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| Episodenos. | Season 7 Episodes 9, 10, 11, 12 | ||
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| Written by | Dave Filoni | ||
| Production code | 7.21–7.24 | ||
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| Star Wars: The Clone Warsseason 7 | |||
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TheSiege of Mandalore is the collective name used to refer to the finalstory arc of the American3D animatedscience fiction television seriesStar Wars: The Clone Wars.[a] The story arc is composed of the episodes "Old Friends Not Forgotten", "The Phantom Apprentice", "Shattered", and "Victory and Death", which are respectively the ninth, tenth, eleventh, and twelfth episodes of theseventh season of the series.
The series chronicles various events in theClone Wars, a galactic conflict between theGalactic Republic and the Separatist Alliance that takes place during theStar Wars prequel trilogy. It primarily follows Jedi KnightAnakin Skywalker and his closest associates as they seek to help the Republic win the war. The arc takes place before and concurrently with the events of the filmRevenge of the Sith, and followsAhsoka Tano andRex as they seek to liberate Mandalore fromMaul, who had occupied it. After Maul's capture, Ahsoka and Rex are then forced to deal with the effects ofOrder 66.
All four episodes were released weekly on the streaming serviceDisney+ in April and May 2020. The arc received critical acclaim, with reviewers finding it emotionally resonant and a worthy conclusion to the series.
Ahsoka Tano andBo-Katan Kryze contactAnakin Skywalker andObi-Wan Kenobi, asking them for help in apprehendingDarth Maul in his new hideout on Mandalore. While Obi-Wan is apprehensive, Anakin and the501st give Ahsoka a warm welcome until news arrives thatGeneral Grievous and the Separatists are attackingCoruscant. Upon Anakin's suggestion,Rex (field-promoted to commander) and part of the 501st accompanies Ahsoka to Mandalore, forcing Maul's loyalists underGar Saxon into retreat. Bo-Katan apprehends Prime MinisterAlmec, while Ahsoka follows a trail into the city's tunnel network, only to walk right into Maul's trap.
Ahsoka faces off against Maul, who mentionsDarth Sidious before escaping. Ahsoka relays this to Obi-Wan, who says he had inferred from the recently killedCount Dooku that Sidious is the name of theSith Lord who orchestrated theClone Wars. Obi-Wan stresses that Maul must be taken alive as he may be their only chance to learn more about Darth Sidious. The captured Almec mentions that Maul had hoped to lure Anakin to Mandalore, but is assassinated by Gar before he can reveal why. As Bo-Katan's and Rex's forces lead a final assault against Maul'sMandalorians, Ahsoka confronts Maul again, who reveals that Sidious has engineered the destruction of both theGalactic Republic and theJedi and asks Ahsoka to join him to stop Sidious. When she demands to know his intentions with Anakin, Maul claims that Sidious wants to make him his new apprentice, and that he had hoped to kill Anakin before this happens. Refusing to believe him, Ahsoka fights Maul above the city, where she rescues him from falling to his death. She then leaves Maul to be captured byclone troopers, despite his frantic warnings that everyone will soon die.
With the Siege of Mandalore over, Ahsoka and Rex prepare to take Maul before theJedi Council on Coruscant.Mace Windu andYoda contact Ahsoka via hologram and reveal that Obi-Wan has tracked Grievous down toUtapau, indicating that the war may soon be over. On their way to Coruscant, however, Ahsoka senses Anakin falling to thedark side and helping Darth Sidious to kill Windu, moments before Sidious executesOrder 66, which brands all Jedi as traitors to the Republic and orders their deaths. As Ahsoka's clone troopers, including Rex, suddenly turn on her, she is forced to escape. Rex resists the order just long enough to mention the incident withFives, allowing Ahsoka to learn about the inhibitor chips. She releases Maul to create a distraction, then subdues and captures Rex. With the help of threeastromech droids, Ahsoka removes the inhibitor chip from his brain, restoring his free will.
