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Sound 80

Coordinates:44°58′25″N93°16′12″W / 44.97361°N 93.27000°W /44.97361; -93.27000
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Recording studio in Minneapolis, founded 1969

Sound 80
Company typeRecording studio
IndustryMusic
Founded1969; 56 years ago (1969)
FounderTom Jung and Herb Pilhofer
HeadquartersMinneapolis, Minnesota
Websitesound80.comhttps://www.orfieldlabs.com/

Sound 80 is arecording studio inMinneapolis, Minnesota,United States founded by engineer Tom Jung and composer/musician Herb Pilhofer in 1969. Largely involved with local artists, the studio is best known for recording portions ofBob Dylan'sBlood on the Tracks in 1974 andCat Stevens'Izitso in 1977, as well as demo tapes forPrince's first albumFor You in 1977.[1][2]

In 1978, Sound 80 made the firstdigital audio recording to win a Grammy Award—TheSaint Paul Chamber Orchestra's recording ofAaron Copland's "Appalachian Spring" and "Short Symphony", andCharles Ives' "Symphony No. 3".[2][3]

In 2020, Sound 80 was placed on theNational Register of Historic Places.[4]

History

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Jung and Pilhofer had previously worked at theKay Bank Studios in Minneapolis, where artists such asDave Dudley andThe Trashmen had recorded. The Sound 80 name came fromadvertising manBrad Morrison, who had previously namedHormel's Cure 81ham product (supposedly while drinkingVat 69Scotch). "The number didn't mean a thing," Pilhofer later explained. "Eighty-one was already taken [by Hormel]. Eighty just sounded right and it looked good."[5]

3M, based in neighboringSaint Paul, Minnesota, brought in aprototypedigital recording system in the late Spring of 1978.[6] Nicknamed "Herbie" after Herb Pilhofer, the system was used for two recordings by the Saint Paul Chamber Orchestra and one forjazz groupFlim and the BB's. One of the SPCO albums won theGrammy Award forBest Chamber Orchestra Recording in 1979. Being a prototype, it was a very bulky and finicky system. For example, it usedwire wrap boards and few, if any,soldered connections. When it worked, the system had a number of good qualities. However, there was no editing ability for digital media at the time, so even minor flaws would require the whole track to be re-recorded.

Tom Jung left the company to work inNew York City, but created a mobile recording unit known as Road 80, which was rented to Sound 80 studios on occasion. Jung later created the companyDMP Digital Music Products, which also pushed the envelope of later digital audio technology (the company recorded the first multi-channelSuper Audio CD).

In the mid-1980s the building became the home to AVC Systems, one of the largest pro audio contractors in the midwest. The basement, including the live echo chamber, was converted into a staging area for system fabrication. The main studio was converted to a showroom and office facilities. The smaller studio was rented by "Roger Dodger Music", a Minneapolis based keyboard/synthesizer dealer.[citation needed]

Orfield Labs

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The Sound 80 building was sold in 1990, but the original recording studios 1, 2 and 3 still exist, and the complex is now home toOrfield Laboratories (OL), the world's only independent multi sensory design research lab, who added a 3,500 square foot NIST/NVLAP Acoustical Lab to the complex. In this lab, OL operates the only NVlap accredited independent anechoic chamber in the U.S. At −13dBA, it is listed as "the quietest place on Earth" by theGuinness Book of World Records for 2005 and 2013. In its acoustic lab, OL also has 3 NIST accredited reverberation chambers, for testing of sound transmission, sound absorption and sound power, as well as for research uses. Sound 80 also has the first Acoustic Lab Acoustic Camera for source localization research in any accredited American lab.

Sound 80 was listed inGuinness again in 2006 as the "Oldest Digital Recording Studio in the World".

Orfield Laboratories consults in architecture in acoustics, AV, daylighting, lighting, thermal comfort, indoor air quality, human factors and forensics. OL has completed commercial buildings of most types across the United States. OL consults in product development in sound quality, visual quality, thermal quality, usability quality and tests products acoustically, vibrationally, photometrically and thermally. Clients have included Harley Davidson, Whirlpool, Cessna Aircraft, Maytag, Kohler, JI Case, Herman Miller, Steelcase, Haworth, Microsoft and many others.

Recording artists

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Artists who recorded at the studio include:

References

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  1. ^"Guide2Prince.org: Studio Nights: Sound 80 2CD". Archived fromthe original on November 5, 2014. RetrievedNovember 4, 2014.
  2. ^abRoise, Charlene; Gales, Elizabeth; Koehlinger, Kristen; Goetz, Kathryn; Hess, Roise and Company; Zschomler, Kristen; Rouse, Stephanie; Wittenberg, Jason (December 2018)."Minneapolis Music History, 1850-2000: A Context". City of Minneapolis. pp. 47–48. RetrievedJanuary 1, 2020.
  3. ^https://www.facebook.com/thespco/posts/10151549157276051?_fb_noscript=1[user-generated source]
  4. ^Bream, Jon (August 12, 2020)."Minneapolis' Sound 80 studio lands on National Register of Historic Buildings".Star Tribune. Minneapolis. RetrievedJuly 25, 2020.
  5. ^Kenney, Dave; Saylor, Thomas (October 15, 2013).Minnesota in the '70s.ISBN 9780873519007.
  6. ^"Sound 80 - MN150". Archived fromthe original on November 5, 2014. RetrievedNovember 4, 2014.

External links

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