Sustainable art is art in harmony with the key principles ofsustainability, which includeecology,social justice,non-violence andgrassroots democracy.[1]Sustainable art may also be understood as art that is produced with consideration for the wider impact of the work and its reception in relationship to its environments (social, economic, biophysical, historical and cultural).
According to the contemporary art historians andcuratorsMaja and Reuben Fowkes, the origins of sustainable art can be traced to theconceptual art of the late 1960s and early 1970s, which stresseddematerialisation and questioned the functioning of the art system.[2] They also connect the rise of the concept of sustainability to the ending of theCold War in 1989 and the emergence of a new awareness of the global character of ecological and social problems.[3] Sustainable art adopts, according to these authors, a critical position towards some key practitioners in theland art movement of the 1960s, who showed little concern for the environmental consequences of treating the landscape like a giant canvas with a bulldozer for a brush.[4] They have questioned thepolemical division between 'autonomous' and 'instrumental' art originating withmodernism, arguing that it is 'autonomy that gives art, as well as artists associal actors, the potential to be free and able to offer alternatives to dominant ideological paradigms.'[5]
Since 2005 there is a Sustainable ArtsBiennale running atIhlienworth near Hamburg, Germany, curated by the German conceptional artist and curator Samuel J. Fleiner.
There are a range of interpretations over the relations between art and sustainability, besides the term 'sustainable art' promoted by Maja and Reuben Fowkes: Other authors prefer the broader notions of 'sustainability arts' or 'art and sustainability' (e.g.Sacha Kagan andVolker Kirchberg.[6] Still others explicitly rejected the use of the term 'sustainable art', referring instead to 'artistic work that inspires us to think about sustainability" (Margot Käßmann).[7]
Professional discussion of the relationship of contemporary art to notions of sustainability blossomed across Europe in the early years 2000, with e.g. the conference of the German Society for Political Culture (Instituts für Kulturpolitik der Kulturpolitischen Gesellschaft e.V.), in January 2002 at theArt Academy of Berlin, and the 'Tutzinger Manifest'.[8] An InternationalSymposium on Sustainability and Contemporary Art took place atCentral European University, in Budapest (Hungary) in March 2006. This was the first in a series of international symposia organised byMaja and Reuben Fowkes bringing together contemporary artists, philosophers, environmental sciences and activists to explore common ground around issues such as 'Exit or Activism' (2008), 'Hard Realities and the New Materiality' (2009) and 'Art,Post-Fordism and Eco-Critique' (2010).[1]. In March–April 2007 at theLeuphana University Lüneburg, the Arts Research Network of theEuropean Sociological Association focused its attention on the recent movements and approaches to 'arts and sustainability' at its biennial conference.[9]
Key texts in the emerging field of sustainable art include 'Kultur - Kunst - Nachhaltigkeit' (2002) by Hildegard Kurt andBernd Wagner,[10] ‘The Principles of Sustainability in Contemporary Art’ (2006) by Maja and Reuben Fowkes[11] and 'Art and Sustainability' (2011) by Sacha Kagan.[12] A collection of interdisciplinary analyses of the arts and cultures with relationship to sustainability is available in 'Sustainability: a new frontier for the arts and cultures' (2008) edited by Sacha Kagan and Volker Kirchberg.[6]
Exhibitions devoted explicitly to "sustainable art" include e.g. ‘Beyond Green: Towards a Sustainable Art’ at theSmart Museum in Chicago in November 2005.[13] For an analysis of the conflictual politics of sustainability and the ambiguity of the term sustainability (which oscillates between "ecological sustainability" and "economic sustainable development," seeTJ Demos, “The Politics of Sustainability: Art and Ecology” (2009).[14] For a recent account of the multi-faceted role of contemporary art in highlighting environmental issues, expressing criticism towards unsustainable factors in society, and offering imaginative solutions for the achievement of sustainability, see Maja and Reuben Fowkes's essay on 'Art and Sustainability' in Enough for All Forever (2012).[15]
Modern sustainable artists include artists who are using non-toxic, sustainable materials in their art practices as well as integrating conceptual ideas of sustainability into their work.Washington, DC–based glass sculptorsErwin Timmers[16] and Alison Sigethy incorporate some of the least recycled building materials; structural glass.