As Ahsoka and Rex try to escape from the cruiser, Maul destroys itshyperdrive, causing the vessel to drop out of hyperspace and into a nearby moon's gravitational field. Forced to fight their way through the clones, Ahsoka tries to prevent Maul from getting away in their shuttle but lets him get away after choosing to help Rex. Just barely clearing the doomed ship, Ahsoka and Rex escape to the moon, where they respectfully bury the clones and Ahsoka discards herlightsabers. Two years later, Anakin, now asDarth Vader, arrives on the moon and recovers Ahsoka's main lightsaber from the wrecked cruiser.
All four episodes that make up thestory arc were written byStar Wars: The Clone Wars supervising directorDave Filoni. Following the purchase ofLucasfilm byThe Walt Disney Company, the series was cancelled in March 2013 following the release of the fifth season onCartoon Network, and midway through the production of the sixth of eight planned seasons.[6][7] This left unreleased episodes in various stages of production, from completely finished episodes to episodes that were still in early development.[8][9] The completed episodes were released ontoNetflix on March 7, 2014, as a truncated thirteen-episode sixth season, subtitledThe Lost Missions.[10][11] Included in the unreleased episodes were plans of aseries finale involvingAhsoka Tano andRex fightingDarth Maul during the events ofRevenge of the Sith, which had been written, originally by Matt Michnovetz, at the time of the series' cancellation.[12][13] Despite the arc not having actually been released, Lucasfilm considered the events of the arc to have occurred within theStar Wars universe, affecting subsequentStar Wars media that was created during the following years.[14]
It was announced on July 19, 2018, atSan Diego Comic-Con thatThe Clone Wars would return for a seventh, final season.[15] The seventh season was made up of twelve episodes organized into three four-episode story arcs, all of which had been in development prior to the series' cancellation. The third arc, comprising the ninth, tenth, eleventh, and twelfth episodes of the seventh season, and the final four episodes ofThe Clone Wars, was the originally written series finale.[16]George Lucas, the creator ofThe Clone Wars, was involved with the initial plans for the arc prior to the series' cancellation, but was uninvolved in work that was undertaken following the series' revival.[17] Out of a desire to keep to Lucas's vision for the franchise, Filoni discussed series concepts and ideas with Lucas, and Lucas provided comments on the episodes of the final season as they were being produced.[18][19] According to Maul voice actorSam Witwer, the four episodes that compose the arc were designed as a four-part series finale that "is meant to be seen in its entirety together", as a movie.[20] The arc was written to be able to be viewed completely standalone from any other episodes.[21][22]
Substantial care was taken to ensure that the arc maintainedcontinuity with existing works in the franchise. Despite the events of the Siege of Mandalore arc intersecting withRevenge of the Sith, Filoni avoided repeating the events of the film, and ensured that they were almost entirely offscreen, despite them deeply affecting the events of the arc. Instead, he chose to focus on characters that were not in theprequel trilogy, such as Ahsoka and Rex. This was to ensure that the characters and plotline of the film remained intact, as well as out of a lack "of desire to tell any of those scenes necessarily again". He described it as "a challenge not getting something chronologically out of order",[17] particularly for managing character knowledge of the secret identity ofPalpatine, who does not physically appear in the arc but is manipulating its events.[21] During the process of writing the novelAhsoka, authorE. K. Johnston was instructed to avoid writing action sequences set during the siege of Mandalore in order to avoid contradicting plans for the story arc in the series, which had, unbeknownst to her, been renewed.[23] Although the 2003 miniseriesStar Wars: Clone Wars is no longercanon to the franchise,[24] in keeping with the original intent of the newer series to not supersede the miniseries,[25] reference is made to Shaak Ti's failure to protect Palpatine, an event which is depicted in the miniseries.[26] Following the series' initial cancellation in 2013, Filoni co-created a new series calledStar Wars Rebels, set years after the events ofThe Clone Wars, in which characters prominently featured in the arc appear.[27] The integration ofThe Clone Wars characters inRebels affected how they were utilized in the Siege of Mandalore arc. Filoni felt that it was unfortunate that the appearance of the characters inRebels may have caused the arc to have reduced tension, as the audience would know that those characters would survive.[21]
