| "Suffragette City" | |
|---|---|
 UK single B-side label | |
| Song byDavid Bowie | |
| from the albumThe Rise and Fall of Ziggy Stardust and the Spiders from Mars | |
| A-side | "Starman" |
| Released |
|
| Recorded | 4 February 1972 |
| Studio | Trident, London |
| Genre | |
| Length | 3:25 |
| Label | RCA |
| Songwriter | David Bowie |
| Producers |
|
| Official audio | |
| "Suffragette City" (2012 Remaster) onYouTube | |
| "Suffragette City" | ||||
|---|---|---|---|---|
 | ||||
| Single byDavid Bowie | ||||
| from the albumChangesonebowie | ||||
| B-side | "Stay" | |||
| Released | 9 July 1976 | |||
| Length | 3:25 | |||
| Label | RCA | |||
| David Bowie singles chronology | ||||
| ||||
"Suffragette City" is a song by the English singer-songwriterDavid Bowie. It was originally released in April 1972 as theB-side of thesingle "Starman" and subsequently appeared on his fifth studio albumThe Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972). The song was later reissued as a single in 1976, with the US single edit of "Stay" as the B-side, to promote thecompilation albumChangesonebowie in the UK. Co-produced by Bowie andKen Scott, it was recorded by Bowie atTrident Studios in London with his backing bandthe Spiders from Mars, consisting ofMick Ronson,Trevor Bolder andMick Woodmansey, at a late stage of the album's sessions. The song was originally offered to English bandMott the Hoople, who declined it and recorded Bowie's "All the Young Dudes" instead. It is aglam rock song that is influenced by the music ofLittle Richard andthe Velvet Underground. The lyrics include a reference toAnthony Burgess' novelA Clockwork Orange and the lyric "Oooohh wham bam, thank you, ma'am".
"Suffragette City" received acclaim frommusic critics, with many praising the guitar work, the band's performance, the false ending, the lyrics and the song's power. It has subsequently been called one of Bowie's greatest songs by multiple publications, includingNME. Bowie performed the song frequently during his concert tours and it has appeared on multiple compilation albums. It has been remastered several times, including 2012 for the 40th anniversary of the album; this version was included as part of the 2015 box setFive Years (1969–1973).
"Suffragette City" was recorded on 4 February 1972 atTrident Studios, London, towards the end of theZiggy Stardust sessions.[1][2] Also recorded during this session were "Rock 'n' Roll Suicide" and "Starman".[1] It was co-produced by Bowie andKen Scott and recorded with Bowie's backing bandthe Spiders from Mars, consisting ofMick Ronson,Trevor Bolder andMick Woodmansey.[3] Before recording it himself, Bowie offered "Suffragette City" toMott the Hoople, an English band he greatly admired, provided they forgo their plan to break up. The group refused but recorded Bowie's "All the Young Dudes" instead.[1][2][4]
The track is aglam rock,[5][6][7]proto-punk,[8] andhard rock song.[9] The pianoriff was heavily influenced by the music ofLittle Richard. The song features one of Bowie's earliest uses of theARP synthesiser, which would later become the backbone of hisBerlin Trilogy.[2] The instrument was used to mimic asaxophone, which underscores the guitar throughout the track. Bowie composed the riff, while Scott used the ARP located at Trident to find the right sound and Ronson played the notes.[2][10] The backing vocals move from the left channel in the first verse to the right in the second.[10]
According to biographerPeter Doggett, while other rock songs such asthe Rolling Stones' "Brown Sugar" andthe Kinks' "All Day and All of the Night" use a standard three-chord structure that is spaced "two and three semitones apart" (such as E-G-A or A-G-C), "Suffragette City" uses tighter, two-semitone gaps (F-G-A), which "leaves the ear to expect a softerA minor as the root of the song, only for a decisiveA major chord to appear instead". Doggett believes that this decision gives the track its "unrelenting power".[10] The track'sacoustic guitar instrumentation was played by Bowie, but is mostly buried in the mix under Ronson's electric guitar. After a false ending, Bowie cries "wham bam, thank you, ma'am!" before the band gets back into the groove, finishing with Bowie shrieking "Suffragette!"[11]
According to Doggett, before "Suffragette City", the only popular song to contain "suffragette" in its title was "Sister Suffragette", from the 1964 filmMary Poppins. He argues the film's song has more to do with women's liberation than "Suffragette City" does.[9] "Suffragette City" includes the lyric "Ah droogie, don't crash here", a direct reference to theAnthony Burgess' novelA Clockwork Orange (1962);Stanley Kubrick'sfilm adaptation was a major influence on Ziggy Stardust's cultural grab-bag, dictating both costumes and pre-show music on tour.[2] The song was written only a few months after the film's release in 1971.[12] The famous, "sexually charged" hook "wham bam, thank you, ma'am!" previously appeared as the title of a song onjazz bassistCharles Mingus's 1961 albumOh Yeah, as well as a 1967 song by theSmall Faces.[9] Bowie also uses the "hey man!" backing vocals in the same style as "white light!" fromthe Velvet Underground's 1968 song "White Light/White Heat", a line from the 1970 song "I Found Out" byJohn Lennon, aMarc Bolan-esque boogie, "someFlamin' Groovies speed, someJerry Lee Lewis swagger", and a "dose of hard rock theatrics" to finish it out.[9][13]
