Streetlife Serenade | ||||
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Studio album by | ||||
Released | October 11, 1974 | |||
Recorded | 1974 | |||
Studio | Devonshire, Los Angeles, California | |||
Genre | ||||
Length | 37:41 | |||
Label | Family Productions/Columbia | |||
Producer | Michael Stewart | |||
Billy Joel chronology | ||||
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Singles from Streetlife Serenade | ||||
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Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Christgau's Record Guide | C[3] |
Rolling Stone | Unfavorable[4] |
Streetlife Serenade is the third studio album by American recording artistBilly Joel, released on October 11, 1974, byColumbia Records.
The album peaked at No. 35 on the US album charts, eventually selling more than one million copies. Joel's live shows in the 1970s frequently featured the instrumental "Root Beer Rag" and the short song "Souvenir", which was often used as the final encore. Live versions of "Streetlife Serenader" and "Los Angelenos" appeared on Joel's first live album,Songs in the Attic (1981). A live version of "The Entertainer" appeared on Joel's 2006 album12 Gardens Live.
It was recorded mostly with session musicians—the last such release until 1993'sRiver of Dreams. Joel sang and played piano and other keyboards, including his first work with theMoog synthesizer. Backing musicians included guitarists Don Evans and Al Hertzberg and banjo/pedal steel guitarist Tom Whitehorse.
Joel said that he had been touring in clubs and theatres and opening for big acts such asThe Beach Boys, thus leaving him little time to write new songs, but he was under pressure to put out a new album afterPiano Man. He also says that he did not have many new songs, hence the inclusion of the instrumentals "Root Beer Rag" and "The Mexican Connection". The back cover features a barefooted Joel sitting in a chair looking cross; Joel says that he had had hiswisdom teeth extracted two days before the shoot.[5] The front cover is a painting by Brian Hagiwara of a hotel and café located at 651 South Centre Street in Los Angeles, California.[6][unreliable source?]
In a retrospective interview, Joel said of the album: "Interesting musical ideas, but nothing to say lyrically. I was trying to beDebussy in the title track — it didn’t work."[7]
In addition to the usual two-channelstereo version, the album was also released by Columbia in a four-channelquadraphonic mix onLP record and8-track tape in 1974. The quad LP release was encoded in theSQ matrix system. In 2015, the album was re-issued by Audio Fidelity in theSuper Audio CD format containing both the complete stereo and quadraphonic mixes.
All tracks written and composed by Billy Joel.
One side (Side one)
Another side (Side two)
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Weekly charts[edit]
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