"Old Friends Not Forgotten" was directed by Saul Ruiz. Filoni stated that due toAnakin Skywalker andObi-Wan Kenobi prominently appearing in the prequel films, Ahsoka and Rex, the two principal original characters, were the main characters of the series, and that "there was a responsibility to tell the end of their story and then hand off Anakin and Obi-Wan to their proper conclusion, which is in the filmRevenge of the Sith". He felt that an important part of the story was properly handling the emotional weight of the reunion and parting of Anakin and Ahsoka, who had been separated since the fifth-season episode "The Wrong Jedi", within the allotted time of the episode.[28] He stated that as Ahsoka had gained experiences away from the Jedi Order, she had changed, while Anakin wished for things to return to how they were before.[29] The cast and crew of the episode noted that key parts of the reunion included Ahsoka's reaction to the clones, who had painted their helmets to match her colors, and Anakin offering her her oldlightsabers, which was not part of the original script for the arc and was added after the series' renewal.[28][30]
"The Phantom Apprentice" was directed by Nathaniel Villanueva. The lighting in the initial confrontation between Maul and Ahsoka was designed so that Ahsoka was brightly lit and Maul walked out of the darkness, to create a sense of Ahsoka being trapped. The creators of the episode used a standardStar Wars trope, in which the villain asks the hero to join them, but modified it so that unlike in most instances of the trope, in this case the villain has the better plan.[31] Sam Witwer, Maul's voice actor, stated that unlike most animation voice acting, in which he usually exaggerates due to not being able to act facially, he and other cast members were asked to do a more restrained "film read", which was an influence from Filoni's work on the live-action television seriesThe Mandalorian.[31][32] Several events fromRevenge of the Sith were referenced throughout the episode to help ground the arc within the film's timeline.[33] The title of the episode was designed to be applicable to both Maul and Ahsoka, as former apprentices of theSith andJedi, respectively, as well as Anakin, as the secret apprentice of Palpatine, unbeknownst to both himself and the other Jedi.[34]
The creators of the episode felt that unlike the lightsaber duel between Obi-Wan Kenobi and Maul in theRebels episode "Twin Suns", which was very brief, the duel between Ahsoka and Maul needed to be big, and that it was very important to make it among the best lightsaber fights in the series.[35] To this end,Ray Park, Maul's physical actor forThe Phantom Menace, was brought in to performmotion capture for the character.[36] Park devised a new fighting style for Maul, rather than reuse the style he used inThe Phantom Menace, to reflect Maul having aged and gained robotic legs in the interim period.[37] Keith Kellogg, the animation supervisor for the episode, explained that many of Park's mannerisms were implemented in the animation for Maul, and that the motion capture data then had to be altered to match the animation style of the series.[38] Park's fighting was sometimes so fast that he would break the motion capture tracking.[21] Opposite Park, stunt performer Lauren Mary Kim performed motion capture for Ahsoka. According to Filoni, she "brought a lot of the speed and quickness that we needed to portray this character that had previously only been done by our animation team".[29]
"Shattered" was directed by Saul Ruiz. The timeline of the episode coincides withOrder 66, an event that occurs in the filmRevenge of the Sith and affects events in the episode. Featuring Order 66 in the series was seen by the creators as an inevitable outcome, so they had been considering how to incorporate the event for a long time. According toAshley Eckstein, the voice of Ahsoka, the episode's title reflects Ahsoka's worldview being shattered.[39] Filoni described the problem of having to portray the event differently to its portrayal inRevenge of the Sith, as the audience ofThe Clone Wars saw theclone troopers as real characters. He stated that the key was "about understanding that they are in a situation where they don't have free will. [He] tried through every method possible, visually, musically, color-wise to show that they became somebody else".[29] Various elements of the scenes in which the clones are hunting Rex and Ahsoka are framed to evoke theEmpire, including the lighting and use of helmets. The use ofdroids as allies for the main characters was also reflective of the role reversal of theGalactic Republic, as battle droids were the primary force of their enemy, the Separatists.[40] Filoni used Ahsoka and Rex reciting the catchphrase "I am one with the Force and the Force is with me" fromRogue One to display the bond between the characters and provide an explanation of how Ahsoka is able to remove Rex's inhibitor chip for those that may not have seen a previous arc inThe Clone Wars.[29]
"Victory and Death" was directed by Nathaniel Villanueva. The original plan for Ahsoka's escape from the clone troopers involved the clones running into what appeared to be a forest, only for the "trees" they thought they were running past to be revealed to be the legs of huge wolves.[14] Ahsoka would then escape on the back of a wolf, as a reference to the character San fromPrincess Mononoke, who was the inspiration for Ahsoka's original character design.[41][42] This idea was eventually discarded for being self-indulgent.[41] The more nuanced portrayal of the clone troopers inThe Clone Wars informed the decision to have Ahsoka attempt to not kill the clones that she was fighting. During filming, the voice cast had to be reminded not to allow their emotion from filming the series finale to affect their portrayals of the characters.[40]
