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Tarnhelm

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Magic helmet depicted in the ring cycle
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Alberich puts on the Tarnhelm and vanishes; illustration byArthur Rackham to Richard Wagner'sDas Rheingold

TheTarnhelm is a magic helmet inRichard Wagner'sDer Ring des Nibelungen (written 1848–1874, first performed 1876). It was crafted by Mime at the demand of his brotherAlberich. It is used as acloak of invisibility byAlberich inDas Rheingold. It also allows one to change one's form:

  • Alberich changes to a dragon and then a toad inDas Rheingold, Scene 3.
  • Fafner changes to a dragon after the end ofDas Rheingold and appears thus inSiegfried, Act II. (It is never made clear whether Fafner actually used the Tarnhelm to transform, or simply transformed as many giants and gods did in the myths. There is no Tarnhelm present in the originalAndvari myth fromReginsmál in thePoetic Edda from which Wagner drew inspiration for this scene.)
  • Siegfried changes toGunther's form inGötterdämmerung Act I, Scene 3.

Finally, it allows one totravel long distances instantly, as Siegfried does inGötterdämmerung, Act II.[1]

The stage directions[citation needed] inDas Rheingold andSiegfried describe the Tarnhelm as a golden chain-mail helmet which covers the wearer's face.

In popular culture

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InThe Lord of the Rings,Éowyn adopts the name "Dernhelm" when she masquerades as a man before slaying the Witch-King of Angmar; "Dernhelm" is the Old English equivalent of "Tarnhelm."[2]

See also

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References

[edit]
  1. ^"The Perfect Wagnerite", essay byGeorge Bernard Shaw
  2. ^Peter Gilliver,The Ring of Words: Tolkien and the Oxford English Dictionary, p. 103.
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Das Rheingold(1869)
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