most, making only sporadic UK performances during that period. In 1970, he returned briefly to England to perform at theIsle of Wight Festival with bass playerLee Miles (a former member ofIke & Tina Turner's band whom Reid met while touring the US with the Stones),David Lindley andTim Davis. During this period he also took part in the secondAtlanta International Pop Festival, and was filmed performing atGlastonbury in 1971.[5]
Reid’s fascination withBrazilian music andLatin rhythms began in 1969 whenGilberto Gil andCaetano Veloso were exiled by themilitary dictatorship of Brazil and Reid’s attorney arranged for Gil’s arrival in London, where he stayed at Reid’s apartment inNotting Hill,Chelsea, London. Along with Gil, a group of Brazilian musicians slept on his floor. When Reid performed at theIsle of Wight Festival on August 27,Gilberto Gil andCaetano Veloso played on the same bill that night.[12][13][14][15]
That same year, Reid was signed byAhmet Ertegun[16] toAtlantic Records, with his band consisting of David Lindley, Lee Miles andAlan White; they began recording in the UK and later switched to the US. White left to join Yes and Lindley left to tour withJackson Browne.[17] However, Lee Miles remained and was Reid's trusty sidekick for many years to come.[18] Other musicians on the album, titledRiver, includedConrad Isidore on drums andWillie Bobo on percussion. Produced by Reid, engineered by Tom Dowd,[16] and mixed byEddy Offord this third album was released in 1973 and received favourable reviews, but failed commercially. The remainder of the material from those extensive sessions was released in 2016 asThe Other Side of The River.
Over the next decade, Reid switched to different labels in search of a winning formula.Seed of Memory was released byABC Records in 1976,[2] and produced by Graham Nash[16] (ABC filed for bankruptcy the week the album was released), andRogue Waves was produced byChris Kimsey for Capitol Records in 1979.[2] For Rogue Waves, Reid enlisted Lee Miles on bass, Doug Rodrigues on lead guitar andJohn Siomos on drums, recording at Brother's Studios in Santa Monica, California.[18]
Reid retired his solo career in 1981 to concentrate on session work, appearing on albums byDon Henley,Jackson Browne andBonnie Raitt. In 1991, Reid returned with producerTrevor Horn for the WEA albumThe Driver.[2] The album featured a cover version "Gimme Some Lovin'" which also appeared on the soundtrack for theTom Cruise movieDays of Thunder byTony Scott. In the 1990s, he also toured the US and Hong Kong withMick Taylor. "Rich Kid Blues" was the eponymous song on analbum released byMarianne Faithfull, produced byMike Leander in 1984 but unreleased for 14 years.[19] Reid and friends put together an informal group in March 1993, calling themselves The Flew. Members included Reid,Joe Walsh,Nicky Hopkins,Rick Rosas, andPhil Jones. They played one show at The Coach House in San Juan Capistrano. This was Nicky Hopkins' last public performance before his death.[17]
In late 2002, Reid returned to the UK with longtime bass player Lee Miles for three shows at the [WOMAD] festival near Reading, his first live appearance in years. In 2005 he returned for a UK tour with London shows at The 100 Club andRonnie Scott's. One venue billed him as 'The Man with a Hell of a Story To Tell'. This began a run of regular visits by Reid, who has toured the UK every year since.[needs update] For appearances at festivals and his London shows, Reid uses a full band and venues have includedThe Jazz Cafe, The Borderline, The 100 Club,Dingwalls, The Half Moon and notably an invite to return to Ronnie Scott's in 2009 for a week long residency as part of their 50th anniversary (one of only 6 non-jazz acts to do so). This became Reid's favourite venue and he had residencies there for several years after. In 2012, his albumLive in London featured an entire set from one of these gigs at Ronnie Scott's, and was released with no remixes or overdubs. Reid's UK band regularly attracts the best UK session players (Ash Soan - drums, BJ Cole - pedal steel, Dzal Martin -guitar, Mark Smith - bass, David Tench - piano). Between 2002 and 2012, Reid appeared at theGlastonbury Festival several times and many other festivals:The Isle of Wight, The Secret Garden (twice), The Rhythm Festival (twice), and All Tomorrows Parties. Also during this period, EMI produced theSuperlungs[20] box set of his first two albums and all his sessions for them recorded between 1966 and 1970. AlsoSeed of Memory andRiver became available on CD and a new live album,Alive was released bySanctuary Records, having previously been available from Reid himself, who made 200 copies to sell at WOMAD 2002. Around this time Reid began a residency at The Joint in Los Angeles, this became "Big Monday' and ran for four years, with many of his friends dropping by when they were in town includingRobert Plant,Keith Richards,Bobby Womack,Roger Daltrey, andEric Burdon.