The final scene of "Victory and Death" involved atime skip, jumping forward toDarth Vader finding the destroyed cruiser and seeing what Ahsoka and Rex left behind, including the memorial to the clones and Ahsoka'slightsaber. The conception of having the final scene involving Vader had always been around, according to Filoni.[43] The scene was designed to emphasize Vader's humanity, as the character had been portrayed as a hero and one of the leads throughout almost the entirety ofThe Clone Wars. As such, his eyes are visible through the helmet, just as they were in the originalStar Wars film, and Vader's picking up Ahsoka's lightsaber is meant to mirror Anakin giving it to her earlier in the arc. The ending was changed through the course of production to ensure that Ahsoka and Rex's story was centered, as Anakin's story had previously been told in theprequel trilogy. Multiple versions of the way the morai landed were tested before settling on the version in the final episode.[29] The final scene was also designed to be devoid of color, to contrast the clone troopers, who often colorfully displayed individuality, and the all-whitestormtroopers.[21]
Various aspects of animation had changed between the series' original airing and the revival. The motion capture that was successfully used in the lightsaber duel in "The Phantom Apprentice" had previously been attempted for the third-season episode "Wookiee Hunt", but the process was too heavy and much of the footage went unused.[21][29][38] The crew's experience utilizingprevisualization onThe Mandalorian, as well as technical advancements at Lucasfilm, particularly in its visual effects studioILM, allowed the use of the technology.[29] The cinematography for the final season was meant to emulate the cameras used for the originalStar Wars film, which had previously been done forRebels andStar Wars Resistance, but not previous seasons ofThe Clone Wars.[44] An unexpectedly high percentage ofassets from the first six seasons of the series had to be remade due to being substantially lower-quality than new assets.[38] Overall, the technological improvements and additional crew experience did not make the animation work easier, but it did open up new animation possibilities.[18]
Numerous cast members from previous seasons ofStar Wars: The Clone Wars returned for the final season and final arc, includingAshley Eckstein,Matt Lanter,James Arnold Taylor,Dee Bradley Baker, andSam Witwer. Most of the main cast was informed that the series was to berevived in February 2018, a few months prior to the official announcement in July.[45] Multiple cast members had to rewatch previous episodes to be able to match their previous performances, due to the length of time that had elapsed sinceThe Clone Wars was last filmed, and some had voiced older versions of their characters in the interim and had to readjust their voices to the younger versions.[46]Ray Stevenson andSharmila Devar reprise their roles fromStar Wars Rebels, andVanessa Marshall, who starred asHera Syndulla in that series, cameos as Rook Kast in two episodes of the arc.Donald Faison, who portrayed a character inStar Wars Resistance, cameos as a different character in "Old Friends Not Forgotten". This was the third of a string of cameos ofResistance cast members in the seventh season ofThe Clone Wars, asBobby Moynihan andJosh Brener had cameoed in previous episodes.[26] The voices ofSilas Carson,Hayden Christensen,Samuel L. Jackson, andIan McDiarmid are featured in "Shattered" through archival footage fromRevenge of the Sith.[47] The lightsaber duel in "The Phantom Apprentice" utilizedmotion capture, requiring actors to physically portray Maul and Ahsoka. Maul's motion capture was performed byRay Park, who originated the character inThe Phantom Menace. Park met supervising directorDave Filoni at aStar Wars Celebration, and after discussing his collaboration with longtime Maul voice actor Sam Witwer inSolo: A Star Wars Story, it was decided that he would return again forThe Clone Wars.[21] Opposite Park, stunt actress Lauren Mary Kim portrayed Ahsoka. She was the first actress to physically portray Ahsoka, prior to the character's appearance inThe Mandalorian, in which she was portrayed byRosario Dawson.[48] Filoni also voiced a droid named Cheep in the arc, following his voicing of similar droid Chopper inStar Wars Rebels.[29]
The opening sequences of the episodes that make up the final arc feature several differences from other episodes in the series. For the final three episodes,Tom Kane does not perform the opening narration, for the only time in the series.[49] The title card is red rather than the standard yellow; it had previously been red for the final episodes of the fourth season.[50][51] TheLucasfilm logo used for theoriginalStar Wars trilogy opens all four episodes. Rather than a philosophical lesson, the episode's number in the arc, followed by the episode title, is displayed in red. Unlike most other episodes,Kevin Kiner's Clone Wars theme is not played over the title card. Instead, "Old Friends Not Forgotten" uses theStar Wars theme byJohn Williams,[30] while the other episodes use other compositions by Kiner over the title card.
