Sergio Aragonés | |
|---|---|
 Aragonés at the 2017WonderCon | |
| Born | Sergio Aragonés Domenech (1937-09-06)6 September 1937 (age 88) Sant Mateu,Castellón, Spain |
| Known for | Cartoonist, writer |
| Notable work | Mad,Groo the Wanderer |
| Awards | List
|
| Signature | |
 | |
Sergio Aragonés Domenech (/ˌærəˈɡoʊnɪs/ARR-ə-GOH-niss;Spanish:[ˈseɾxjoaɾaɣoˈnesðoˈmenek];[a] born 6 September 1937 in Sant Mateu, Castellón, Spain)[1] is a Spanish-Mexican-Americancartoonist and writer best known for his contributions toMad magazine and creating the comic bookGroo the Wanderer.
Among his peers and fans, Aragonés is widely regarded as "the world's fastest cartoonist".[2]The Comics Journal has described Aragonés as "one of the most prolific and brilliant cartoonists of his generation".[3]Mad editorAl Feldstein said, "He could have drawn the whole magazine if we'd let him."[4]
Aragonés has won numerous awards and accolades for his work, includingShazam Awards, aHarvey Award, anInkpot Award, aReuben Award, anEisner Award, and aNational Cartoonists Society Comic Book Award. In October 2024, he was inducted into theHarvey Awards Hall of Fame.[5]
Born inSant Mateu,Castellón, Spain, Aragonés emigrated with his family to France, due to theSpanish Civil War, before settling inMexico at age 6. Aragonés had a passion for art since early childhood. As one anecdote goes, Aragonés was once left alone in a room by his parents with a box of crayons. His parents returned sometime later to find that he had covered the wall in hundreds upon hundreds of drawings. Aragonés recalled his early difficulties in Mexico, saying, "I didn't have too many friends because I had just arrived. You're the new kid, and you have an accent. I've always had an accent ... When the other kids make fun of you, you don't want to get out of the house. So you stay at home, and what do you do? You take pencils and start drawing."[3]
Aragonés used his drawing skills to assimilate. "The earliest money I ever made was with drawings", he remembered. "The teacher would give us homework, which would consist of copying Chapter Eleven, including the illustrations ... a beetle or a plant, the pistil of a flower, or soldiers – that type of thing. All the kids who couldn't draw would leave a square where the drawing was, and I would charge them to draw that. The equivalent of a few pennies ... That's probably why I draw so fast, because I drew so many of them."[3]
He made his first professional sale in 1954 when a high school classmate submitted his work to a magazine without telling Aragonés. He continued to sell gag cartoons to magazines while studying architecture at theNational Autonomous University of Mexico (UNAM), where he learnedpantomime under the direction ofAlejandro Jodorowsky. "I joined the class", Aragonés recalled, "not to become a mime but to apply its physical aspects of movement to my comics."
Aragonés taught Mexican Popular Art at the University of Mexico, and became engaged to one of his American students, Lilio Chomette. In 1962, Aragonés moved to the United States, where he married Chomette and settled with her in New York.[6]
Art collector Jeff Singh spoke with Sergio at a convention and wrote. "A friend told me that Sergio's father was a film director/producer in Mexico. I asked about this and it is true. His father didn't want the family on set for fear of actors and workers befriending the family in order to win favor with the father. Among the projects worked on, his father did work for theIrish McCalla TV seriesSheena, Queen of the Jungle which was filmed in Mexico (in 1955). On one of the rare occasions Sergio was on set the stuntman didn't show up. Sergio had to put on the Sheena costume and did some stunts which I understand included swinging from a vine and diving into water. He was in his early teens at this time. He said they were pretty distant shots as despite the wig and costume he didn't look at all like Irish. Irish was not on set that day and he lamented never having got to meet her."
