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Spider Widow

From Wikipedia, the free encyclopedia
Quality Comics superheroine
Comics character
Spider Widow
Publication information
PublisherQuality Comics
First appearanceFeature Comics #57 (June 1942)
Created byFrank Borth
In-story information
Alter egoDianne Grayton
AbilitiesTrained athlete
Ability to controlblack widow spiders

Spider Widow is asuperheroine that was published byQuality Comics during theGolden Age of Comic Books. The character was created by writer and artistFrank Borth, and debuted inFeature Comics #57, which bore a cover date of June 1942. Borth continued to write and draw the Spider Widow feature until the end of its run inFeature Comics #72 (June 1943).[1]

Spider Widow is the secret identity of Dianne Grayton, a bored and wealthy athlete who decides to fight crime and foreign saboteurs after discovering she has the ability to control deadlyblack widow spiders.[2] She disguises herself in a stereotypicalHallowe'en witch costume, wearing a green-faced old crone mask, a floppy black hat, and a long black dress.[3] In her new guise, she calls herself "the Spider Widow, Grandmother of Terror".[4]

In a genre dominated by beautiful young superheroines with shapely bodies, Spider Widow was one of the few to subvert that stereotype; she's "a lovely young woman who actually made herself look like a hideous old hag to fight crime".[4] Valerie Estelle Frankel compares her to the heroine of the 1940–1944Fiction House comicFantomah, Mystery Woman of the Jungle: "They transformed from nice young ladies into crone faces of rage and power".[5]

Spider Widow had a complicated relationship with two other Quality heroes, forming a tentative romantic relationship with a male superhero, the Raven, and a corresponding rivalry withPhantom Lady for his affections.Trina Robbins notes that Spider Widow "turned the tables" on the usual hero/sidekick relationship, being a female hero with a lovestruck male assistant.[6]

The Quality Companion says that "this feature seemed to end before its time, probably a victim of Borth's entry into military service".[1] When Borth returned from military service in 1946, he was hoping that he could return and write more "Spider Widow" stories, but was told that there were too many GIs returning, and Quality couldn't give everyone their jobs back. He moved on to create a daily adventure newspaper strip,Ken Stuart, for theFrank J. Markey Syndicate.[7]

Fictional character biography

[edit]

InFeature Comics #60 (Sept 1942),Nazi agents set a trap for Spider Widow by posting an advertisement in the newspaper that requests her assistance, and then knock her out when she shows up. She is rescued from a boat bound for Germany by the bird-costumed Raven on his first heroic outing, and the two reveal a hiddenU-boat to theU.S. Navy.[8] She becomes romantically involved with the Raven (who is later revealed to be Tony Grey); however, neither initially knows what the other looks like without their mask on because they shared their first kiss in the dark. Starting with #60, the stories are billed as "Spider-Widow and the Raven".

The two later team up withPhantom Lady in a multi-partcrossover that spanned betweenFeature Comics #69-71 andPolice Comics #20-22. This was the only time that Quality Comics' superhero characters ever appeared in each other's strips.[9] Though Spider Widow initially worries that Phantom Lady is a potential rival for the Raven's affections, they nevertheless became allies.[10]

The Spider Widow, the Raven and Phantom Lady appear in each other's stories for several months in 1943, but her final adventure in issue #72 (Oct 1943) was a solo act.[11] The character also appeared in two issues ofPolice Comics in 1943.[12]

Powers and abilities

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Spider Widow has the ability to psychically control black widow spiders. The reason for her gaining this power is never explained. She is also a trained athlete.

Legacy

[edit]

Spider Widow inspired a character called the Widow in the 2002Elseworlds miniseriesJLA: Destiny, byJohn Arcudi.[1]

References

[edit]
  1. ^abcKoolman, Mike; Amash, Jim (2011).The Quality Companion. TwoMorrows Publishing. pp. 187–188.ISBN 978-1605490373.
  2. ^Markstein, Don."The Spider Widow".Don Markstein's Toonopedia. Retrieved18 March 2020.
  3. ^Yoe, Craig (2016).Super Weird Heroes:Outrageous But Real!. Yoe Books/IDW. p. 284.ISBN 978-1631407451.
  4. ^abMadrid, Mike (2016).The Supergirls: Fashion, Feminism, Fantasy and the History of Comic Book Heroines. Exterminating Angel Press. pp. 8, 304.ISBN 978-1-935259-33-6.
  5. ^Frankel, Valerie Estelle (2017)."Family Foils".Superheroines and the Epic Journey: Mythic Themes in Comics, Film and Television. McFarland and Co. p. 84.ISBN 9781476628011. Retrieved11 April 2020.
  6. ^Robbins, Trina (1996).The Great Women Superheroes. Kitchen Sink Press. p. 31.ISBN 9780878164820.
  7. ^Hill, Roger (2017). "Big Changes on the Horizon".Reed Crandall: Illustrator of the Comics. TwoMorrows Publishing. p. 98.ISBN 9781605490779. Retrieved10 April 2020.
  8. ^Morris, Jon (2018).The League of Regrettable Sidekicks: Heroic Helpers from Comic Book History!. Quirk Books.ISBN 978-1683690764.
  9. ^Mitchell, Kurt; Thomas, Roy (2019).American Comic Book Chronicles: 1940-1944. TwoMorrows Publishing. p. 221.ISBN 978-1605490892.
  10. ^Benton, Mike (1992).Superhero Comics of the Golden Age: The Illustrated History. Dallas: Taylor Publishing Company. p. 163.ISBN 0-87833-808-X. Retrieved8 April 2020.
  11. ^Booker, M. Keith, ed. (2014).Comics Through Time: A History of Icons, Idols, and Ideas. ABC-CLIO. p. 138.ISBN 9780313397516.
  12. ^Benton, Mike (1992).Superhero Comics of the Golden Age: The Illustrated History. Dallas: Taylor Publishing Company. p. 177.ISBN 0-87833-808-X. Retrieved8 April 2020.

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