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Shuilu ritual paintings

From Wikipedia, the free encyclopedia
Style of traditional Chinese paintings
See also:Shuilu Fahui
The Eight Hosts of Deva, Naga, and Yakshi,Ming dynasty

Shuilu ritual paintings (Chinese: 水陸畫;pinyin:Shuǐlù huà; lit: "Paintings of Water and Land") are a style of traditionalChinese painting based onBuddhist andTaoist divinities that are used during the eponymous Chinese BuddhistShuilu Fahui ceremony where these figures are invoked. The paintings are mainly intricate portraits ofdeities, historical figures, and the contrasting lives of common people and tragedies, in an ornate style with rich use of vivid colors and patterns. The paintings can encompass a wide range of mediums, including scroll-painting, murals, and even sculptures.[1][2]

Despite their often mythological subject matter, the parts of the Shuilu ritual paintings that are dedicated to commoners show a realistic, often downtrodden and tragic view of their everyday lives, as part of the ritual to reflect on the suffering of the deceased.[1] The paintings preserve the intricacies of their respective eras' fashions and give a greater view of their cultural and spiritual landscape. The visual similarities in the portraits between the divine figures and traditionalChinese opera costumes also illuminate the mutual inspiration between the two art forms.[2]

The history of Shuilu ritual paintings can be traced back to theThree Kingdoms period, with other early mentions during the lateTang dynasty,[3] and became popular during theYuan,Ming andQing dynasties as a part of the BuddhistShuilu Fahui ritual to appease and enshrine spirits of the deceased. While the painting style has its origins in Buddhist ritual, the paintings also includeTaoist andRuist figures as reflections of localfolk-religious culture.[1][2]Many of the best-preserved paintings are from the Ming and Qing dynasties, particularly inShanxi andHebei.[3]

In modern contemporaryChinese Buddhist practice, newly created Shuilu ritual paintings as well as prints of historical paintings are still used during theShuilu Fahui ceremony and other related rituals to invoke and enshrine the divinities depicted.[4]

Gallery

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Part ofa series on
Chinese Buddhism
Liao dynasty statue of the Eleven Headed Guanyin in Dule Temple in Tianjin, China.
Liao dynasty statue of the Eleven HeadedGuanyin inDule Temple inTianjin,China.
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Examples

See also

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References

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  1. ^abcLiu Zhongguo 刘忠国 (2011). "浅析中国的水陆画艺术".现代装饰理论.09:91–93.
  2. ^abc北京文物鉴赏编委会 (2005).明清水陆画 Paintings for water-and-land service of the Ming and Qing dynasties. Beijing Art Photography Publishing.ISBN 9787805012896.
  3. ^abXie Shengbao 谢生保 (2004). "甘肃河西于陆画简介----兼谈才陆法会的起源和发展".丝绸之路.01:8–10.
  4. ^Chan, Yiu Kwan (2024-11-02)."Popular Buddhist Ritual in Contemporary Hong Kong: Shuilu Fahui, a Buddhist Rite for Saving All Sentient Beings of Water and Land".The Open Buddhist University. Retrieved2025-05-06.
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