Series composerKevin Kiner composed the score for the arc.[29] When starting work for the seventh season, Kiner had to listen to his own score from previous seasons to remember what he had done previously, as it had been so long since he had last worked on the series.[52] In addition to the title card, John Williams'scompositions for otherStar Wars films are used much more frequently in this arc than in previous arcs in order to emphasize how special the arc was, in keeping with the series' philosophy of only using existingStar Wars music for "special moments".[53] Parts of the score use elements ofthe score ofRevenge of the Sith to indicate that a scene from the film, such as the opening scene of the battle over Coruscant, and a different scene from the series, such as the beginning of the titular siege of Mandalore, occur concurrently with each other inthe franchise's chronology.[51][54] Kiner usedsynthesizers in the arc, which was the first time that they were used in both the series and also the wider franchise, both of which tend to useorchestral scores.[53][55] Kiner stated that despite this departure from the franchise's traditional music, he tried to keep the scope of the music grand, so that it still sounded likeStar Wars.[53][56] The opening music of "Victory and Death" features a live choir, which is also unusual for the series.[57]
The announcement trailer for the seventh season, released on July 19, 2018, included a clip from "Old Friends Not Forgotten".[58] Simultaneously, a poster was released featuring aclone trooper helmet painted to look likeAhsoka Tano's facial markings, which first appears in "Old Friends Not Forgotten" and recurs prominently across all four episodes of the story arc.[59] Due to comments from the crew following the series' initial cancellation about story ideas that had at that time been discarded, it was widely expected upon the reveal of a final season that it would cover the siege of Mandalore.[60] A TV spot for the final arc was released on April 14, 2020.[61] Additionally, clips from "The Phantom Apprentice" and "Shattered" were released three days ahead of the release date of the episodes, on April 21 and 28, 2020 respectively.[62][63] Ahsoka Tano voice actressAshley Eckstein stated that numerous promotional activities, including a premiere and press screenings, had been planned, but were canceled due to theCOVID-19 pandemic.[64]
"Old Friends Not Forgotten" was released on April 17, 2020, "The Phantom Apprentice" was released on April 24, 2020, "Shattered" was released on May 1, 2020, and "Victory and Death" was released on May 4, 2020. All four episodes were released ontoDisney+. Every episode of the seventh season was released on a Friday except for the final episode, which was released on Monday, May 4 in order to coincide withStar Wars Day.[65][66]
As a whole, the Siege of Mandalore arc was viewed as an excellent finale toStar Wars: The Clone Wars, and one of the best story arcs in the series, if not the best.IGN's Jesse Schedeen ranked it as not only the best arc or episode in the series, but the best animatedStar Wars content ever, and wrote that it has "top-notch action, plenty of visual and auditory throwbacks to Episode III and a story that beautifully caps off Ahsoka, Maul and Rex's respective stories".[67] Writing forthe Ringer, Ben Lindbergh said that "the four-part denouement [...] delivered some of the series' most cinematic and emotionally affecting moments".[51] Marissa Martinelli ofSlate wrote that the series always respected the sometimes malignedprequel trilogy, and that the arc delivered "the ending thatThe Clone Wars always deserved, and a dignified close to an era ofStar Wars that wasn't always so dignified".[68]