According to the artist, he arrived in New York in 1962[7] with nothing but 20 dollars and his portfolio of drawings. After working odd jobs around the city, Aragonés went toMad's offices onThird Avenue hoping to sell some of his cartoons. "I didn't think I had anything that belonged inMad," said Aragonés. "I didn't have any satire. I didn't have any articles. But everybody was telling me, 'Oh, you should go toMad."[8]
Since his knowledge of English was not very extensive, he asked for the onlyMad artist he knew of that spoke Spanish, Cuban-born artistAntonio Prohías, creator of the comic strip "Spy vs. Spy". Aragonés hoped Prohías could serve as an interpreter between him and theMad editors. According to Aragonés, this proved to be a mistake, since Prohías knew even less English than he did. Prohías did receive Aragonés very enthusiastically and, with difficulty, introduced the young artist to theMad editors as "Sergio, my brother from Mexico," temporarily leading to even further confusion, as theMad editors thought they were meeting "Sergio Prohías."[8]Mad editorAl Feldstein and publisherBill Gaines liked what they saw, and Aragonés became a contributor to the magazine in 1963. His first sale was an assortment of astronaut cartoons which the editors arranged into a themed article.[9]
When associate editorJerry DeFuccio encouraged Aragonés to submit more material in the future, the cartoonist took it to heart, producing a full article on motorcycle cops overnight. He returned to theMad offices the following morning, and made his second sale. In 2022, Aragonés told an interviewer, "I was back at the door before they opened. They were asking, "What happened? What do you need?" I said, "No, I have your articles here." They couldn't believe it. I had drawn close to 15 ideas and they loved it."[10]
With little money and no connections in the United States, Aragonés spent so much time at the office that publisher Gaines allowed him to sleep there overnight. "I don't think any other company would have been so generous or friendly," Aragonés recalled 57 years later.[citation needed]
Aragonés worked continuously forMad from 1963 to 2020, only stopping because the magazine transitioned into an almost-all-reprint format. His final new material appeared in an issue otherwise entirely filled with Aragonés reprints. It was the 491st issue to include new work by Aragonés, second only toAl Jaffee (509 issues).[11] "They told me, 'MakeMad your home,'" said Aragonés, "and I took it literally."
Aragonés has a featured section in every issue called "AMad Look At...", typically featuring 4–5 pages of speechless gag strips that are all related to a single subject, such as "Gambling," "UFOs" or "Pizza." Aragonés became famous for his wordless "drawn-out dramas" or "marginals" (cf.marginalia) which were inserted into the margins and between panels of the magazine. The drawings are both horizontal and vertical, and occasionally extend around corners. Prior to Aragonés's arrival atMad, the magazine had sometimes filled its margins with text jokes under the catch-all heading "Marginal Thinking." Aragonés convinced Feldstein to use his cartoons by creating a dummy sample issue with his Marginals drawn along the edges. The staff ofMad enjoyed his marginals, but did not expect him to be able to maintain the steady stream of small cartoons needed for each issue.[12] Aragonés has provided marginals for every issue ofMad since 1963 except one (his contributions to that issue were lost by the Post Office). Associate EditorJerry DeFuccio said, "Writing the 'Marginal Thinking' marginals had always been a pain in the butt. Sergio made the pain go away."[13]
Aragonés is a very prolific artist;Al Jaffee once said, "Sergio has, quite literally, drawn more cartoons on napkins in restaurants than most cartoonists draw in their entire careers."[14] In 2002, writerMark Evanier estimated that Aragonés had written and drawn more than 12,000 gag cartoons forMad alone.[15] His new marginal gags in the April 2024Mad marked the 509th issue that Aragonés has contributed to, the most of any writer or artist. He passedAl Jaffee, whose work had appeared in 508Mad issues between 1955 and 2020.[16]
In 1967, he began writing and illustrating full stories for variousDC Comics titles, mainly for the horror anthologies House of Mystery and House of Secrets.[17] He wrote or plotted stories that were illustrated by other artists. Aragonés helped create DC's Western seriesBat Lash[18] and the humor titlePlop!.[7] Aragonés broke with DC when the company began insisting onwork-for-hire contracts; when Aragonés balked, an editor tore up Aragonés's paycheck in front of his face. He'd been trying obliquely to sell a comic book premise to DC or Marvel, but neither company would allow Aragonés to retain the copyright. "I didn't want anyone stealing the idea", said Aragonés, "and they weren't able to talk on a theoretical basis."[citation needed]
