Suzi Quatro | |
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.jpg) Quatro performing in 2017 | |
| Background information | |
| Born | Susan Kay Quatro (1950-06-03)June 3, 1950 (age 75) Detroit, Michigan, US |
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| Years active | 1964–present |
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| Formerly of | The Pleasure Seekers |
| Website | suziquatro |
Susan Kay Quatro[1] (born June 3, 1950)[2] is an American singer, bass guitarist, songwriter, and actress. In the 1970s, she scored a string of singles that found success in Europe and Australia, with both "Can the Can" (1973) and "Devil Gate Drive" (1974) reaching number one in several countries.
Quatro released her self-titled debut album in 1973. Since then, she has released 15 studio albums, 10 compilation albums, and one live album. Other songs, including "48 Crash", "Daytona Demon", "The Wild One", and "Your Mama Won't Like Me", also charted highly overseas. Following a recurring role as bass playerLeather Tuscadero on the popular American sitcomHappy Days, her duet "Stumblin' In" withSmokie's lead singerChris Norman reached number four in the US, her only song to chart in the top 40 in her homeland.
Between 1973 and 1980, Quatro was awarded sixBravo Ottos, an award given to musicians as voted in the German teen magazineBravo. In 2010, she was voted into the Michigan Rock and Roll Legends online Hall of Fame. She is reported to have sold over 50 million records worldwide,[3] and continues to perform live. Quatro's most recent studio album,Face to Face, was released in 2023 and follows the 2021 collaborationThe Devil in Me with her son Richard Tuckey, who had already taken part inNo Control in 2019.[4][5] Quatro also remains active in radio broadcasting.[6]
Quatro was born and raised inDetroit.[2][7] Her father, Art, was a semiprofessional musician and worked atGeneral Motors. Her paternal grandfather was anItalian immigrant to the U.S. and her mother, Helen, wasHungarian and she died in 1992. Her family name of "Quattrocchi" ("four eyes", meaning "bespectacled") was shortened to Quatro.[8] Quatro's family was living in Detroit when she was born. She has three sisters, a brother (Michael Quatro), and one older half-sister. Her parents fostered several other children while she was growing up. Quatro grew up to be an "extrovert but solitary," according to Philip Norman ofThe Sunday Times, and she only became close to her mother after leaving the US for Britain.[9]
Her sister Arlene is the mother of actressSherilyn Fenn.[10] Her sister Patti joinedFanny, one of the earliest all-female rock bands to gain national attention.[11] Her brother,Michael Quatro, is also a musician.[12]
She was influenced at the age of six by seeingElvis Presley perform on television.[1]: 26 She has said that she had no direct female role models in music, but was inspired byBillie Holiday and liked the dress sense ofMary Weiss ofthe Shangri-Las "because she wore tight trousers and a waistcoat on top – she looked hot".[13]
Quatro received formal training in playing classical piano and percussion—her first instrument wasbongos.[14] She taught herself how to play the bass,[15] after her sister asked her to learn it for her first band,the Pleasure Seekers.[14] Her father gave her a 1957Fender Precision Bass guitar in 1964, which she still uses in the studio.[13][14]
Quatro played drums or percussion from an early age as part of her father's jazz band, the Art Quatro Trio. Sources vary regarding whether her playing in the band began at the age of seven or eight, and whether the instrument she played was a drum kit or percussion (bongo orcongas).[16][17] Subsequently, she appeared on local television as ago-go dancer in a pop music series.[16]
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In 1964, after seeing a television performance bythe Beatles, Quatro's older sister, Patti, had formed an all-femalegarage rock band calledthe Pleasure Seekers with two friends.[17] Quatro joined, too, and assumed the stage name of Suzi Soul; Patti Quatro was known as Patti Pleasure. Suzi sang and played bass in the band. The band also later featured another sister, Arlene.[16] Many of their performances were incabarets, where attention was (initially) focused more on their physical looks than their actual music. They sometimes had to wearminiskirts and wigs, which Quatro later considered to be necessary evils in the pursuit of success.[9] They became well-known fixtures, though, in the burgeoning Detroit music community.[18]
