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Tangled Up in Blue

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From Wikipedia, the free encyclopedia
1975 song by Bob Dylan
For other uses, seeTangled Up in Blue (disambiguation).

"Tangled Up in Blue"
Single byBob Dylan
from the albumBlood on the Tracks
B-side"If You See Her, Say Hello"
ReleasedJanuary 20, 1975
RecordedDecember 30, 1974
StudioSound 80 (Minneapolis, Minnesota)
GenreFolk rock[1]
Length5:41[2]
LabelColumbia
SongwriterBob Dylan
ProducerDavid Zimmerman (uncredited)
Bob Dylan singles chronology
"All Along the Watchtower"
(1974)
"Tangled Up in Blue"
(1975)
"Hurricane"
(1975)
Blood on the Tracks track listing
Music video
"Tangled Up in Blue" (live) onYouTube

"Tangled Up in Blue" is a song by American singer-songwriterBob Dylan. The opening track of his 15th studio albumBlood on the Tracks (1975), the song was released as the album’s sole single and reached No. 31 on theBillboard Hot 100. Written by Dylan and produced by his brother David Zimmerman, the song concerns relationships from different narrative perspectives. Dylan has altered the lyrics in subsequent performances, changing the point of view and details in the song.

The track, first recorded in September 1974, was re-recorded on December 30 atSound 80 inMinneapolis, Minnesota. The new version was released onBlood on the Tracks on January 20, 1975.[a] The song received widespread acclaim frommusic critics, with particular praise for the lyrics.Rolling Stone ranked it No. 68 on their list of the500 Greatest Songs of All Time. A number of alternate versions have been released, including multiple studio out-takes onThe Bootleg Series Vol. 14: More Blood, More Tracks (2014). Dylan has performed the song live more than 1,600 times.

Background and recording

[edit]

The song was written in the summer of 1974, after Dylan'scomeback tour withThe Band that year and his separation fromSara Dylan, whom he had married in 1965. Dylan had moved to a farm in Minnesota with his brother, David Zimmerman, and there started to write the songs that were recorded for his albumBlood on the Tracks.[3] In the spring of 1974, Dylan had taken art classes atCarnegie Hall and was influenced by his tutorNorman Raeben, and in particular Raeben's view oftime, when writing the lyrics.[3][4]: 160 [5] In a 1978 interview Dylan explained this style of songwriting: "What's different about it is that there's a code in the lyrics, and there's also no sense of time. There's no respect for it. You've got yesterday, today, and tomorrow all in the same room, and there's very little you can't imagine not happening".[6]Richard F. Thomas, Professor of theClassics atHarvard University, has written that Dylan has been "characteristically vague" on the use of any specific painting techniques emulated while he was writing the words for the songs onBlood On The Tracks.[7] NovelistRon Rosenbaum said Dylan told him that he'd written "Tangled Up in Blue" after spending a weekend listening toJoni Mitchell's 1971 albumBlue.[8]

Dylan first recorded "Tangled Up in Blue" in New York City on 16 September 1974 during the initialBlood on the Tracks sessions atA&R Studios.[9] Eight takes were recorded in New York from 16 to 19 September, mostly featuring Tony Brown on bass alongside Dylan on guitar and harmonica,[10] and containing some minor variations in lyrics, as well as differences in vocal delivery, andtempo.[11] Two of the versions later released onThe Bootleg Series Vol. 14: More Blood, More Tracks (Deluxe edition) also includePaul Griffin on organ.[10] That December, working from a suggestion from his brother that the album should have a more commercial sound, Dylan re-recorded half the songs onBlood on the Tracks, including "Tangled Up in Blue" on 30 December atSound 80 inMinneapolis, Minnesota.[9][12][13]

David Zimmerman was theproducer for the MinneapolisBlood on the Tracks recordings, but was not credited on the album.[14] The re-recorded versions were radical departures from the original recordings, and each new recording included changes to the lyrics from the earlier versions.[3][15][16] This recording featured a full band:Kevin Odegard (guitar), Chris Weber (guitar) Gregg Inhofer (keyboards),Billy Peterson (bass), andBill Berg (drums), with Dylan singing, and on guitar and harmonica.[9] These musicians were based locally and had arrived at Zimmerman's invitation, and Dylan had not met them before they started working together on 27 December.[3]