Bowie's handwritten lyrics for the song were included in theDavid Bowie Is travelling exhibit from 2013 to 2018 and were put up for auction by the owner, who had been gifted the lyrics by Bowie, in late 2023.[14]
"Suffragette City" was originally released on 28 April 1972 byRCA Records as theB-side of Bowie'ssingle "Starman" (as RCA 2199).[15][16] It was subsequently released as the 10th and penultimate track on his fifth studio albumThe Rise and Fall of Ziggy Stardust and the Spiders from Mars, on 16 June of that year.[17][18] RCA reissued the track as the A-side of a single (RCA 2726) on 9 July 1976,[2] to promote the compilation albumChangesonebowie in the UK, with the US single edit of theStation to Station track "Stay" as the B-side.[19] The single failed to chart.[2]
Since its release, "Suffragette City" has received critical acclaim, with many writers praising the guitar work. In a review ofZiggy Stardust on its release, Richard Cromelin ofRolling Stone called "Suffragette City" Bowie's "supreme moment as a rock & roller".[20] Noting the Velvet Underground influence, he praised the guitar work in the second half and the false ending, writing that the lyric "Oooohh Wham Bam Thank you Ma'am!" brings you back into it and would make you want to do somersaults. Cromlin concluded by saying that there's only one thing left for the Star, quoting the lyric "There's only room for one and here she comes, here she comes".[20]
Stephen Thomas Erlewine ofAllMusic praised Ronson's guitar work, writing, "[Ronson] plays with a maverick flair that invigorates rockers like 'Suffragette City', 'Moonage Daydream' and 'Hang On to Yourself'".[21] Ned Raggett, also of AllMusic, noted the influence ofLou Reed and the Velvet Underground, which was previously seen on theHunky Dory track "Queen Bitch", but found an overall better result in "Suffragette City".[13] Raggett similarly praised Ronson's guitar work, acknowledging it as both a glam trademark and rock trademark. He further complimented the keyboards and piano, saying they add to song's power and drive. Of the lyrics, Raggett said that some seem like "bad ideas" but that the false ending and famous hook make up for it.[13] Ian Fortnam ofLouder, in a review ranking every song onThe Rise and Fall of Ziggy Stardust and the Spiders from Mars from worst to best, placed "Suffragette City" at number five, calling it "Ziggy's most reconstructed rocker".[22] Also praising the false ending and famous hook, he ends his review by describing the track as "glam rock in excelsis".[22]
Jordan Blum, writing forPopMatters, described "Suffragette City" and "Ziggy Stardust" as the album's standout tracks that are "still endlessly addicting and pleasantly infectious" 40 years later.[3] He adds that both songs have "archetypal" guitar riffs that, together with the instrumentation and dynamics, make for phenomenal recordings. Blum concluded his review praising this track's hook, chorus and horns, while acknowledging it as "one of the best anthemic tracks ever made".[3] In 2018, the writers ofNME listed "Suffragette City" as Bowie's 14th greatest song.[23] In 2015,Ultimate Classic Rock placed the track on their list of the top 200 songs of the 1970s, writing, "this song underscored Bowie's broad interests – he pulled in references from Charles Mingus andA Clockwork Orange – even as it showcased his willingness to experiment with things like the ARP synth".[24]
On 16 May 1972, Bowie recorded "Suffragette City" for theBBC radio programmeSounds of the 70s, presented byJohn Peel; the session was broadcast one week later.[25] In 2000, this recording was released on the compilation albumBowie at the Beeb.[26] Pegg called the performance "excellent", praising Ronson's "sharp" guitar work and theboogie-woogie piano-playing fromNicky Graham.[2] The song was frequently performed by Bowie during concert tours throughout his career. Performances from theZiggy Stardust Tour (1972–1973) have appeared on the live albumsLive Santa Monica '72 (2008) andZiggy Stardust: The Motion Picture (1983),[27][28] the final concert of the tour at which Bowie unexpectedly announced it as "the last show we'll ever do".[29] Performances from the 1974Diamond Dogs Tour have appeared onDavid Live (1974),Cracked Actor (Live Los Angeles '74) (2017),[30][31] andI'm Only Dancing (The Soul Tour 74) (2020). A performance from the1976 Isolar Tour was released onLive Nassau Coliseum '76 (2017),[32] while performances from the1978 Isolar II Tour were included on the 2017 edition of Bowie's live albumStage andWelcome to the Blackout (2018).[33][34]
Since its release, "Suffragette City" has appeared on numerous compilation albums, includingChangesonebowie (1976),[35]Changesbowie (1990),[36]The Best of David Bowie 1969/1974 (1997),[37] andBest of Bowie (2002).[38] The song, along with the entireZiggy Stardust album, has been remastered multiple times, including in 1990 byRykodisc,[39][40] and 2012 for its 40th anniversary.[41] The 2012 remaster and a 2003 remix, by producerKen Scott, were included as part of the box setFive Years (1969–1973) in 2015.[42]
All tracks written by David Bowie.[16][19]
1972 B-side single
1976 A-side single
Personnel per Cann and O'Leary:[43][15]
Bowie recorded a glut of rollicking glam rock classics: Drive In Saturday, The Jean Genie, Diamond Dogs and Suffragette City to name just four...
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