Aragonés had created the humorous barbarian comic bookGroo the Wanderer in the late 1970s, but the character did not appear in print until 1982. Groo was so named because Aragonés sought a name which meant nothing in any language. WriterMark Evanier subsequently joined Aragonés onGroo. Evanier's role originally was as something of a translator, as Aragonés was still somewhat shaky at expressing his ideas in English. Eventually, the two began collaborating on story ideas, and there have been several Groo stories in which Evanier is credited as the sole writer. Aragonés has since become fluent in English. The other regular contributors to the comic book are lettererStan Sakai (himself the creator/artist ofUsagi Yojimbo), and colorist Tom Luth. As acreator-owned series,Groo has survived the bankruptcy of a number of publishers, a fact which led to the industry joke that publishing the series was a precursor to a publisher's demise. The title was initially published byPacific Comics, briefly by Eclipse Comics, thenMarvel Comics under their since-discontinuedEpic Comics imprint[19] which allowed creators to retain copyrights, thenImage Comics, and currentlyDark Horse Comics.[17]
On 2 December 1982,Marty Feldman died from a heart attack in a hotel room inMexico City. This occurred during the making of the filmYellowbeard. Aragonés, who was filming nearby and was dressed for his role as an armed policeman, had introduced himself to Feldman that night. He encountered Feldman abruptly, startling and frightening him, which may have induced Feldman's heart attack. Aragonés has recounted the story with the punchline "I killed Marty Feldman". The story was converted into a strip in Aragonés's issue of DC Comics'Solo.[20]
In the early 1980s, Aragonés collaborated with the Belgian cartoonistFrançois Walthéry onNatacha, l'hotesse de l'air, a well known series from the magazineSpirou. This story was titled "Instantané pour Caltech". Aragonés appears in the strip as a police officer character (ISBN 2-8001-0856-8 / DUPUIS Editor – Belgium).
In April 2022, Aragonés was reported among the more than three dozen comics creators who contributed toOperation USA's benefit anthology book,Comics for Ukraine: Sunflower Seeds, a project spearheaded byIDW Publishing Special Projects EditorScott Dunbier, whose profits would be donated to relief efforts for Ukrainian refugees resulting from the February2022 Russian invasion of Ukraine.[21][22]
Aragonés's work can be found in other compilations, includingThe Big Book of the Weird, Wild West, in which he illustrates a retelling of theDonner Party incident. His cartoons have appeared in a series of paperback editions forMad.
In 1976, he had an acting role in the filmNorman... Is That You?[23] where he played one of the desk clerks at theBuenos Noches Hotel.
He appeared in the short-lived 1977 revival of TV'sLaugh-In.
In addition to printed work, Aragonés has worked in television animation. He worked on the NBC programSpeak Up America (1980) where he would draw during the show. His segments were used for many years on theDick ClarkBloopers programs. Frequent collaborator Mark Evanier related an anecdote from their time on the short-lived 1983 NBC seriesThe Half Hour Comedy Hour, which featured a guest appearance by modelJayne Kennedy:
This was one of the most beautiful women in the world, and she wore this dress that was very revealing. So much so, the censors wouldn't let us put her on the air in it without adding some material. So we're all talking to her, the writers and whoever, just in awe of this woman. And Sergio comes walking in looking like a homeless person, carrying his portfolio. And Jayne sees him and she shouts, 'Sergio!' and she runs over and starts kissing him passionately. They'd worked together before, it turned out. ButJohnny Carson comes walking out into the hallway and he thinks Jayne Kennedy is being sexually assaulted by a homeless person in the NBC hallways. He came over to make sure she was okay. She said it was fine, that she knew him, and I said, 'It's okay, he's a cartoonist.' So Johnny gives that classic look and he says, 'I knew I should have taken up drawing.'[24]
Stan Lee interviewed Aragonés in the 1991 documentary seriesThe Comic Book Greats.