The Minneapolis version was included as the opening track onBlood on the Tracks, released on 20 January 1975,[a][17][3] and in February as a single backed with "If You See Her, Say Hello".[18] The single reached number 31 on theHot 100 chart.[19] Outtakes of "Tangled Up in Blue" from the New York sessions were released in 1991 onThe Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991 and in 2018 on the single-CD and 2-LP versions ofThe Bootleg Series Vol. 14: More Blood, More Tracks, while the complete New York sessions were released on the deluxe edition of the latter album.[20] The deluxe version ofThe Bootleg Series Vol. 14 also included a remix of the December 1974 master issued onBlood on the Tracks.[21]

Composition and lyrical interpretation

[edit]
A 25-second sample of "Tangled Up in Blue". A writer fromBillboard said that the "strong acoustic background" instrumentals were reminiscent of Dylan's early songs.[22]

Problems playing this file? Seemedia help.

With "Tangled Up in Blue", Dylan used shifting perspectives of time, influenced by his recent studies under Raeben.[9]Michael Gray describes the structure of "Tangled Up in Blue's" lyrics as the story of a love affair and career and how the "past upon present, public upon privacy, distance upon friendship, [and] disintegration upon love" transform and are complicated over time.[23] Timothy Hampton, Professor ofComparative Literature and French at theUniversity of California, Berkeley, has described the structure of the lyrics as a set ofsonnets, with sevenstanzas each of 14 lines, each with avolta after line eight.[24]

Dylan continually re-worked the lyrics and arrangement even after the album was released.[23][9] During his 1978 World Tour, the line starting "She opened up a book of poems" became "She opened up the Bible and started quotin' it to me", becoming one of the first public indicators of Dylan's conversion to Christianity.[23] The version released onReal Live, as performed throughout his 1984 Europe tour, differs radically in structure and lyrics from earlier versions, with a more cynical view of romance.[23][9] Dylan said in 1985 that he was more satisfied with the implementation of multiple viewpoints in the song than he had been with the original.[11] Dylan has often stated that the song took "ten years to live and two years to write".[25]

In a 1985 interview with Bill Flanagan, Dylan said that although many people thought that the albumBlood on the Tracks was autobiographical, "It didn't pertain to me. It was just a concept of putting in images that defy time – yesterday, today and tomorrow. I wanted to make them all connect in some kind of a strange way."[26] In his 2004 memoirChronicles: Volume One, Dylan claimed thatBlood on the Tracks was "an entire album based onChekhov short stories. Critics thought it was autobiographical – that was fine."[12]

Critical reception

[edit]

Billboard regarded "Tangled Up in Blue" as Dylan's most powerful and most commercial single in a long time, saying that Dylan's voice and the "strong acoustic background" instrumentals were reminiscent of Dylan's early songs.[22]Cash Box said that it is a "great tune...with lyrics pouring forth in profusion and with Bob's voice in excellent shape."[27] Jon Landau inRolling Stone praised Dylan's lyrics and delivery of the song, but was unimpressed by the accompanying musicians and the production of the album,[28] whileJonathan Cott, in the same issue of the magazine, called the track "brilliant and haunted." Cott likened the effect of the album's lyrics to those of the Italian 13th-century poem referred to in the song, quoting from the song:[29]

And every one of them words rang true
And glowed like burnin’ coal
Pourin’ off of every page
Like it was written in my soul
From me to you
Tangled up in blue

Critics and Dylan himself have offered different theories about the referent in "...Italian poet/From the thirteenth century".[30][31] Matthew Collins of Harvard, noting that Dylan may not have been precise with dates, argues that there are similarities between elements of the lyrics and the fifthcanto ofDante's 14th-centuryInferno,[32] but argues that the reference is more likely toPetrarch.[24] Collins and Hampton note that Dylan, asked in a 1978 interview which poet the song alludes to, replied, "Plutarch. Is that his name?"[32][24]

Don Stanley inThe Vancouver Sun said that the song "succeeds on the strength of its metaphors."[33] An opposing view was expressed by Al Rudis, inThe Pittsburgh Press, who was unimpressed by the song's lyrics, calling the track "a long lurching song [but with] no build-up of cumulative power" and stating that it contains "seemingly meaningless images."[34] Neil McCormick remarked in 2003 that the song is "A truly extraordinary epic of the personal, anunreliable narrative carved out of shifting memories like a five-and-a-half-minute musicalProust."[35]The Daily Telegraph has described the song as "The most dazzling lyric ever written, an abstract narrative of relationships told in an amorphous blend of first and third person, rolling past, present and future together, spilling out in tripping cadences and audacious internal rhymes, ripe with sharply turned images and observations and filled with a painfully desperate longing."[36]

