Solmaz Sharif | |
|---|---|
 | |
| Born | Solmaz Sharif 1983 (age 41–42) |
| Occupation | Poet |
| Language | English |
| Nationality | American[1] |
| Alma mater | University of California, Berkeley New York University |
| Genre | Poetry |
| Notable works | Look |
| Website | |
| solmazsharif | |
Solmaz Sharif (Persian:سولماز شریف; born 1983) is an Iranian-American poet. Her debut poetry collection,Look, was a finalist for the 2016 National Book Award. She is currently an Assistant Professor of English atUC Berkeley.
Sharif was born inIstanbul, Turkey as her parents were in the process of emigrating fromIran to the United States; her parents had studied in the US during the 1970s but had returned to Iran during theIranian Revolution.[2] Newborn Sharif and her family settled first inTexas, where her father finished his studies; the family moved again a few years later toBirmingham, Alabama, where her mother finished her bachelor's degree. After her mother graduated the family finally settled inLos Angeles, California, when Sharif was 11 years old.[2] While living in Los Angeles, Sharif was exposed to the largest Iranian population outside of Iran itself, but was ostracized by her Iranian peers upon her arrival because of her family's struggle assimilating.[3]
At sixteen years old, Sharif attended an Iranian Feminist Conference, facilitated byAngela Davis.[3] Here, she discovered the phrase and label "women of color", which Davis used to refer to the audience of women before her. This label was a punctum moment for Sharif, as this is the phrase that she had been searching for to identify with, and to embrace.
Wherever she went, Sharif felt out of place, never feeling included or acknowledged by those around her. This feeling of exile is one of the bigger influences of her "exilic intellectual" prose: looking at something from the outside so as to "question and interrogate", a stance Sharif also brings to works of art or literature.
Sharif received her BA degree from theUniversity of California, Berkeley, and her MFA degree fromNew York University.[4]
In 2011, Sharif was awarded the "Discovery"/Boston Review Poetry Prize. Sharif received a fellowship from theNational Endowment for the Arts in 2013.[5] She has also received fellowships from theFine Arts Work Center, Stanford University, and thePoetry Foundation. Sharif won the Theodore H. Holmes '51 and Bernice Holmes National Poetry Prize.[6] Sharif has given numerous readings around the US, such as the prestigiousBread Loaf Writers' Conference.[7] Sharif was one of the judges for 2023 National Book Award for Poetry.[8]
Look, Sharif’s debut collection of poetry, was a finalist for the 2016National Book Award for Poetry, a finalist for the 2017PEN Open Book Award, one ofThe New York Times Book Review's 100 Notable Books of 2016, aPublishers Weekly Best Books of 2016, aWashington Post Best Poetry Collection of 2016, one ofThe New Yorker‘s Books We Loved in 2016, and one of theSan Francisco Chronicle‘s 100 Recommended Books of 2016.[9]
As of 2023, Sharif teaches at UC Berkeley.[10] Previously she was an Assistant Professor of English atArizona State University.[11] Before that Sharif was a Jones Lecturer at Stanford University where she had previously been aStegner Fellow.[4]
Some early influences include poems byWalt Whitman, which her mother would read to her as bedtime stories. While studying at UC Berkeley, she was part of the People for Poetry program and studiedJune Jordan's works. More current influences includeAudre Lorde's essay, "Uses of Erotics: Erotics as Power,"Hannah Weiner'sCode Poems,Muriel Rukeyser'sThe Book of the Dead,Martha Collins’sBlue Front, andM. Nourbese Philip'sZong!'.'[3] She also citedJune Jordan as an influence.[3]
Look, Sharif's first book, "asks us to see the ongoing costs of war as the unbearable losses of human lives and also the insidious abuses against our everyday speech."[12]Look draws on theU.S. Department of Defense Dictionary of Military and Associated Terms, and challenges readers to confront the war's effects on language.[13]
Look was reviewed favorably byThe Los Angeles Review as an account of war's effects on culture and language.[14]
Customs: Poems, her second collection, considers the contingent status of immigrant women in the US; the book has received positive criticism by Kamran Javadizadeh inThe New York Review of Books.[15]
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