The Pleasure Seekers recorded three singles and released two: "Never Thought You'd Leave Me" / "What a Way to Die" (1966) and "Light of Love" / "Good Kind of Hurt" (1968). The second of these was released byMercury Records, with whom they briefly had a contract before breaking away due to differences of opinion regarding their future direction. They changed their name to Cradle in late 1969, not long after another Quatro sister, Nancy, had joined the band and Arlene had left following the birth of her child.[19]
Quatro moved to England in 1971, after being spotted by record producerMickie Most, who had by that time founded his own label,Rak Records. Most had been persuaded to see Cradle by her brotherMichael, who was managing the band.[17] Like other music producers at the time, Most was looking for a female rock singer who could fill the void created by the death ofJanis Joplin.[9] According to theEncyclopedia of Popular Music, his attention to Quatro was drawn by "her comeliness and skills as bass guitarist, singer, and chief show-off in Cradle."[16]
She had also been attracting attention fromElektra Records, and subsequently explained, "According to the Elektra president, I could become the new Janis Joplin. Mickie Most offered to take me to England and make me the first Suzi Quatro – I didn't want to be the new anybody."[17] Most had no interest in the other band members[19] and he had no idea at that time of how he might market Quatro. She spent a year living in a hotel while being nurtured by Most, developing her skills and maturing. Most later said that the outcome was a reflection of her own personality.[9]
Quatro's first single, "Rolling Stone", was successful only in Portugal, where it reached number one on the charts.[17] This was a solo effort, although aided by people such asDuncan Browne,Peter Frampton andAlan White. Subsequently, with the approval of Most, she auditioned for a band to accompany her.[9][20] It was also after this record[21] that Most introduced her to the songwriting and production team ofNicky Chinn andMike Chapman, who wrote songs specifically to accord with her image. She agreed with Most's assessment of her image, saying that his influence, at which some of his artists – such asJeff Beck andRod Stewart – balked, did not extend to manufacture and that "If he tried to build me into aLulu, I wouldn't have it. I'd say 'go to hell' and walk out."[22] This was the height of theglam rock period of the 1970s and Quatro, who wore leather clothes, portrayed a wild image while playing music that "hinged mostly on a hard rock chug beneath lyrics in which scansion overruled meaning."[16][a]
In 1972, Quatro embarked as a support act on a UK tour withThin Lizzy and headlinersSlade. Rak Records arranged for her to use Thin Lizzy's newly acquiredPA system during this, incurring a charge of £300 per week that enabled the Irish band to effectively purchase it at no cost to themselves.[23] In May 1973, her second single "Can the Can" (1973) – which Philip Auslander describes as having "seemingly nonsensical and virtually unintelligible lyrics"[24]: 1 – was a number-one hit in parts of Europe and in Australia.[25]
"Can the Can" was followed by three further hits: "48 Crash" (1973), "Daytona Demon" (1973), and "Devil Gate Drive" (1974), each of which sold over one million copies and were awardedgold discs,[25] although they met with little success in her native United States, where she had toured as a support act forAlice Cooper.[26] Rak Records' artists had generally not succeeded in the US and her first album,Suzi Quatro, was criticized byAlan Betrock for its lack of variety, for its Quatro-written "second-rate fillers" and for her voice, described as "often too high and shrill, lacking punch or distinctive phrasing."[20] Writing forRolling Stone,Greg Shaw was also downbeat, saying that the album "may be a necessary beginning".[27]
In 1973, Quatro played on theCozy Powell hit "Dance With the Devil", a track written by Mickie Most while Cozy Powell was part of the Rak Records roster.
