| "Tangled Up in Blue" | ||||
|---|---|---|---|---|
| Single byBob Dylan | ||||
| from the albumBlood on the Tracks | ||||
| B-side | "If You See Her, Say Hello" | |||
| Released | January 20, 1975 | |||
| Recorded | December 30, 1974 | |||
| Studio | Sound 80 (Minneapolis, Minnesota) | |||
| Genre | Folk rock[1] | |||
| Length | 5:41[2] | |||
| Label | Columbia | |||
| Songwriter | Bob Dylan | |||
| Producer | David Zimmerman (uncredited) | |||
| Bob Dylan singles chronology | ||||
| ||||
| Blood on the Tracks track listing | ||||
| Music video | ||||
| "Tangled Up in Blue" (live) onYouTube | ||||
"Tangled Up in Blue" is a song by American singer-songwriterBob Dylan. The opening track of his 15th studio albumBlood on the Tracks (1975), the song was released as the album’s sole single and reached No. 31 on theBillboard Hot 100. Written by Dylan and produced by his brother David Zimmerman, the song concerns relationships from different narrative perspectives. Dylan has altered the lyrics in subsequent performances, changing the point of view and details in the song.
The track, first recorded in September 1974, was re-recorded on December 30 atSound 80 inMinneapolis, Minnesota. The new version was released onBlood on the Tracks on January 20, 1975.[a] The song received widespread acclaim frommusic critics, with particular praise for the lyrics.Rolling Stone ranked it No. 68 on their list of the500 Greatest Songs of All Time. A number of alternate versions have been released, including multiple studio out-takes onThe Bootleg Series Vol. 14: More Blood, More Tracks (2014). Dylan has performed the song live more than 1,600 times.
The song was written in the summer of 1974, after Dylan'scomeback tour withThe Band that year and his separation fromSara Dylan, whom he had married in 1965. Dylan had moved to a farm in Minnesota with his brother, David Zimmerman, and there started to write the songs that were recorded for his albumBlood on the Tracks.[3] In the spring of 1974, Dylan had taken art classes atCarnegie Hall and was influenced by his tutorNorman Raeben, and in particular Raeben's view oftime, when writing the lyrics.[3][4]: 160 [5] In a 1978 interview Dylan explained this style of songwriting: "What's different about it is that there's a code in the lyrics, and there's also no sense of time. There's no respect for it. You've got yesterday, today, and tomorrow all in the same room, and there's very little you can't imagine not happening".[6]Richard F. Thomas, Professor of theClassics atHarvard University, has written that Dylan has been "characteristically vague" on the use of any specific painting techniques emulated while he was writing the words for the songs onBlood On The Tracks.[7] NovelistRon Rosenbaum said Dylan told him that he'd written "Tangled Up in Blue" after spending a weekend listening toJoni Mitchell's 1971 albumBlue.[8]
Dylan first recorded "Tangled Up in Blue" in New York City on 16 September 1974 during the initialBlood on the Tracks sessions atA&R Studios.[9] Eight takes were recorded in New York from 16 to 19 September, mostly featuring Tony Brown on bass alongside Dylan on guitar and harmonica,[10] and containing some minor variations in lyrics, as well as differences in vocal delivery, andtempo.[11] Two of the versions later released onThe Bootleg Series Vol. 14: More Blood, More Tracks (Deluxe edition) also includePaul Griffin on organ.[10] That December, working from a suggestion from his brother that the album should have a more commercial sound, Dylan re-recorded half the songs onBlood on the Tracks, including "Tangled Up in Blue" on 30 December atSound 80 inMinneapolis, Minnesota.[9][12][13]
David Zimmerman was theproducer for the MinneapolisBlood on the Tracks recordings, but was not credited on the album.[14] The re-recorded versions were radical departures from the original recordings, and each new recording included changes to the lyrics from the earlier versions.[3][15][16] This recording featured a full band:Kevin Odegard (guitar), Chris Weber (guitar) Gregg Inhofer (keyboards),Billy Peterson (bass), andBill Berg (drums), with Dylan singing, and on guitar and harmonica.[9] These musicians were based locally and had arrived at Zimmerman's invitation, and Dylan had not met them before they started working together on 27 December.[3]