In 2009, Aragonés told an interviewer, "I'm thinking and laughing all day long. Every time I think of a joke, I'm also telling myself a new joke. It's a great way to live."[25]
He appeared as his own preserved head in theFuturama episode "Lrrreconcilable Ndndifferences", hosting the "Last Actual Comic Book Booth" at Comic Con 3010.
In 2020, Aragonés guest-starred inThe Casagrandes episode "Mexican Makeover" voicing Lupe's pet parrot and Sergio's cousin Paco.
Aragonés's work has won him numerous awards. He wonShazam Awards for Best Inker (Humor Division) in 1972 for his work onMad Magazine and for Best Humor Story in 1972 for "The Poster Plague" fromHouse of Mystery No. 202 withSteve Skeates.[26] Aragonés received anInkpot Award in 1976.[27] He won theHarvey Award Special Award for Humor in 1990,[28] 1991,[29] 1992,[30] 1993,[31] 1995,[32] 1997,[33] 1998,[34] 1999,[35] and 2001.[36] He received theNational Cartoonists Society Comic Book Award for 1986, their Humor Comic Book Award for 1973, 1974, and 1976, their Magazine and Book Illustration Award for 1989, their Special Features Award for 1977, their Gag Cartoon Award for 1983,[37] and their topReuben Award in 1996 for his work onMad andGroo the Wanderer. In 1985 he was awarded theAdamson Award for Best International Comic-Strip or Comic Book work in Sweden. In 1992 he became the first Mexican ever to win theEisner Award for his work onGroo the Wanderer, along withMark Evanier.[38]
In 2009, an exhibition,Mad About Sergio, was held at the Ojai Valley Museum. Visitors saw examples of Aragonés's cartooning dating back to childhood, publications he has appeared in, some of his awards, and Marginal-style sketches by Aragonés literally drawn onto the museum's walls and display cases.[39]
The Comic Art Professional Society award's prize's name is "The Sergio", an homage to his work.[40]
On 11 October 2024, theHarvey Awards announced[41] that Aragonés was one of five comics creators to be inducted into the Harvey Awards Hall of Fame at the 36th annual Harvey Awards ceremony on 18 October at theNew York Comic Con.[5][42] The other four inductees wereArthur Adams,Larry Hama,Akira Toriyama, andJohn Buscema. Upon learning of the accolade, Aragonés commented, "What an honor it is to be inducted into the Harvey Awards Hall of Fame. Harvey was a great inspiration to me and so many other cartoonists."[43]
![[icon]](/mt/?noimg=&dark=on&url=http%3a%2f%2fen.wikipedia.org%2fwiki%2fFile%3aWiki_letter_w_cropped.svg) | This section is empty. You can help byadding to it.(March 2024) |
Arguably the fastest cartoonist in the world...
Sergio Aragonés and artist Nick Cardy served up the offbeat Western hero Bat Lash in August [1968]'sShowcase #76.
Marvel's Epic Comics imprint also launched their longest-running and most successful title,Groo the Wanderer. It was drawn by Sergio Aragonés...and was written by Mark Evanier.
I like this profile of legendary cartoonist Sergio Aragonés: 'Like pain, laughter is inside of a person. It's as natural as hunger. … I'm thinking and laughing all day long. Every time I think of a joke, I'm also telling myself a new joke. It's a great way to live.' [Ventura County Star]
| International | |
|---|---|
| National | |
| Artists | |
