| Sparks | |
|---|---|
| Genre | Sitcom |
| Created by | Ed. Weinberger |
| Directed by | Wendy Charles Acey Mark Corry Stan Daniels Kim Friedman Leonard R. Garner Jr. Bob Moloney Ed. Weinberger |
| Starring | James Avery Miguel A. Nunez Jr. Terrence DaShown Howard Kym E. Whitley Arif S. Kinchen Robin Givens |
| Theme music composer | Billy Preston |
| Composer | Billy Preston |
| Country of origin | United States |
| Original language | English |
| No. of seasons | 2 |
| No. of episodes | 40 |
| Production | |
| Executive producers | Rob Dames Bob Moloney Lenny Ripps Ed. Weinberger |
| Producers | Greg Giangregorio Bruce Bayley Johnson Miguel A. Núñez Jr. Alison Taylor |
| Running time | 22–24 minutes |
| Production companies | The Weinberger Company MTM Enterprises 20th Century Fox Television |
| Original release | |
| Network | UPN |
| Release | August 26, 1996 (1996-08-26) – March 2, 1998 (1998-03-02) |
| Related | |
| Good News | |
Sparks is an Americansitcom television series that aired onUPN from August 26, 1996, to March 2, 1998. The series starsJames Avery,Robin Givens,Terrence Howard,Miguel A. Núñez Jr.,Kym Whitley and Arif S. Kinchen. The sitcom is set inCompton, California, and is about the everyday lives of a family oflawyers running a family-owned law practice. Reruns of the show aired onBET in the late 1990s.
The show starsJames Avery as Alonzo Sparks, alawyer running a family law firm with his sons Maxey (Miguel A. Núñez Jr.) and Greg (Terrence Howard) in inner-cityCompton, California.[1][2]
| Season | Episodes | Originally released | ||
|---|---|---|---|---|
| First released | Last released | |||
| 1 | 22 | August 26, 1996 (1996-08-26) | May 19, 1997 (1997-05-19) | |
| 2 | 18 | August 25, 1997 (1997-08-25) | March 2, 1998 (1998-03-02) | |
| No. overall | No. in season | Title | Directed by | Written by | Original release date | Viewers (millions) |
|---|---|---|---|---|---|---|
| 1 | 1 | "Pilot" | Ed. Weinberger | Ed. Weinberger | August 26, 1996 (1996-08-26) | 5.2[3] |
| 2 | 2 | "Palimony Suit" | Unknown | Unknown | September 2, 1996 (1996-09-02) | 3.3[4] |
| 3 | 3 | "How Papa Got His Groove Back" | Unknown | Unknown | September 9, 1996 (1996-09-09) | 3.0[5] |
| 4 | 4 | "A Day in the Life" | Unknown | Unknown | September 16, 1996 (1996-09-16) | 3.6[6] |
| 5 | 5 | "Sid, Lies and Videotape" | Unknown | Unknown | September 23, 1996 (1996-09-23) | 3.3[7] |
| 6 | 6 | "Penal Envy" | Unknown | Unknown | September 30, 1996 (1996-09-30) | 3.2[8] |
| 7 | 7 | "No Sweat" | Unknown | Unknown | October 14, 1996 (1996-10-14) | 4.3[9] |
| 8 | 8 | "Pillow Talk" | Unknown | Unknown | November 4, 1996 (1996-11-04) | 4.3[10] |
| 9 | 9 | "One on One" | Unknown | Unknown | November 5, 1996 (1996-11-05) | 4.3[10] |
| 10 | 10 | "Goode for the Gander" | Unknown | Unknown | November 11, 1996 (1996-11-11) | 3.1[11] |
| 11 | 11 | "Porky's Revenge" | Bob Moloney | Ed. Weinberger | November 18, 1996 (1996-11-18) | 3.1[12] |
| 12 | 12 | "Maxey Gets the Bird" | Unknown | Unknown | November 25, 1996 (1996-11-25) | 2.9[13] |
| 13 | 13 | "It's the Gospel" | Unknown | Unknown | January 13, 1997 (1997-01-13) | 4.21[14] |
| 14 | 14 | "I, Spy" | Unknown | Unknown | January 20, 1997 (1997-01-20) | 4.25[15] |