The Minneapolis version was included as the opening track onBlood on the Tracks, released on 20 January 1975,[a][17][3] and in February as a single backed with "If You See Her, Say Hello".[18] The single reached number 31 on theHot 100 chart.[19] Outtakes of "Tangled Up in Blue" from the New York sessions were released in 1991 onThe Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991 and in 2018 on the single-CD and 2-LP versions ofThe Bootleg Series Vol. 14: More Blood, More Tracks, while the complete New York sessions were released on the deluxe edition of the latter album.[20] The deluxe version ofThe Bootleg Series Vol. 14 also included a remix of the December 1974 master issued onBlood on the Tracks.[21]

With "Tangled Up in Blue", Dylan used shifting perspectives of time, influenced by his recent studies under Raeben.[9]Michael Gray describes the structure of "Tangled Up in Blue's" lyrics as the story of a love affair and career and how the "past upon present, public upon privacy, distance upon friendship, [and] disintegration upon love" transform and are complicated over time.[23] Timothy Hampton, Professor ofComparative Literature and French at theUniversity of California, Berkeley, has described the structure of the lyrics as a set ofsonnets, with sevenstanzas each of 14 lines, each with avolta after line eight.[24]
Dylan continually re-worked the lyrics and arrangement even after the album was released.[23][9] During his 1978 World Tour, the line starting "She opened up a book of poems" became "She opened up the Bible and started quotin' it to me", becoming one of the first public indicators of Dylan's conversion to Christianity.[23] The version released onReal Live, as performed throughout his 1984 Europe tour, differs radically in structure and lyrics from earlier versions, with a more cynical view of romance.[23][9] Dylan said in 1985 that he was more satisfied with the implementation of multiple viewpoints in the song than he had been with the original.[11] Dylan has often stated that the song took "ten years to live and two years to write".[25]
In a 1985 interview with Bill Flanagan, Dylan said that although many people thought that the albumBlood on the Tracks was autobiographical, "It didn't pertain to me. It was just a concept of putting in images that defy time – yesterday, today and tomorrow. I wanted to make them all connect in some kind of a strange way."[26] In his 2004 memoirChronicles: Volume One, Dylan claimed thatBlood on the Tracks was "an entire album based onChekhov short stories. Critics thought it was autobiographical – that was fine."[12]
Billboard regarded "Tangled Up in Blue" as Dylan's most powerful and most commercial single in a long time, saying that Dylan's voice and the "strong acoustic background" instrumentals were reminiscent of Dylan's early songs.[22]Cash Box said that it is a "great tune...with lyrics pouring forth in profusion and with Bob's voice in excellent shape."[27] Jon Landau inRolling Stone praised Dylan's lyrics and delivery of the song, but was unimpressed by the accompanying musicians and the production of the album,[28] whileJonathan Cott, in the same issue of the magazine, called the track "brilliant and haunted." Cott likened the effect of the album's lyrics to those of the Italian 13th-century poem referred to in the song, quoting from the song:[29]
And every one of them words rang true
And glowed like burnin’ coal
Pourin’ off of every page
Like it was written in my soul
From me to you
Tangled up in blue
