Sergei Bodrov Сергей Бодров | |
|---|---|
| Серге́й Влади́мирович Бодро́в | |
 Bodrov, as a member of the2009 Venice Film Festival jury | |
| Born | Sergei Vladimirovich Bodrov (1948-06-28)28 June 1948 (age 77) |
| Occupation | Film director |
| Years active | 1974–present |
| Spouse | Carolyn Cavallaro |
| Children | Sergei Bodrov Jr. |
Sergei Vladimirovich Bodrov (Russian:Серге́й Влади́мирович Бодро́в,IPA:[sʲɪrˈɡʲejbɐˈdrof]; born 28 June 1948) is a Russianfilm director,screenwriter, andproducer.[1] In 2003 he was the president of the jury at the25th Moscow International Film Festival.[2]
Bodrov was born inKhabarovsk,Russian SFSR,Soviet Union (now Russia). In the post-Soviet period he emigrated to the United States. His son, actorSergei Bodrov, Jr. was killed in anavalanche in the mountains of the NorthCaucasus on 20 September 2002, while shooting a film titledThe Messenger.[3][4]
Bodrov was raised by his grandparents.[5] His paternal grandmother was an ethnicBuryat, which influenced his decision to make the movieMongol. His mother wasTatar,[6] while his paternal grandfather was an ethnicRussian.
Bodrov currently has an apartment inLos Angeles and a ranch inArizona. He is married to American film consultant Carolyn Cavallaro.
Bodroz was ones of the first group of directors underGlasnost to have more freedom to discuss topics in film that were previous made off limits by the government, and some banned films were finally able to be shown.[7][8]
Bodroz originally went to school to be a space ship engineer, studying shuttle design, but in his third year he got kicked out of class due to his gambling addiction. He said the problem got so bad he robbed his grandmother, which he regretted so much that he stopped gambling after that.[5]
He then got a job as an electrician at the government film studio,Mosfilm. He worked doing wiring onAndrei Tarkovsky films and eventually moved up to writing scripts for comedies. In 1985, he broke into directing withSweet Juice of the Grass (1985), produced by Kazakhfilm Studios[5][8] It was screened in-competition for the 1985Golden Leopard at the38th Locarno Film Festival[9]
His second filmThe Non-Professionals (1985–87), was banned in the USSR for its references to the invasion of Afghanistan.[5][8] In was only able to be viewed after the Fifth Congress of the Filmmakers Association of the USSR in 1986, which underPerestroika began to decentralize filmmaking in Russia and took the material efforts to "de-shelve" banned films.[8]The Non-Professionals print was rediscovered in the government film censor's vaults in Kazahstan.[8] The film is about a group of young touring musicians in Kazahstan facing the austerity of the times.[8] The film conveys the "spiritual malaise of a generation deprived of a clear-cut role in society" and was compared to New Wave films of the 1960s.[8]
Bodrov's next film wasFreedom Is Paradise (С.Э.Р.-Svoboda eta rai, 1989), also set in Kazakhstan, and was produced by Mosfilm Studios.[8] The film follows a 13-year old boy in his cycle of incarcerations as he tries to cross the country to reach his father who is imprisoned in a labour camp. Bodrov was noted for his skill in selecting non-actors and the film mixes actors and non-actors alike.[8] One such non-actor was Volodia Kozerev who was incarcerated in real life at a reform school for boys.[8] After the filming Bodrov intervened on his behalf to get him paroled.[8]
Bodrov's most famous film came in 1996 withPrisoner of the Mountains, about the 1990'sRussian-Chechen war. It was nominated for both anAcademy Award forBest Foreign Language Film and aGolden Globe[10][11] It is a avowedly anti-war movie about two Russian soldiers who are captured and held hostage by Chechens.[7] Like many Russian directors of the era that wished to avoid overt political messages, Bodrov's film avoids dealing with the causes of the wars and its scale, instead focusing on humanist themes and compassion for Chechens and Russians.[7] The war was still ongoing during production and the village inDagestan where they filmed was only a two hour walk from the war zone. For protection, Bodrov recruited locals men as guards and cast them in the film as Chechen guerrillas.[5] This slightly backfired on Bodrov when one guard learned that the local girl cast in the movie was making more money than him. He demand his pay increase and threaten Bodrov at gun point.[12][5] Afterwards, Bodrov said, "There were 24 hours of negotiation; by the end I was exhausted. We paid 10 percent of what he was asking. I'm quite an expert at these things."[5] The film also feature the acting debut of Bodrov's son, Sergei Bodrov Jr.[5][7]
As of 2008, Bodrov has directed 14 feature film and written or co-written all, but two.[11] In 2008, he was honored at ShoWest, now calledCinemaCon, for International Achievement Award in Filmmaking to accompany the U.S. release of this filmMongol.[11]