Musicians who acted as her backing band around this period included Alastair McKenzie, Dave Neal, andLen Tuckey,[9] withRobbie Blunt also being listed by some sources.[28] Tuckey's brother, Bill, acted as tour manager.[9]
With the exception of Australia, her chart success faltered thereafter, as proven with her 1975 hit "Your Mamma Won't Like Me", which proved to be a moderate success in the UK. Further singles, "I Bit off More Than I Could Chew" and "I May Be Too Young", both failed to reach the UK Top 50. Quatro recorded the albumAggro-Phobia in 1976 and released a new single in 1977 called "Tear Me Apart", which reached the UK top 30, her first hit to have done so in three years. Another year passed before she had another big hit, this time with a change to a more mellow style[16] giving Quatro a 1978 single "If You Can't Give Me Love" that became a hit there and in the United Kingdom. Later that year, "Stumblin' In", a duet withChris Norman of the bandSmokie, reached number four in the US.[26] Both tracks were featured on theIf You Knew Suzi... album. A year later, Quatro releasedSuzi ... and Other Four Letter Words, but none of her other work had much US success. This featured the hits "She's in Love with You", which made number 11 in Britain, "Mama's Boy" (number 34), and "I've Never Been in Love" (number 56).[29]
In 1980, after Quatro's contract with Mickie Most had expired, she signed with Chapman's Dreamland Records.[30]: 4
In the same year, she released the albumRock Hard; both the album and title single went platinum in Australia.Rock Hard was also used in the cult filmTimes Square and was included on the soundtrack album. The single reached number 11 in Australia, but only 68 in the UK due to distribution problems. At this point her hit single career clearly was beginning to wane. A second single from theRock Hard album, titled "Lipstick", was released in February 1981, but radio refused to play it, as they claimed it sounded too much likeGloria byThem.Suzi Quatro's Greatest Hits, which was released in 1980, peaked at number four in the UK charts, becoming her highest-charting album there.[26]
After Chapman's Dreamland Records folded in 1981, Quatro was left without a record label.[31]
Her last UK hit for some time was "Heart of Stone" in late 1982. In 1983, another single "Main Attraction" was released. It failed to chart, but did become a moderate airplay hit.[26] She commented in an article forKerrang! in 1983, after playing a successful show atReading Festival on August 27, that she did not care about being in the charts, but was more interested in releasing what she wanted to, commenting that she started in 1964, and did not become famous for nine years. "I would never accept having my career molded by other people ... I've kept working consistently even though I've not been in the charts."
Around this time, Quatro recorded a new album that was shelved until 1997, when it was issued asUnreleased Emotion. Quatro briefly returned to recording for two more singles, "I Go Wild" in 1984, and in 1985 her "Tonight I Could Fall in Love"/"Good Girl (Looking for a Bad Time)" single reached number 140 in the UK charts.[32] Quatro also collaborated withBronski Beat and members ofthe Kinks,Eddie and the Hot Rods, andDr. Feelgood on the Mark Cunningham-produced cover version ofDavid Bowie's "Heroes", released the following year as the 1986BBCChildren in Need single. Quatro also released a cover version of "Wild Thing" in November 1986, as a duet withThe Troggs singerReg Presley. "Can the Can"/"Devil Gate Drive" were re-released in 1987 as a single and reached number 87 in the UK charts.[32] She was also part of theFerry Aid charity single "Let It Be", which was a UK number one, 13 years and 26 days after Quatro's last UK number-one song.