Critics and Dylan himself have offered different theories about the referent in "...Italian poet/From the thirteenth century".[30][31] Matthew Collins of Harvard, noting that Dylan may not have been precise with dates, argues that there are similarities between elements of the lyrics and the fifthcanto ofDante's 14th-centuryInferno,[32] but argues that the reference is more likely toPetrarch.[24] Collins and Hampton note that Dylan, asked in a 1978 interview which poet the song alludes to, replied, "Plutarch. Is that his name?"[32][24]
Don Stanley inThe Vancouver Sun said that the song "succeeds on the strength of its metaphors."[33] An opposing view was expressed by Al Rudis, inThe Pittsburgh Press, who was unimpressed by the song's lyrics, calling the track "a long lurching song [but with] no build-up of cumulative power" and stating that it contains "seemingly meaningless images."[34] Neil McCormick remarked in 2003 that the song is "A truly extraordinary epic of the personal, anunreliable narrative carved out of shifting memories like a five-and-a-half-minute musicalProust."[35]The Daily Telegraph has described the song as "The most dazzling lyric ever written, an abstract narrative of relationships told in an amorphous blend of first and third person, rolling past, present and future together, spilling out in tripping cadences and audacious internal rhymes, ripe with sharply turned images and observations and filled with a painfully desperate longing."[36]
Jim Beviglia ranks "Tangled Up in Blue" 14th in his 2013 assessment of the 100 best Dylan songs, saying that "this masterful song doesn't skimp on the pain."[37] In a 2020 article forThe Guardian,Alexis Petridis ranked it the twelfth-greatest of Dylan's songs.[38] The track was ranked 3rd onRolling Stone's 2016 ranking of the 100 greatest Dylan songs, with the staff describing it as "where emotional truths meet the everlasting comfort of the American folk song."[39]Rolling Stone ranked it No. 68 on their 2011 list of the500 Greatest Songs of All Time,[40] and re-ranked it at No. 67 in 2021.[41] A 2021Guardian article included it on a list of "80 Bob Dylan songs everyone should know".[42]
Dylan has performed the song live 1,685 times up to August 2018. The first was on 13 November 1975 at Veterans Memorial Coliseum,New Haven.[43][44] The most recent live performance as of October 2025 was on 28 August 2018 atHorncastle Arena, Christchurch, New Zealand.[44]
Dylan played the song solo on acoustic guitar during the first leg of theRolling Thunder Revue tour in 1975, a performance of which is featured in Dylan's 1978 filmRenaldo and Clara and which later became the song's official music video.[30][45] On the second leg of the Rolling Thunder Revue, in 1976, the song was performed with a full band in whatClinton Heylin has called a "gear-crunching heavy-metal" arrangement.[9] The1978 World Tour performances were slower, with abig band.[30] After 1978, the next live performances were in1984,[44] again solo on acoustic guitar but this time with radically reworked lyrics.[9] Versions performed after 1984 have been closer to the original.[23]
Credits for theBlood on the Tracks and single release, adapted from theBob Dylan All the Songs: The Story Behind Every Track book.[2]
Musicians
Technical
The song has been covered by various artists, includingBarb Jungr,Jerry Garcia,Half Japanese,Robyn Hitchcock, theIndigo Girls,Kim Larsen,T-Bone Burnett,[46]Great White,Joan Baez,Ani Difranco,KT Tunstall,The Whitlams,[47] andThe String Cheese Incident.[48]Mary Lee's Corvette covered the entireBlood on The Tracks album in 2002, including "Tangled Up in Blue".[49] According toHootie & the Blowfish vocalistDarius Rucker, their song "Only Wanna Be with You" was written as a tribute to Dylan;[50] it includes the lines "Put on a little Dylan sitting on a fence," "Ain't Bobby so cool?", and "I'm tangled up in blue."[51]
The song is a playable track onRock Band 2, as the most difficult song in the vocal section, and the final song for the player to complete in the "Impossible Vocal Challenge".[48] "Tangled Up in Blue" is also published as one of two poems by Dylan inThe Seagull Book of Poems.[52] Dylan reworked the lyrics again for an artwork, consisting of handwritten lyrics and a sketch of an abandoned car, displayed at theHalcyon Gallery'sMondo Scripto exhibition in 2018.[53][54]
