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| Skyscraper Symphony | |
|---|---|
| Directed by | Robert Florey |
Release date |
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Running time | 9 minutes |
| Country | United States |
| Language | Silent |
Skyscraper Symphony (1929) is anavant-garde silent short film by French-American filmmakerRobert Florey.[1] The film was shot in the early morning hours inNew York City. It capturedskyscrapers which, by the late 1920s had become a global trademark of the city and became a representation of the ever-developing technologies in America, as well as the rapid growth of capitalism. Florey's focus on the booming metropolitan in the post-World War I era has solidified this film as a "city symphony," and he draws upon his own experience as a tourist in America to capture the excitement and uncertainty of being in New York City.
The film consists of a sequence of low-angle shots of skyscrapers in Manhattan. The beginning and end of the film's shots are primarily static, with one shot fading slowly into the next. The middle portion of the film has abrupt and rapid cuts between shots, with the camera capturing the buildings in shaky, canted movements.[2]
Musicologist Hannah Lewis has compared the "striking angles, zooms, panning, and unsteady camera angles" which "disorient" viewers ofSkyscraper Symphony to techniques used by montage theorists.[3]