In 1989, Quatro released a prerecorded backing track single "Baby You're a Star", which was released in the UK, though it failed to chart. By the late '80s, Quatro's hitmaking days were clearly over, though she still recorded persistently despite lack of chart success. During the '90s, Quatro released four new albums, thoughUnreleased Emotion had been recorded several years previously.What Goes Around – Greatest & Latest was released in 1995 and consisted of mainly older hits rerecorded; this proved a success in Denmark. Except for 1999'sFree the Butterflyself-help album, a further 11 years were needed for Quatro to release a new album.Back to the Drive in 2006 showed a return to Quatro's harder rock roots, rather than the smoother sounds of her previous albums.Back to the Drive also returned Quatro to the worldwide charts – her first album to do so since the '80sRock Hard.Back to the Drive also produced a download-only single, "I'll Walk Through the Fire with You". Quatro releasedIn the Spotlight in 2011 with the lead single, "Whatever Love Is". Quatro marked her 50th anniversary in the music industry with an anthology,Girl from Detroit, in 2014 with two new tracks.[33][34]
Around 2005, a documentary chronicling Quatro's life,Naked Under Leather, named after a 1975bootleg album recorded in Japan, directed by a former member ofthe Runaways,Victory Tischler-Blue, was made, but this has never been released.[35][36] In February 2006, Quatro releasedBack to the Drive, produced bySweet guitaristAndy Scott. The album's title track was written by her former collaborator, Chapman.[37] In March 2007, Quatro released a cover version of theEagles song "Desperado", followed by the publication of her autobiography,Unzipped.[38] By this time, Quatro had sold 50 million records.[13]
On June 11, 2010, she headlined the 'Girls Night Out' at theIsle of Wight Festival.[39] Quatro was also inducted into the Michigan Rock and Roll Legends online Hall of Fame in 2010, following an on-line vote.[19]
In August 2011, Quatro released her 15th studio album,In the Spotlight (and its single, "Spotlight"). This album is a mixture of new songs written by Mike Chapman and by herself, along with some cover versions. A second single from the album, "Whatever Love Is", was subsequently released.[40][41] On November 16, 2011, a music video (by Tischler-Blue) for the track "Strict Machine" was released onto theSuzi Quatro Official YouTube channel. The track is a cover ofGoldfrapp's "Strict Machine", but Quatro's version contains two lines from "Can the Can", referencing the similarity of the tunes for the two songs.[42][43]
In April 2013, she performed in America for the first time in over 30 years, at theDetroit Music Awards, where she received the Distinguished Lifetime Achievement Award, presented to her by her sister, Patti.
In 2017, Quatro released her 16th studio album backed byAndy Scott fromSweet on guitar andDon Powell fromSlade on drums.[6]
In August 2023, Quatro released an album of duets withKT Tunstall entitledFace to Face. After discovering they were mutual fans of each other, they were put in touch with each other by a mutual friend.[44]
Quatro is possibly best known in the United States for her role as the bass player Leather Tuscadero on the television showHappy Days. The show's producer,Garry Marshall, had offered her the role without having an audition after seeing a photograph of her on his daughter's bedroom wall.Toby Mamis, who was acting as her US representative at that time, helped broker the deal and generate enormous media attention to it, elevating Quatro's profile in her home country. Leather was the younger sister of Fonzie's former girlfriend, motorcycle trick rider Pinky Tuscadero. Leather fronted a rock band joined by principal charactersRichie Cunningham,Potsie Weber,Ralph Malph,Chachi Arcola, and evenJoanie Cunningham once. The character returned in other guest roles, including once for a date to a fraternity formal with Ralph Malph. Marshall offered Quatro aLeather Tuscadero spin-off, but she declined the offer, saying she did not want to be typecast.[45]
Her other acting roles include a 1982 episode of the British comedy-drama seriesMinder (called "Dead Men Do Tell Tales") as Nancy, the singer girlfriend of Terry (Dennis Waterman).[46] In 1985, she starred as a mentally disturbed ex-MI5 operative inDempsey and Makepeace – "Love you to Death".[47] In February 2022 Quatro gave an exclusive interview toPaul Stenning regarding her appearance in both shows.[48]
In 1994, she made a cameo appearance as a nurse in the "Hospital" episode of the comedyAbsolutely Fabulous.[49] She also was filmed in the 1990Clive Barker horror filmNightbreed, but the studio cut out her character.[50] In 2006, Quatro performed the voice of Rio in theBob the Builder filmBuilt to Be Wild,[51] and appeared in an episode of the second season ofRock School, inLowestoft. She also appeared in the episode "The Axeman Cometh" ofMidsomer murders in the role of Mimi Clifton.
