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Tania León

From Wikipedia, the free encyclopedia
Cuban-American composer and conductor
For the anti-apartheid activist, seeTania Leon.

Tania León
Tania León, a 2022 Kennedy Center Honoree
Born (1943-05-14)May 14, 1943 (age 81)
Havana, Cuba
NationalityCuban-American
OccupationComposer / conductor
Awards2021Pulitzer Prize for Music
New York Governor's Lifetime Achievement Award
2022 Kennedy Center Honoree
Websitehttp://www.tanialeon.com/

Tania León (born May 14, 1943) is a Cuban-born American composer of both large scale and chamber works. She is also renowned as a conductor, educator, and advisor to arts organizations.

Early years and education

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She was born Tania Justina León in Havana, Cuba, of mixed French, Spanish, Chinese, African, and Cuban heritage. It was her grandmother who recognized that her granddaughter liked music because of the way she reacted to music on the radio. She began studying the piano at the age of four and she attendedCarlos Alfredo Peyrellade Conservatory, where she earned a B.A. in 1963, and the Alejandro García Caturla Conservatory, where she studied piano withZenaida Manfugás. Leon was one of an estimated 300,000 Cubans who left Cuba as a refugee on the so-called "Freedom Flights".[1] In the spring of 1967 she left Cuba and settled in New York City, continuing her studies atNew York University under the tutelage ofUrsula Mamlok (B.S., 1971; M.S., 1975).[2]

Career

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In 1969, León became a founding member and the first musical director ofArthur Mitchell'sDance Theater of Harlem, establishing its music department, music school, and orchestra.[3][4] Her ballet compositions for that company includeHaiku (1973),Dougla (withGeoffrey Holder, 1974) andBelé (with Geoffrey Holder; 1981).

She instituted theBrooklyn Philharmonic Community Concert Series in 1977 and in 1994 co-founded the American Composers Orchestra Sonidos de las Americas Festivals asLatin American Music Advisor. From 1993 to 1997, she was New Music Advisor toKurt Masur and theNew York Philharmonic. She also served as Latin American Music Advisor to theAmerican Composers Orchestra until 2001.[3] In March 2001 her orchestral workDesde... was premiered by the American Composers Orchestra atCarnegie Hall.

She has been a guest conductor with theBeethovenhalle Orchestra,Bonn; theGewandhausorchester,Leipzig; the Santa Cecilia Orchestra, Rome; theNational Symphony Orchestra of South Africa, Johannesburg; theNetherlands Wind Ensemble, the Netherlands; and the New York Philharmonic, among others.

León's operaScourge of Hyacinths, based on a radio play byNobel Prize-winnerWole Soyinka, was commissioned in 1994 by theMunich Biennale, where it won theBMW Prize as best newopera. Staged and designed byRobert Wilson with León conducting, it has received over 22 performances in Germany, Switzerland, France and Mexico. The aria "Oh Yemanja" fromScourge was recorded byDawn Upshaw on her Nonesuch CDThe World So Wide.

León's compositionHorizons, written for theNDR Symphony Orchestra ofHamburg, premiered at the July 1999Hammoniale Festival, withPeter Ruzicka conducting. In August 2000,Horizons had its U.S. premiere at theTanglewood Music Festival, withStefan Asbury conducting. León conducted the work with the Orchestre Symphonique de Nancy (France) in March 2002.

Drummin', a full-length cross-cultural work for indigenouspercussionists and orchestra, was commissioned and premiered in 1997 byMiami Light Project and theNew World Symphony Orchestra. It opened the 1999 Hammoniale Festival in Hamburg.

In February 2020, theNew York Philharmonic performed the world premiere of her compositionStride for orchestra.[5]

León's recorded works includeBatá, by the Foundation Philharmonic Orchestra, conducted byDavid Snell and produced by SirGeorge Martin;Indígena, a collection of León's chamber music;Carabalí (and alreadyBatá) on theLouisville Orchestra’s First Edition Records;Rituál, for solo piano, and her arrangement ofMoises Simons' song "El Manisero" forChanticleer.

Tania León used award-winning Cuban-American poetCarlos Pintado’s poems to createRimas Tropicales with a World premiere in June 2011 by one of the world's most respected vocal ensembles: the 5 times Grammy Award-winning group theSan Francisco Girls Chorus.

Awards, honors and recognition

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In 1998, León was awarded the New York Governor's Lifetime Achievement Award. She has receivedhonorary doctorates fromColgate University,Oberlin College, andColumbia University,[6] and awards from theAmerican Academy of Arts and Letters, theNational Endowment for the Arts,Chamber Music America,NYSCA, theLila Wallace Reader's Digest Fund,ASCAP, theKoussevitzky Music Foundation, andMeet the Composer, among others.[3] In 1998, she held the Fromm Residency at theAmerican Academy in Rome.[7]

León has also been a resident atYaddo (supported by aMacArthur Foundation Award), and at theRockefeller Foundation’s Bellagio Center inItaly. She has also been aVisiting Lecturer atHarvard University, Visiting Professor atYale University and the Musikschule inHamburg.

