| Cathedral of Saints Gervasius and Protasius | |
|---|---|
Cathédrale Saint-Gervais-et-Saint-Protais | |
 Soissons Cathedral | |
 Cathedral of Saints Gervasius and Protasius | |
| 49°22′51″N3°19′31″E / 49.3808°N 3.3252°E /49.3808; 3.3252 | |
| Location | Soissons, France |
| Denomination | Roman Catholic |
| Churchmanship | Roman Rite |
| History | |
| Status | Cathedral-Basilica |
| Architecture | |
| Architectural type | Church |
| Style | Gothic |
| Groundbreaking | 1177 |
| Completed | 1479 |
| Specifications | |
| Length | 116 m (380 ft 7 in) |
| Nave width | 21.5 m (70 ft 6 in) |
| Height | 66 m (216 ft 6 in) |
| Administration | |
| District | Diocese of Soissons, Laon, and Saint-Quentin |
| Official name | Cathédrale Saint-Gervais-et-Saint-Protais |
| Type | Classé |
| Designated | 1840 |
| Reference no. | PA00115941 |
Soissons Cathedral (French:Cathédrale Saint-Gervais-et-Saint-Protais) is aRoman Catholic cathedralbasilica inSoissons, France. It is the seat of theBishop of Soissons, Laon, and Saint-Quentin. Soissons Cathedral was classified as ahistorical monument in 1840 and is currently owned by the French State, with the Catholic Church having the exclusive rights of use.
The origins of Soissons Cathedral date to the 4th century, when the diocese of Soissons was first established. The first cathedral was constructed in aRomanesque style and saw events such as the crowning ofPepin the Short in 752.[1] To accommodate the growing city around the church, the Romanesque structure was demolished, and a secondCarolingian cathedral was built on the site, consecrated in 851 by Bishop Rothade.[2] This structure suffered significant fire damage in 948 caused by the troops ofHugh the Great.
To replace the burned-out church, the construction of the third and current cathedral was ordered in 1176 under the episcopate of Nivelon de Quierzy. The cathedral was constructed rather quickly in aGothic architecture style based offChartres Cathedral, with the completion of the choir and clerestory in 1211, followed by the nave two hundred years later. In 1414, theBurgundians besieged the city and allowed the inhabitants of Soissons to seize stones from the construction site to repair their damaged houses. As a result, the south tower was never completed, and the cathedral was permanently deprived of its north tower due to insufficient funding.[3] After a pause of construction due to theHundred Years' War, the cathedral was completed in the late 15th century, marked by a dedication ceremony conducted by Bishop Jean Milet on April 25, 1479. Between 1567-1568,Protestant Huguenots occupied Soissons, breaking into the cathedral and destroying pieces of furniture, stained glass panels, and statues. However, unlike the nearbyAbbey of Saint-Jean-des-Vignes, the cathedral was spared from complete destruction and survived through the 16th century.
TheFrench Revolution brought more destruction to the building, with the cathedral being closed in 1796 and stripped of its decorations.[4] However, after being used as an army clothing store, the cathedral was reopened and returned to religious use in 1799, with the first restorations commenced by the first bishop Jean-Claude Le Blanc de Beaulieu. In 1840, further modifications and restorations to the gothic structure were completed, including the addition of new chapels and the renewal of the choir's decor and furniture lost in the French Revolution. After being used as an army clothing store, the church was reopened and returned to religious use in 1799. An explosion from a nearby gunpowder factory in 1815 caused further damage to the stained glass windows, requiring urgent restoration efforts. To save what was left of the windows, much of the remaining original stained glass panels were auctioned off and sold to collectors around the world.[5]
Despite multiple structural restoration efforts lasting through the early 19th century, including the addition of new south transept buttresses and designation of the church as a national monument, the cathedral was badly damaged again duringWorld War I, with key areas like the first three bays of the nave and the tower and roof being completely destroyed by artillery shelling.[6][7] While most of the remaining stained glass windows were lost, the north transept and choir windows miraculously survived the war with minor damage. Major reconstruction was completed in May 1940, just before the surrender of France duringWorld War II. However, unlike during the First World War, the cathedral was spared from major damage.
The facade and nave of the cathedral are constructed in the typicalGothic style seen in many 13th century French cathedrals. The southerntransept, the oldest portion of the whole edifice, terminates in anapse, and unlike the rest of the building, is divided inside into four rather than three levels. The choir end of the cathedral contains 13th centurystained glass, and a 15th centurytapestry depicting the life of the martyrsGervasius and Protasius, the patron saints of the cathedral.Rubens'Adoration of the Shepherds painting hangs in the northern transept in addition to another painting done byPhilippe de Champaigne.
The single western tower dates from the mid-13th century and is an imitation of those ofNotre-Dame de Paris, which it equals in height (66 metres (217 ft)). The tower was restored after it and part of the nave were severely damaged inWorld War I. A matching tower on the other side of the façade was originally planned, but never built.
Maurice Duruflé composed his work for organ "Fugue surLe carillon des heuresⓘ de la Cathédrale de Soissons" op. 12 (1962)
Some stained glass windows from the cathedral auctioned to collectors during the 19th century were later donated to museums around the world, such as theWalters Art Museum inBaltimore, Maryland,[8] and theIsabella Stewart Gardner Museum inBoston.[9]
On January 12, 2017, during a strong winter storm, winds collapsed in a significant portion of the westrose window.[10] Large stone pieces of the window'stracery and sections ofstained glass fell onto thetracker-action pipe organ located below the rose window, causing severe damage to the instrument.[11][12]
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