Quatro has also performed in theater. In 1986, she appeared asAnnie Oakley in a London production ofAnnie Get Your Gun[32] and in 1991, she performed the title role in a musical about the life of actressTallulah Bankhead. TitledTallulah Who?, which had music and lyrics co-written by Shirlie Roden and her, with a book byWillie Rushton. It ran from February 14 to March 9 atHornchurch, England, where it was billed as "You'll be amazed how Tallulah did it, and to whom – and how often!" The show received favorable reviews from the majority of critics.[52][53]
In more recent times, Quatro has hosted weeklyrock and roll programs onBBC Radio 2. The first one was titledRockin' with Suzi Q, while her second was given the titleWake Up Little Suzi.[54]
She started writing songs alone, then collaborated with other songwriters (such as Len Tuckey, Rhiannon Wolfe, and Shirley Roden), and now mainly writes songs alone once again.
Quatro's early recorded songwriting was deliberately limited to album tracks and the B-sides of singles. She said in late 1973, "... [the] album tracks are a very different story from [the] singles. The two-minute low-and-behold commercial single will not come out of my brain, but ain't I gonna worry about it."[55]
She describes creating a new song: "From sitting at my piano in my front room, writing down a title (always first), picking up my bass, figuring out the groove, going back to the piano ... working on the lyrics, playing electric guitar ... and finally I type out the lyrics. Only then is it officially a song. Next it goes down on my tiny8-track, [with] me playing everything ... this is the version all muso's use to get into the tune ... then into the studio and we go from there."[56]: 2
Quatro married her long-time guitarist,Len Tuckey, in 1976. They had two children together, and divorced in 1992. Before 1993, Quatro lived with her two children in amanor house not far fromChelmsford in Essex, England, that Tuckey and she bought in 1980.[57]
She married German concert promoter Rainer Haas in 1993. In 2006, her daughter and grandchild moved back into the Essex manor house.[1] Toward the end of 2008, Quatro's children had moved out of the house and she temporarily put it up for sale, stating that she hadempty nest syndrome. Quatro continues to live in Essex andHamburg, and sometimes in Detroit.[58]
Since 2011, she has published music videos on YouTube.[59] On March 31, 2012, Quatro broke her right knee and left wrist while boarding an aircraft inKyiv,Ukraine, where she had performed the night before. As a result, she had to cancel her appearance at theDetroit Music Awards on April 27, where she was to perform and be inducted into the Detroit Hall of Fame along with her sisters. Had she been able to go, that would have been her first performance in America in over 30 years. Quatro also had to reschedule other concert dates, while some were canceled altogether.[60]
In a 2012 interview, Quatro was asked what she thought she had achieved for female rockers in general. She replied:
Before I did what I did, we didn't have a place in rock 'n' roll. Not really. You had yourGrace Slick and all that, but that's not what I did. I was the first to be taken seriously as a female rock 'n' roll musician and singer. That hadn't been done before. I played the boys at their own game. For everybody that came afterward, it was a little bit easier, which is good. I'm proud of that. If I have a legacy, that's what it is. It's nothing I take lightly. It was gonna happen sooner or later. In 2014, I will have done my job 50 years. It was gonna be done by somebody, and I think it fell to me to do because I don't look at gender. I never have. It doesn't occur to me if a 6-foot-tall guy has pissed me off not to square up to him. That's just the way I am. If I wanted to play a bass solo, it never occurred to me that I couldn't. When I saw Elvis for the first time when I was five, I decided I wanted to be him, and it didn't occur to me that he was a guy. That's why it had to fall to somebody like me.[61][b]
In a 1973 interview, Quatro sympathized with many of the opinions voiced by thewomen's liberation movement, while distancing herself from it because she considered that the participants were