In 2000, she was named the Tow Distinguished Professor at theConservatory of Music at Brooklyn College, where she has taught since 1985.Brooklyn College is one of the senior colleges of theCity University of New York (CUNY), where she is also on the faculty of theCUNY Graduate Center, in Manhattan.

León has been the subject of profiles onABC,CBS,CNN,PBS,Univision and independent films.

In 2010, her work was performed in Cuba for the first time at the second annualLeo Brouwer Festival of Chamber Music.[8] In 2010 and 2012, she was nominated for aLatin Grammy Award for Best Classical Contemporary Composition. She is the only Cuban andCuban-American musician ever to be nominated for aGrammy Award for Best Contemporary Classical Composition (2013).

She won the 2021Pulitzer Prize for Music forStride, making her the first African-American woman composer to win the award.[9]

In 2022, Tania was awarded aKennedy Center Honor along withGeorge Clooney,Amy Grant,Gladys Knight and the members ofU2.[1]

Works

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Chamber works

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  • A la Par, piano and percussion
  • Ácana, chamber orchestra
  • Alma, flute and piano
  • Ascend, brass ensemble
  • Axon, violin and electronics
  • Bele, chamber orchestra
  • De Color, violin and marimba
  • De Memorias, woodwind quintet
  • Dougla, large mixed ensemble
  • Drummin' , chamber orchestra
  • entre nos, clarinet, bassoon, piano
  • Escencia, string quartet
  • Ethos, piano and string quartet
  • Four Pieces for Cello, violoncello solo
  • Haiku, percussion ensemble, large mixed ensemble
  • Hechizos, chamber orchestra
  • Indigena, large mixed ensemble
  • Maggie Magalita, large mixed ensemble
  • Paisanos Semos!, guitar solo
  • Parajota Delate, mixed quintet
  • Permutation Seven, mixed sextet
  • Pet's Suite, flute and keyboard
  • Saoko, brass quintet
  • sin normas ajenas, large mixed ensemble
  • Son Sonora, flute and guitar
  • The Beloved, large mixed ensemble
  • The Golden Windows, large mixed ensemble
  • Tones, chamber orchestra
  • Toque, clarinet, alto sax, piano, percussionists, violin, and double bass

Orchestral works

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  • Bata
  • Carabali
  • Concerto Criollo, piano, solo timpani and orchestra
  • Desde...
  • Horizons
  • Kabiosile, piano and orchestra
  • Para Viola y Orquesta, solo viola and orchestra
  • Stride (2019) for orchestra

Vocal works

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  • Batey, vocal ensemble and instrumental ensemble
  • De-Orishas, vocal ensemble (6 to 12 singers)
  • Drume Negrita, mixed chorus
  • El Manisero, mixed chorus
  • Inura, mixed choir, strings, and percussion
  • Ivo, Ivo, high voice and ensemble
  • Journey, high voice and ensemble
  • Oh Yemanja (Mother's Prayer), medium voice and ensemble
  • Pueblo Mulato, high voice and ensemble
  • Reflections, soprano and mixed ensemble (text from poems by Rita Dove)
  • Rezos, mixed choir (text from Jamaica Kincaid)
  • Singin' Sepia, medium voice and ensemble (text from poems by Rita Dove)
  • Sol de Doce, vocal ensemble (6 to 12 singers),
  • To and Fro, medium voice

Solo piano

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  • 2 Preludes (1966)
  • Momentum (1984)
  • Rituál (1987)
  • Mística (2003)
  • Variación (2004)
  • La Tina (2004)
  • Tumbao (2005)
  • Para Noah (2006)
  • Homenatge (2011)
  • going...gone (2012)

Concert Band

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  • Alegre (2003)

Opera

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  • Scourge of Hyacinths

Films

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  • 1993 –The Sensual Nature of Sound: 4 Composers – Laurie Anderson, Tania León, Meredith Monk, Pauline Oliveros. Directed byMichael Blackwood.

References

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  1. ^abHuizenga, Tom (December 2, 2022)."The unplanned, unstoppable career of composer Tania León".NPR. RetrievedDecember 13, 2022.
  2. ^Borroff, Edith (2003).Music Melting Round: A History of Music in the United States. Scarecrow Press. p. 289.ISBN 978-1-4617-1680-8.
  3. ^abc"Tania León at Pytheas ~ Contemporary, Modern, New, Non-Pop Art Music Composers, Ensembles & Resources".www.pytheasmuskic.org.
  4. ^Raines, Robert (2015).Composition in the digital world : conversations with 21st century American composers. Oxford University Press.ISBN 978-0-19-935703-1.OCLC 880689841.
  5. ^Woolfe, Zachary (February 14, 2020)."Review: A Tale of Two Women at the New York Philharmonic".The New York Times. RetrievedJuly 19, 2020.
  6. ^"COLUMBIA UNIVERSITY IN THE CITY OF NEW YORK". RetrievedJuly 16, 2024.
  7. ^Tania León profile, Brooklyn College.
  8. ^"Composer Tania Leon's music to be played in her native Cuba for the first time", Cubaheadlines, October 6, 2010.
  9. ^Katori Hall, Darnella Fraizer Among 2021 Pulitzer Winners – Variety

External links

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Interviews

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Wikimedia Commons has media related toTania León.
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