Sergei Prokofiev'sString Quartet No. 2 in F Major, Op. 92 (1941) was first performed by theBeethoven Quartet inMoscow on 7 April 1942.[1] A later concert in Moscow, on 5 September 1942, was delayed by aNazi air raid and started late. Prokofiev thought it "an extremely turbulent success." The string quartet, lasting for 20–25 minutes, is in three movements.
Prokofiev, along with other Soviet artists, was evacuated from the major cities when the Nazis broke theirnon-aggression pact and invaded theSoviet Union in 1941. On August 8, 1941, Prokofiev traveled toNalchik with other artists, among them his friend, musicianNikolai Myaskovsky, actors, such asAnton Chekhov's widow, and others. Prokofiev stayed in the town ofNalchik, the provincial capital of theKabardino-Balkar Autonomous SSR, in theNorth Caucasus, about 900 miles south of Moscow (bordered by the European Russia, Turkey, and the Black and Caspian Seas). During this stay, Prokofiev was told by a government official to write a quartet usingKabardino-Balkar folk themes[2] and wrote this string quartet, with themes based on folk tunes, rhythms and textures.
This quartet, along with thefirst, has entered the repertory of manystring quartets.
The work is in threemovements:
Prokofiev utilized Kabardino-Balkar folk themes in his string quartet, while at the same retaining his unique style of harmonization. The folk music character is made evident by the string quartet's imitation of oriental plucked and percussion instruments, combined with resourceful use of sonic effects. The background accompaniment in the second movement attempts to imitate the playing of thekamancheh, a stringed instrument played by Caucasians.
Nikolai Myaskovsky, Prokofiev's close friend, wrote two works on Kabardino-Balkar themes, his 23rd symphony and 7th string quartet. The symphony shares a theme with the finale of Prokofiev's quartet.