| Chart (1975) | Peak position |
|---|---|
| USBillboard Hot 100[55] | 31 |
| Album | Release year | Recorded at | Recording date | Take/ version | Personnel | Ref. | |
|---|---|---|---|---|---|---|---|
| 1 | Blood on the Tracks | 1975 | Sound 80 | 30 December 1974 | Bob Dylan: vocals, guitar, harmonica; Kevin Odegard: guitar; Chris Weber: guitar; Gregg Inhofer: keyboards;Billy Peterson: bass;Bill Berg:drums | [9] | |
| 2 | Real Live | 1984 | Wembley Stadium | 7 July 1984 | Bob Dylan: vocals, guitar, harmonica;Colin Allen: drums;Ian McLagan: keyboards;Gregg Sutton:bass guitar;Mick Taylor: guitar | [56][57] | |
| 3 | Biograph | 1985 | Blood on the Tracks version | [58] | |||
| 4 | The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991 | 1991 | A&R Studios | 16 September 1974 | Take 3, Remake 2 | Bob Dylan: vocals, guitar, harmonica; Tony Brown: bass. Unknown additional acoustic guitar, from one of Charles Brown, III, Eric Weissberg, or Barry Kornfeld. Later also released onThe Bootleg Series Vol. 14: More Blood, More Tracks | [59][10] |
| 5 | Bob Dylan's Greatest Hits Volume 3 | 1994 | Blood on the Tracks version | [60] | |||
| 6 | The Essential Bob Dylan | 2000 | Blood on the Tracks version | [61] | |||
| 7 | The Bootleg Series Vol. 5: Bob Dylan Live 1975, The Rolling Thunder Revue | 2002 | Boston Music Hall | 21 Nov 1975 | Evening show | Later also released onBob Dylan – The Rolling Thunder Revue: The 1975 Live Recordings (Deluxe edition) (For personnel, see that entry) | [62][63] |
| 8 | The Best of Bob Dylan | 2005 | Blood on the Tracks version | [64] | |||
| 9 | Dylan | 2007 | Blood on the Tracks version | [65] | |||
| 10 | The Very Best of Bob Dylan | 2013 | Blood on the Tracks version | [66] | |||
| 11 | The Bootleg Series Vol. 14: More Blood, More Tracks | 2018 | A&R Studios | 19 September 1974 | 19/9/74, Take 3, Remake 3 | Bob Dylan: vocals, guitar, harmonica; Tony Brown: bass | [10][67] |
| 12 | The Bootleg Series Vol. 14: More Blood, More Tracks (Deluxe edition) | 2018 | A&R Studios | 16 September 1974 | Take 1 | Bob Dylan: vocals, guitar, harmonica; Tony Brown: bass | [10][67] |
| 13 | A&R Studios | 17 September 1974 | Rehearsal | Bob Dylan: vocals, guitar, harmonica; Tony Brown: bass;Paul Griffin: organ | |||
| 14 | A&R Studios | 17 September 1974 | Take 2, Remake | Bob Dylan: vocals, guitar, harmonica; Tony Brown: bass;Paul Griffin: organ | |||
| 15 | A&R Studios | 17 September 1974 | Take 3, Remake | Bob Dylan: vocals, guitar, harmonica; Tony Brown: bass | |||
| 16 | A&R Studios | 19 September 1974 | Rehearsal and Take 1, Remake 2 | Bob Dylan: vocals, guitar, harmonica; Tony Brown: bass | |||
| 17 | A&R Studios | 19 September 1974 | Take 2, Remake 2 | Bob Dylan: vocals, guitar, harmonica; Tony Brown: bass | |||
| 18 | A&R Studios | 19 September 1974 | Take 3, Remake 2 | Included on a test pressing and also onThe Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991) | |||
| 19 | A&R Studios | 19 September 1974 | Rehearsal and Takes 1–2, Remake 3 | Bob Dylan: vocals, guitar, harmonica; Tony Brown: bass | |||
| 20 | A&R Studios | 19 September 1974 | Take 3, Remake 3 | Bob Dylan: vocals, guitar, harmonica; Tony Brown: bass | |||
| 21 | Blood on the Tracks version | ||||||
| 22 | Bob Dylan – The Rolling Thunder Revue: The 1975 Live Recordings (Deluxe edition) | 2019 | Worcester Memorial Auditorium | 19 November 1975 | Bob Dylan – vocals, guitar, piano, harmonica;Bobby Neuwirth: guitar, vocals;Scarlet Rivera:violin;T Bone J. Henry Burnett: guitar, vocals;Steven Soles: guitar, vocals;Mick Ronson: guitar;David Mansfield:steel guitar,mandolin, violin,dobro;Rob Stoner: bass guitar, vocals;Howie Wyeth: drums, piano; Luther Rix: drums, percussion,congas;Ronee Blakley: vocals;Ramblin' Jack Elliott: vocals, guitar;Allen Ginsberg: vocals,finger cymbals;Joni Mitchell: vocals | [63] | |
| 23 | Boston Music Hall | 21 November 1975 | Evening show | ||||
| 24 | Forum de Montréal | 4 December 1975 |