Jim Beviglia ranks "Tangled Up in Blue" 14th in his 2013 assessment of the 100 best Dylan songs, saying that "this masterful song doesn't skimp on the pain."[37] In a 2020 article forThe Guardian,Alexis Petridis ranked it the twelfth-greatest of Dylan's songs.[38] The track was ranked 3rd onRolling Stone's 2016 ranking of the 100 greatest Dylan songs, with the staff describing it as "where emotional truths meet the everlasting comfort of the American folk song."[39]Rolling Stone ranked it No. 68 on their 2011 list of the500 Greatest Songs of All Time,[40] and re-ranked it at No. 67 in 2021.[41] A 2021Guardian article included it on a list of "80 Bob Dylan songs everyone should know".[42]

Live performances

[edit]

Dylan has performed the song live 1,685 times up to August 2018. The first was on 13 November 1975 at Veterans Memorial Coliseum,New Haven.[43][44] The most recent live performance as of October 2025 was on 28 August 2018 atHorncastle Arena, Christchurch, New Zealand.[44]

Dylan played the song solo on acoustic guitar during the first leg of theRolling Thunder Revue tour in 1975, a performance of which is featured in Dylan's 1978 filmRenaldo and Clara and which later became the song's official music video.[30][45] On the second leg of the Rolling Thunder Revue, in 1976, the song was performed with a full band in whatClinton Heylin has called a "gear-crunching heavy-metal" arrangement.[9] The1978 World Tour performances were slower, with abig band.[30] After 1978, the next live performances were in1984,[44] again solo on acoustic guitar but this time with radically reworked lyrics.[9] Versions performed after 1984 have been closer to the original.[23]

Credits and personnel

[edit]

Credits for theBlood on the Tracks and single release, adapted from theBob Dylan All the Songs: The Story Behind Every Track book.[2]

Musicians

Technical

Covers and references

[edit]

The song has been covered by various artists, includingBarb Jungr,Jerry Garcia,Half Japanese,Robyn Hitchcock, theIndigo Girls,Kim Larsen,T-Bone Burnett,[46]Great White,Joan Baez,Ani Difranco,KT Tunstall,The Whitlams,[47] andThe String Cheese Incident.[48]Mary Lee's Corvette covered the entireBlood on The Tracks album in 2002, including "Tangled Up in Blue".[49] According toHootie & the Blowfish vocalistDarius Rucker, their song "Only Wanna Be with You" was written as a tribute to Dylan;[50] it includes the lines "Put on a little Dylan sitting on a fence," "Ain't Bobby so cool?", and "I'm tangled up in blue."[51]

The song is a playable track onRock Band 2, as the most difficult song in the vocal section, and the final song for the player to complete in the "Impossible Vocal Challenge".[48] "Tangled Up in Blue" is also published as one of two poems by Dylan inThe Seagull Book of Poems.[52] Dylan reworked the lyrics again for an artwork, consisting of handwritten lyrics and a sketch of an abandoned car, displayed at theHalcyon Gallery'sMondo Scripto exhibition in 2018.[53][54]

Charts (single)

[edit]
Chart performance for "Tangled Up in Blue"
Chart (1975)Peak
position
USBillboard Hot 100[55]31