"Old Friends Not Forgotten" was generally well-received. The reunion of Ahsoka and Anakin was highlighted for its strong emotional resonance,[69][70][71] while the action at the end of the episode was praised for its dynamic fight scenes.[72][73]Den of Geek's Megan Crouse described the battle as "impressively messy, no expense spared when it comes to oily, smoky missile trails or corpses slumped against the Mandalorians' massive quasi-brutalist architecture".[69] The opening sequence received mixed reviews, with some criticism for implausibility,[72] as well as praise for mirroring thefilm that served as a pilot for the series.[70] Writing forDeseret News, Herb Scribner praised the episode opener as "an epic sequence that uses John Williams' excellent score. The high-quality visuals are beautiful, a clear reminder of what battles in "Star Wars" films and TV shows can be".[73] The dialogue in the episode also received criticism.[69][72] Sean Keane, writing forCNET, described the episode as "like Star Wars rock 'n' roll from beginning to end", and felt that it got the Siege of Mandalore off to an incredible start.[74]Syfy's Bryan Young felt that it was possibly one of the best episodes of the series, and that it is "heartfelt, it's moving, and it's beautifully lit and rendered".[75]
"The Phantom Apprentice" received critical acclaim. The episode was praised for effectively creating a sense of dread and foreboding, particularly in its use ofdramatic irony through the audience's knowledge of the events ofRevenge of the Sith.[76][77][78] The use of Maul was also a point of praise, particularly in how his foresight contributed to the character's depth.[79]Gizmodo's James Whitbrook felt that turning "Maul into this sort of quasi-audience surrogate—not knowledgeable through access to the text, but vaguely aware through the fog of foresight—makes for an incredibly compelling turn for the character".[80] The motion-captured lightsaber duel between Ahsoka and Maul was also well received.[81] Dylan Roth, writing forDigital Trends, described the motion-capture process as giving the fight "a fluidity and gravity lacking in most of the show's other battles".[82]Empire's Ben Travis praised the "acrobatic footwork and use of the Force in impressively imaginative ways", and stated that it was the closest the series got to a live-action duel.[83]
"Shattered" was generally well-received. The tension in the first part of the episode was widely praised, as wasKevin Kiner's score for contributing to that sense of tension.[84][85][86] Kevin Johnson, writing forThe A.V. Club, said that prior to Order 66, "a sense of dread fills the episode, partly because of that incredible score, but partly because the specific rhythms of the first half "Shattered" resembles that of the opening minutes of a horror film".[87] The episode's portrayal of Order 66 was praised for its emotional weight, as well as for its intersection withRevenge of the Sith.[85][88][89] Some reviewers felt that the Order 66 sequence in the episode surpassed the depiction of the event inRevenge of the Sith because it humanized the clone troopers and treated them as equal victims of Order 66 rather than simply as perpetrators, with Dais Johnston ofInverse saying that the episode positioned "the clones not as weapons turned against the Jedi but as individuals who felt as betrayed as the Jedi themselves".[90][91] The fight scene with Maul and the clone troopers was also praised for its brutality and the entertainment value of the slaughter.[84][85][92]
"Victory and Death" received critical acclaim. A particular point of praise was the episode showcasing Ahsoka's morality by having her not kill the clones, with the character moment being considered especially meaningful because of her turbulent relationship with the Jedi.[93][94][95][96] The dark tone and tragic ending of the episode were also praised, and seen as exemplifying the pointlessness of the titularClone Wars.[97][98][99]Syfy's Brian Silliman thought the episode was "an insanely poetic finish to this series that has been about one giant war, and it is here that both the characters and the audience see how futile it all was".[100] Reviewers appreciated the animation of the episode, finding that the scale and quality of the animation made the episode visually stunning and gave it a cinematic feel.[93][94][95] The final scene was especially acclaimed for its use of color and silence to emphasize visual storytelling, and for the poignance of seeing the now fallen Anakin reflecting on his former Padawan.[93][95][97][101]
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