... completely hypocritical. Their leaders stand up there and say, 'We're individuals blab blab blab,' and yet they're all in a group following like sheep. For me, I cannot put the two together ... I'm talking about the masses that follow [the movement's leaders who get press attention] and who have nothing at all to say. It gives it all a very phony light. I hope they can find a way to apply it to their own lives, because grouping together takes away the whole idea of Women's Lib.[55]
The interviewer,Charles Shaar Murray, considered her viewpoint to be "... somewhat anomalous, because unless the woman in question happens to be well known, she has no way of letting people hear her unless she unites with other women and then elects a spokesman." He also noted the apparent contradiction that Quatro seemed proud that girls were writing to her saying that they were emulating her look and her attitude.[55] In 1974, Quatro believed that, unlike men, women were burdened with emotional responses and that it was more difficult for them to succeed in the music industry because they are more prone to jealousy and thus female audiences tend not to buy the recordings of female artists.[62]Her unusually free use of swear words in conversation was often picked upon by interviewers in the 1970s,[62] as have been her diminutive stature and boy-ish nature. In 1974,Philip Norman said that
Of all female rock singers, she appears the most emancipated: A small girl leading an all-man group in which she herself plays bass guitar. The image is of a tomboy, lank-haired, tight-bottomed and (twice) tattooed; a rocker, a brooder, a loner, a knife-carrier; a hell-cat, a wild cat, a storm child, refugee from the frightened city of Detroit.[9][c]
In 2020, Quatro was awarded the Icon Award by the Women's International Music Network.[63]
In 2011, Quatro was inducted to the Michigan Rock and Roll Legends Hall of Fame.[64]
In October 2016, Quatro received an honorary doctorate in music fromAnglia Ruskin University, Cambridge, UK, along withDr. Feelgood'sWilko Johnson.[65]
On August 15, 2019, an Australian-made film on the life of Quatro premiered in Melbourne, Victoria.Suzi Q is noted as the first official documentary to ever be released about her. It was described by Quatro as a "warts and all" look into her career, focusing on both her successes and challenges faced along the way, particularly as she left her sisters in Detroit to pursue a solo career in London. Quatro stated that she was drawn to having Melbourne-based director Liam Firmager make the film, "Because although he liked my music, he wasn't particularly 'a fan', which meant he was objective, and wouldn't spend all his time telling me how great I am... I like that, he was the right guy for the job".
Bravo is the largest magazine for teenagers inGerman-speaking Europe. Each year, the readers of this magazine select theBravo Otto award winners.
Quatro has won the following Bravo Otto awards:[66]
In April 2009, BBC TV selected Quatro as one of 12 queens of British pop.[67]
In August 1974,Simon Frith spotted a problem with the formula that was working outside the US, saying that
Suzi's facing a bit of a [commercial] crisis: Chinn and Chapman, having proved their point, are losing interest in her. She's never had their best material (they don't play many games with her) and each of her singles has been less gripping than the one before. Unless they suddenly imagine a new joke, she's in danger of petering out and she lacks the resources to fight back. None of her own musical talents has been needed and so they've been ignored (except on the throwaway B-sides) and while Sweet and Mud have their histories and themselves to draw on for support, Suzi's present has nothing to do with her past and her group was formed only to play Chinnichap music. Mud may become a top cabaret act and Sweet a respected rock group, but Suzi will only be a memory. Mickie Most's skill in the '60s was to make pop music out of British blues and R&B and folk; Chinn and Chapman's skill in the '70s has been to make pop music out of an audience. As this audience ages and changes, so will its music and Suzi Quatro will have been just an affectionate part of growing up.[21]