Official album releases

[edit]
AlbumRelease yearRecorded atRecording dateTake/ versionPersonnelRef.
1Blood on the Tracks1975Sound 8030 December 1974Bob Dylan: vocals, guitar, harmonica; Kevin Odegard: guitar; Chris Weber: guitar; Gregg Inhofer: keyboards;Billy Peterson: bass;Bill Berg:drums[9]
2Real Live1984Wembley Stadium7 July 1984Bob Dylan: vocals, guitar, harmonica;Colin Allen: drums;Ian McLagan: keyboards;Gregg Sutton:bass guitar;Mick Taylor: guitar[56][57]
3Biograph1985Blood on the Tracks version[58]
4The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–19911991A&R Studios16 September 1974Take 3, Remake 2Bob Dylan: vocals, guitar, harmonica; Tony Brown: bass. Unknown additional acoustic guitar, from one of Charles Brown, III, Eric Weissberg, or Barry Kornfeld. Later also released onThe Bootleg Series Vol. 14: More Blood, More Tracks[59][10]
5Bob Dylan's Greatest Hits Volume 31994Blood on the Tracks version[60]
6The Essential Bob Dylan2000Blood on the Tracks version[61]
7The Bootleg Series Vol. 5: Bob Dylan Live 1975, The Rolling Thunder Revue2002Boston Music Hall21 Nov 1975Evening showLater also released onBob Dylan – The Rolling Thunder Revue: The 1975 Live Recordings (Deluxe edition) (For personnel, see that entry)[62][63]
8The Best of Bob Dylan2005Blood on the Tracks version[64]
9Dylan2007Blood on the Tracks version[65]
10The Very Best of Bob Dylan2013Blood on the Tracks version[66]
11The Bootleg Series Vol. 14: More Blood, More Tracks2018A&R Studios19 September 197419/9/74, Take 3, Remake 3Bob Dylan: vocals, guitar, harmonica; Tony Brown: bass[10][67]
12The Bootleg Series Vol. 14: More Blood, More Tracks (Deluxe edition)2018A&R Studios16 September 1974Take 1Bob Dylan: vocals, guitar, harmonica; Tony Brown: bass[10][67]
13A&R Studios17 September 1974RehearsalBob Dylan: vocals, guitar, harmonica; Tony Brown: bass;Paul Griffin: organ
14A&R Studios17 September 1974Take 2, RemakeBob Dylan: vocals, guitar, harmonica; Tony Brown: bass;Paul Griffin: organ
15A&R Studios17 September 1974Take 3, RemakeBob Dylan: vocals, guitar, harmonica; Tony Brown: bass
16A&R Studios19 September 1974Rehearsal and Take 1, Remake 2Bob Dylan: vocals, guitar, harmonica; Tony Brown: bass
17A&R Studios19 September 1974Take 2, Remake 2Bob Dylan: vocals, guitar, harmonica; Tony Brown: bass
18A&R Studios19 September 1974Take 3, Remake 2Included on a test pressing and also onThe Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991)
19A&R Studios19 September 1974Rehearsal and Takes 1–2, Remake 3Bob Dylan: vocals, guitar, harmonica; Tony Brown: bass
20A&R Studios19 September 1974Take 3, Remake 3Bob Dylan: vocals, guitar, harmonica; Tony Brown: bass
21Blood on the Tracks version
22Bob Dylan – The Rolling Thunder Revue: The 1975 Live Recordings (Deluxe edition)2019Worcester Memorial Auditorium19 November 1975Bob Dylan – vocals, guitar, piano, harmonica;Bobby Neuwirth: guitar, vocals;Scarlet Rivera:violin;T Bone J. Henry Burnett: guitar, vocals;Steven Soles: guitar, vocals;Mick Ronson: guitar;David Mansfield:steel guitar,mandolin, violin,dobro;Rob Stoner: bass guitar, vocals;Howie Wyeth: drums, piano; Luther Rix: drums, percussion,congas;Ronee Blakley: vocals;Ramblin' Jack Elliott: vocals, guitar;Allen Ginsberg: vocals,finger cymbals;Joni Mitchell: vocals[63]
23Boston Music Hall21 November 1975Evening show
24Forum de Montréal4 December 1975

Notes

[edit]
  1. ^abSome sources state the release date as 17 January 1975

References

[edit]
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External links

[edit]
  • Lyrics at Bob Dylan's official website
Studio albums
Live albums
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Hits
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The Bootleg Series
Bootlegs
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  • "Slow Train" / "Do Right to Me Baby"
  • "Solid Rock" / "Covenant Woman"
  • "Saved" / "Are You Ready?"
1981
  • "Heart of Mine" / "Let It Be Me"
  • "Dead Man, Dead Man" / "Lenny Bruce"
1983
  • "Union Sundown" / "Angel Flying too Close to the Ground"
  • "I and I" / "Angel Flying too Close to the Ground"
  • "Sweetheart Like You" / "Union Sundown"
1984
1985
1986
  • "Band of the Hand" / "Joe's Death"(Michael Rubini)
  • "Got My Mind Made Up" / "The Usual"
1988
  • "Silvio" / "Driftin' too Far from the Shore"
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