This article is about the joke. For the television program, seeShaggy Dog Story (TV).
Shaggy-dog story
Features
Extensive narration of typically irrelevant incidents and terminated by an anticlimax
In its original sense, ashaggy-dog story oryarn is an extremely long-windedanecdote characterized by extensive narration of typicallyirrelevant incidents and terminated by ananticlimax. In other words, it is a long story that is intended to be amusing and that has an intentionally silly or meaningless ending.[1]
Shaggy-dog stories play upon the audience's preconceptions of joke-telling. The audience listens to the story with certain expectations, which are either simply not met or met in some entirely unexpected manner.[2] A lengthy shaggy-dog story derives its humour from the fact that the joke-teller held the attention of the listeners for a long time (such jokes can take five minutes or more to tell) for no reason at all, as the long-awaited resolution is essentially meaningless, with the joke as a whole playing upon people's search formeaning.[3][4] The nature of their delivery is reflected in theEnglishidiomspin a yarn, by way ofanalogy with the production ofyarn.
As a comic device, the shaggy-dog story is related to unintentional long-windedness, and the two are sometimes both referred to in the same way. While a shaggy-dog story is a comic exaggeration of the real life experience, it is also deliberately constructed to play off an audience who are expecting a comedic payoff and uses that expectation to subvert expectations and create comedy in unexpected ways. In such kind of humorous story, the humor lies in the pointlessness or irrelevance of the plot or punch line.[5]
Humanities scholar Jane Marie Todd observed that the shaggy-dog story demonstrates the nature of desiring humor and how that process occurs.[4]
The eponymousshaggy dog story serves as thearchetype of the genre. The story builds up a repeated emphasizing of the dog's exceptional shagginess. The climax of the story culminates in a character reacting to the animal by stating: "That dog's not so shaggy." The expectations of the audience that have been built up by the presentation of the story, both in the details (that the dog is shaggy) and in the delivery of a punchline, are thus subverted.Ted Cohen gives the following example of this story:
A boy owned a dog that was uncommonly shaggy. Many people remarked upon its considerable shagginess. When the boy learned that there are contests for shaggy dogs, he entered his dog. The dog won first prize for shagginess in both the local and the regional competitions. The boy entered the dog in ever-larger contests, until finally he entered it in the world championship for shaggy dogs. When the judges had inspected all of the competing dogs, they remarked about the boy's dog: "He's not that shaggy."[2]
However, authorities disagree as to whether this particular story is the archetype after which the category is named.Eric Partridge, for example, provides a very different story, as do William and Mary Morris inThe Morris Dictionary of Word and Phrase Origins.
According to Partridge and the Morrises, the archetypical shaggy-dog story involves an advertisement placed in theTimes announcing a search for a shaggy dog. In the Partridge story, an aristocratic family living inPark Lane is searching for a lost dog, and an American answers the advertisement with a shaggy dog that he has found and personally brought across the Atlantic, only to be received by the butler at the end of the story who takes one look at the dog and shuts the door in his face, saying, "But not so shaggy asthat, sir!" In the Morris story, the advertiser is organizing a competition to find the shaggiest dog in the world, and after a lengthy exposition of the search for such a dog, a winner is presented to the aristocratic instigator of the competition, who says, "I don't think he's so shaggy."[6][7]
In the collection of stories byIsaac Asimov titledBuy Jupiter and Other Stories is a story titled "Shah Guido G."[8] In his background notes, Asimov identifies the tale as a shaggy-dog story, and explains that the title is a play on "shaggy dog".
The J. Geils Band's "No Anchovies, Please" on their 1980 album,Love Stinks, is a shaggy-dog story that tells the tale of an American housewife who meets an unfortunate fate after opening a can ofanchovies.[11]
Myles-na-gCopaleen, one of the pen-names ofFlann O'Brien, was a master of long shaggy-dog stories, most commonly in hisVarious Lives of Keats and Chapman stories in hisIrish Times column the ''Cruisceann Lawn.'' Almost all the stories would have meandering, painful, often esoteric detail, leading to a meaningless ending to justify a dreadful yet amusing pun or spoonerism, the more excruciating the better. Indeed, the name and characters of the column, based on the poets Keats and Chapman derive from the first such story whereJohn Keats, in addition to his poetical gifts, is somehow reckoned an expert vet, to whom a prize homing pigeon belonging toGeorge Chapman is brought, choking. Keats opens the bird's beak widely, stares down for some seconds, deftly removes a piece of stuck champagne cork from the bird's throat, and health is restored to Chapman's pigeon. Upon which happy event, Keats is moved to write his famous sonnet, "On First Looking into Chapman's Homer" (homer being slang forhoming pigeon, as well as the name of the great Greek poet for whom Keats' poem was actually written).[12][13]
InThe Simpsons, the characterGrampa Simpson frequently tells nonsensical shaggy-dog stories, often to the annoyance of other characters. In the season 4 episode "Last Exit to Springfield," Grampa tellsMr. Burns that he uses "stories that don't go anywhere" as a strike-breaking technique before launching into a rambling tale.[14]
In the novelV. byThomas Pynchon, the main character Benny Profane recalls a shaggy-dog story about a boy who is born with a golden screw in his belly button, the only purpose of which turns out to be to hold the boy's bottom in place.[15]
In aBoy Scouts of Americacampfire story called "You're Not a Monk," a storyteller tells a 10-minute long story about a man who goes through a long series of trials to become a monk in hopes of gaining permission to learn a mysterious secret, and at the end, the storyteller refuses to tell the audience what the secret is because "you aren't a monk."[16]
ComedianNorm Macdonald told multiple famous shaggy-dog stories, mostly during appearances onThe Tonight Show withConan O'Brien and his later talk showConan, that wentviral after Macdonalds death.[17][18][19] In 2010, after unexpectedly being asked to appear for a second seven-minute segment onThe Tonight Show, having only prepared material for one, Macdonald told the "moth joke".[20][21][22] Improvising, he expanded a 20-secondColin Quinn joke about moths being attracted to light into akafkaesque that has been compared to the storytelling ofFyodor Dostoevsky andAnton Chekhov.[23][18][24] During a May 2014Conan appearance, Macdonald told a 3-minute joke about "Jaques De Gatineau" culminating in apun, whichsidekickAndy Richter described as "like taking somebody on a four-mile hike to show you a dog turd".[25] In 2016The Howard Stern Show, Macdonald told the 9-minute long "Dirty Johnny" joke.[26][27]
Asimov, Isaac (1991)."Shaggy Dog".Isaac Asimov's Treasury of Humor: A Lifetime Collection of Favorite Jokes, Anecdotes, and Limericks with Copious Notes on How to Tell Them and Why. Houghton Mifflin Books. pp. 49–67.ISBN0-395-57226-6.
Jan Harold Brunvand (January–March 1963). "A Classification for Shaggy Dog Stories".The Journal of American Folklore.76 (299). American Folklore Society:42–68.doi:10.2307/538078.JSTOR538078.
Partridge, Eric (1953).The 'Shaggy Dog' Story: Its Origin, Development and Nature (with a few seemly examples). Illustrated by C. H. Drummond. London: Faber & Faber.
Francis Lee Utley and Dudley Flamm (1969). "The Urban and the Rural Jest (With an Excursus on the Shaggy Dog)".Journal of Popular Culture.2 (4):563–577.doi:10.1111/j.0022-3840.1969.0204_563.x.