| 15 | 15 | "Won't You Be My Neighbor" | Unknown | Unknown | February 3, 1997 (1997-02-03) | 3.93[16] |
| 16 | 16 | "Love Conquers All" | Stan Daniels | Ed. Weinberger | February 10, 1997 (1997-02-10) | 4.45[17] |
| 17 | 17 | "Self Defense" | Unknown | Unknown | February 17, 1997 (1997-02-17) | 4.39[18] |
| 18 | 18 | "Hoop Schemes" | Unknown | Unknown | February 24, 1997 (1997-02-24) | 4.63[19] |
| 19 | 19 | "The Great Indoors" | Unknown | Unknown | April 28, 1997 (1997-04-28) | 4.02[20] |
| 20 | 20 | "Love in a Cup" | Bob Moloney | Mark E. Corry | May 5, 1997 (1997-05-05) | 3.86[21] |
| 21 | 21 | "Too Hot Not to Cool Down" | Unknown | Unknown | May 12, 1997 (1997-05-12) | 3.65[22] |
| 22 | 22 | "A Day in the Life II" | Unknown | Unknown | May 19, 1997 (1997-05-19) | 3.68[23] |
| No. overall | No. in season | Title | Directed by | Written by | Original release date | Viewers (millions) |
|---|---|---|---|---|---|---|
| 23 | 1 | "To the Maxey" | Unknown | Unknown | August 25, 1997 (1997-08-25) | 4.27[24] |
| 24 | 2 | "Maxey Loses His Spark" | Unknown | Unknown | September 1, 1997 (1997-09-01) | 3.63[25] |
| 25 | 3 | "Rehearsal of Fortune" | Unknown | Unknown | September 8, 1997 (1997-09-08) | 3.78[26] |
| 26 | 4 | "Dog Gone" | Unknown | Unknown | September 15, 1997 (1997-09-15) | 3.63[27] |
| 27 | 5 | "When a Man is a Woman" | Stan Daniels | Lenny Ripps & Rob Dames | September 22, 1997 (1997-09-22) | 3.63[28] |
| 28 | 6 | "Defending Claude" | Unknown | Unknown | September 29, 1997 (1997-09-29) | 4.36[29] |
| 29 | 7 | "Don't Get Hooked on Me" | Kim Freidman | Allison Taylor | October 13, 1997 (1997-10-13) | 4.67[30] |
| 30 | 8 | "Bad Reception" | Bob Moloney | Allison Taylor | October 27, 1997 (1997-10-27) | 4.58[31] |
| 31 | 9 | "A Bride for Alonzo" | Unknown | Unknown | November 3, 1997 (1997-11-03) | 3.91[32] |
| 32 | 10 | "Brotherly Love" | Unknown | Unknown | November 10, 1997 (1997-11-10) | 4.35[33] |
| 33 | 11 | "Roots III" | Bob Moloney | Ron Nelson & Mark Steen | November 17, 1997 (1997-11-17) | 4.83[34] |
| 34 | 12 | "It's Good to Be Negative" | Unknown | Unknown | November 24, 1997 (1997-11-24) | 4.21[35] |
| 35 | 13 | "Silent Night" | Stan Daniels | Lenny Ripps & Rob Dames | December 16, 1997 (1997-12-16) | 2.64[36] |
| 36 | 14 | "Flirting with Disaster" | Wendy Acey | Ron Nelson & Mark Steen | January 12, 1998 (1998-01-12) | 3.79[37] |
| 37 | 15 | "She's Having My Baby" | Wendy Acey | Gisele Sanchez Rochet | January 19, 1998 (1998-01-19) | 3.81[38] |
| 38 | 16 | "Cain and Abel Sparks" | Unknown | Unknown | February 16, 1998 (1998-02-16) | 3.23[39] |
| 39 | 17 | "Till Your Well Runs Dry" | Unknown | Unknown | February 23, 1998 (1998-02-23) | 2.73[40] |
| 40 | 18 | "Blind Justice" | Unknown | Unknown | March 2, 1998 (1998-03-02) | 3.54[41] |
Kevin D. Thompson ofThe Palm Beach Post gave the show a mostly-negative review, criticizing Avery's performances and the "normal cardboard cutout characters".[1] Frederic M. Biddle of theBoston Globe also criticized the performances of the lead actors and thought that Núñez's and Howard's characters were "silently perpetuating stereotypes equating character with Caucasian features".[2]