His song "Dean" from theRiver album was used in the feature filmThe Criminal produced 1999 and released in 2001. Reid became good friends with the film's producer Chris Johnson who also become Reid's business advisor and persuaded Reid to return live work in the US in early 2000's and arranging UK tours, recruiting players for his band, arranging collaborations with other artists, organising back catalogue releases, licensing his songs for films and even an acting role. In 2003 Johnson placed three of Reid's songs, "Seed of Memory", "To Be Treated Rite", and "Brave Awakening" in the movieThe Devil's Rejects directed byRob Zombie. Also his song "Faith To Arise" was in the 2003 filmWonderland and in the 2017 filmWin It All. In 2009, his song 'Be Yourself", which he wrote for Graham Nash'sSongs For Beginners, appeared in theJason Reitman filmUp in the Air (2009). In the 2005Bill Paxton movieThe Greatest Game Ever Played, Reid played a golf caddy.
In July/August 2007, Reid returned for another six-week UK tour being backed by The Cosmic American Derelicts,[21] a band out of northern New Jersey and southern New York, and their guitar player Eddie Rainey became a member of Reid's band for three or so years. On 26 June 2009, Reid appeared with Rainey at Great Yarmouth club, The Residence, where Reid was reunited with Peter Jay for the first time in over 15 years.
Reid is popular with newer artists as a collaborator; the pairing of Shine (a French trip-hop act) and Reid led to him spending a week in Paris to record several tracks as guest vocalist. They played a one-off at thePigalle Club in London on 26 August 2009.Shine featuring Terry Reid was released as an EP in November 2009. Reid was in San Francisco lending his voice to the track "Listen" by DJ Shadow as one of a few bonus tracks added to his best of album. Another collaboration has yet to see the light of day: "All God's Children Need Dancing Shoes" withAlabama 3 after they shared a stage at theRhythm Festival.[citation needed]
Reid is acknowledged by Robert Plant as the outstanding voice of his generation and an influence on Led Zeppelin's early material and is credited by Jimmy Page for connecting him to Robert Plant.
Aretha Franklin once said of Reid:
There are only three things happening in England: The Rolling Stones, The Beatles and Terry Reid.[22][23]
Many songs originally recorded by Reid have been covered by numerous artists includingThe Hollies,Crosby, Stills & Nash,Arrival,Marianne Faithfull,Cheap Trick,Jack White withThe Raconteurs,Joe Perry,Rumer andChris Cornell:
Reid's early song "Rich Kid Blues" was covered on analbum byMarianne Faithfull in 1984.[19] The UK artistRumer recorded "Brave Awakening" on herBoys Don't Cry 2012 album and appeared at his London shows at theJazz Cafe andHalf Moon.Cheap Trick recorded Reid's "Speak Now" for their1977 debut album.The Raconteurs withJack White also recorded a version of Reid's "Rich Kid Blues" for their second albumConsolers of the Lonely in 2008.
The American rock groupThe Split Squad recorded a cover of Reid's "Tinker Taylor" for their debut album,Now Hear This..., released in 2014.Joe Perry's albumSweetzerland Manifesto, released in 2018, features three tracks co-written and sung by Reid.[3] In 2020, a recording ofChris Cornell covering Reid's "To Be Treated Rite" was released on his posthumous albumNo One Sings Like You Anymore, Vol. 1, which also included a cover of "Stay with Me Baby" based on Reid's own version.
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