In 1983, journalistTom Hibbert wrote that Quatro may have overstated her role as a leading light among female rock musicians. He said that
... it was in the wake of the 1977 punk revolution that the traditions of rock were turned upside down and female musicians truly came to the fore. But Suzi Quatro, with her tomboy sneers, her bass guitar and her stompingly persuasive teen-tunes, had at least laid down a challenge to the male-dominated rock orthodoxy. On stage in the Eighties, Quatro was still conveying energy and excitement – and she still lacked class."[68]
In his 2008 paperSuzi Quatro: A prototype in the archsheology of rock, Frank Oglesbee writes, "The rebellion of rock music was largely a male rebellion; the women—often, in the 1950s and '60s, girls in their teens—in rock usually sang songs as personæ utterly dependent on their macho boyfriends". He describes Quatro as "a female rock pioneer, in some waysthe female rock pioneer ... a cornerstone in the archaeology of rock." He said she grew up to become "the first female lead singer and bassist, an electric ax-woman, who sang and played as freely as the males, inspiring other females."[69]
Philip Auslander says, "Although there were many women in rock by the late 1960s, most performed only as singers, a traditionally feminine position in popular music". Though some women (like Quatro herself) played instruments in American all-female garage rock bands, none of these bands achieved more than regional success. So, they "did not provide viable templates for women's on-going participation in rock".[24]: 2–3 When Quatro emerged in 1973, "no other prominent female musician worked in rock simultaneously as a singer, instrumentalist, songwriter, and bandleader".[24]: 2 Auslander adds that in 2000 Quatro saw herself as "kicking down the male door in rock and roll and proving that a femalemusician ... and this is a point I am extremely concerned about ... could play as well if not better than the boys".[24]: 3
Quatro has influenced various female musicians. MusicianTina Weymouth, who played bass guitar inTalking Heads andTom Tom Club, among other bands, first learned to play bass by listening to Quatro albums.[70]
Quatro had a direct influence onthe Runaways[71] andJoan Jett,[71] as well asGirlschool andChrissie Hynde.[72] MusicianKathy Valentine, best known for her work as bass player forThe Go-Go's, cited Quatro as a major influence in her 2020 autobiographyAll I Ever Wanted.[73]
Mid-1990s Americanindie rock bandTuscadero was named after Quatro'sHappy Days character Leather Tuscadero, and their song "Leather Idol", from their 1994 albumThe Pink Album, was an ode to both Quatro and her TV character.[74]
On the cover of Scottish singer-songwriterKT Tunstall's 2007 albumDrastic Fantastic, Tunstall is dressed like Quatro, as a deliberate homage.[75][d]
On October 24, 2013, Quatro received the Woman of Valor Award from the organizationMusicians for Equal Opportunities for Women (MEOW) for her role inspiring and influencing generations of female musicians.[77] The award was bestowed byKathy Valentine (formerly ofThe Go-Go's) at a dinner in her honor inAustin, Texas, at the AustinRenaissance Hotel. Quatro performed five songs with a local band that included her sister Patti andTony Scalzo of the bandFastball on "Stumblin In".
Quatro's music covers several genres. Her primary genres arehard rock[78] andglam rock.[79][80] Academic Philip Auslander wrote that "she has appeared on occasion just as a bass player, not a singer, and [also] demonstrates her instrumental prowess with an extended bass guitar solo during her own concerts."[24]: 1–2
With the Pleasure Seekers, their musical styles and genres includedpower pop,[81]garage rock[82] andMotown.[83] Quatro also performs musicals.[84]
see:List of songs by Suzi Quatro
Notes
Citations
From the studios of the brilliant Victory Tischler Blue – here is the official video for Suzi Quatro's "Strict Machine". It includes live footage from Quatro's recentRocks the Spotlight Tour (Sept/Oct 2011) of Australia. Quatro's cover version of theGoldfrapp song is on her new albumIn the Spotlight.
Suzi Quatro filmed today (8th April 2012) at home in Essex. A message to fans about her accident on 31st March in Kyiv while making her return journey following her gig in Kyiv on Friday March 30th 2012.
