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Fictional universe

From Wikipedia, the free encyclopedia
(Redirected fromSecondary world)
Self-consistent fictional setting with elements that may differ from the real world
"In-universe" and "Imaginary world" redirect here. For fictional dream worlds, seeDream world (plot device).
This article includes a list ofgeneral references, butit lacks sufficient correspondinginline citations. Please help toimprove this article byintroducing more precise citations.(June 2012) (Learn how and when to remove this message)
Map of theLand of Oz, the fictional realm that is the setting forL. Frank Baum'sOz series

Afictional universe, also known as animagined universe or aconstructed universe, is theinternally consistent fictionalsetting used in anarrative or awork of art. This concept is most commonly associated with works offantasy andscience fiction, and can be found in various forms such asnovels,comics,films,television shows,video games, and other creative works.[1][2]

In science fiction, a fictional universe may be a remote alien planet or galaxy with little apparent relationship to the real world (as inStar Wars); in fantasy, it may be a greatly fictionalized or invented version of Earth's distant past or future (as inThe Lord of the Rings).[1]

Fictional continuity

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In a 1970 article inCAPA-alpha, comics historianDon Markstein defined the fictionaluniverse as meant to clarify the concept of fictional continuities. According to the criteria he imagined:[3]

  1. If characters A and B have met, then they are in the same universe; if characters B and C have met, then,transitively, A and C are in the same universe.
  2. Characters cannot be connected by real people—otherwise, it could be argued thatSuperman and theFantastic Four were in the same universe, as Superman metJohn F. Kennedy, Kennedy metNeil Armstrong, and Armstrong met the Fantastic Four.
  3. Characters cannot be connected by characters "that do not originate with the publisher"—otherwise it could be argued that Superman and the Fantastic Four were in the same universe, as both metHercules.
  4. Specific fictionalized versions of real people—for instance, the version ofJerry Lewis fromDC Comics'The Adventures of Jerry Lewis, who was distinct from the real Jerry Lewis in that he had a housekeeper with magical powers— can be used as connections; this also applies to specific versions of public-domain fictional characters, such asMarvel Comics' version of Hercules orDC Comics' version of Robin Hood.
  5. Characters are only considered to have met if they appeared together in a story; therefore, characters who simply appeared on the same front cover are not necessarily in the same universe.

Collaboration

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See also:Shared universe

Fictional universes are sometimes shared by multiple prose authors, with each author's works in that universe being granted approximately equal canonical status. For example,Larry Niven's fictional universeKnown Space has an approximately 135-year period in which Niven allows other authors to write stories about theMan-Kzin Wars. Other fictional universes, like theRing of Fire series, actively court canonical stimulus from fans, but gate and control the changes through a formalized process and the final say ofthe editor and universe creator.[4]

See also

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References

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  1. ^abSchult, Stefanie; Tolkien, J. R. R.; Pratchett, Terry; Williams, Tad (2017).Subcreation: fictional-world construction from J.R.R. Tolkien to Terry Pratchett and Tad Williams. Ernst-Moritz-Arndt-Universität Greifswald. Berlin: Logos Verlag Berlin GmbH.ISBN 978-3-8325-4419-5.
  2. ^Pavel, Thomas G. (1986).Fictional Worlds. Harvard University Press.ISBN 9780674299665.
  3. ^"THE MERCHANT OF VENICE meets THE SHIEK OF ARABI", byDon Markstein (as "Om Markstein Sklom Stu"), inCAPA-alpha #71 (September 1970); archived at Toonopedia
  4. ^Flint, Eric and various others (26 December 2006).Grantville Gazette III.Thomas Kidd (cover art).Baen Books. pp. 311–313.ISBN 978-1-4165-0941-7.The print published and e-published Grantville Gazettes all contain a post bookafterword detailing where and how to submit a manuscript to the fictional canon oversight process for the1632 series.

Further reading

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Character
Plot
Setting
Theme
Style
Structure
Form
Genre
(List)
Narration
Tense
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Countries, counties, and states
Planets, worlds, anduniverses
Related
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