Schwanda the Bagpiper (Czech:Švanda dudák), written in 1926, is anopera in two acts and five scenes, with music byJaromír Weinberger to a Czechlibretto by Miloš Kareš, based on the dramaStrakonický dudák aneb Hody divých žen (The Bagpiper ofStrakonice) byJosef Kajetán Tyl.
Its first performance was in Prague at theCzech National Opera on 27 April 1927; and the first German production followed (in the translation byMax Brod asSchwanda der Dudelsackpfeifer), atBreslau on 16 December 1928. After that success, German-language productions proliferated around the world, with over 2000 performances taking place during the next decade.[1] Aside from those in Germany and Austria, these included:
At the time the opera, with its occasional use ofCzech folk material, enjoyed considerable success, with translations into 17 languages.[2] The opera fell from the repertory when the composer's music was banned by theNazi regimes of Austria and Germany during the late 1930s; and although it is still revived occasionally, orchestral performances of the "Polka andFugue" drawn from the opera are more regularly heard in concert and on record.
| Role | Voice type | Premiere cast,[3] 27 April 1927 Conductor: Helmut Seidelmann |
|---|---|---|
| Švanda | baritone | Václav Novák |
| Dorotka,his wife | soprano | Nada Kejrová |
| Babinský,a bandit | tenor | Theodor Schütz |
| The Queen | mezzo-soprano | Ada Nordenová |
| The Magician | bass | Josef Munclinger |
| The Devil | bass | Emil Pollert |
| The Judge | tenor | Antonín Lebeda |
| The Executioner | tenor | Karel Hruška |
| A Familiar | tenor | |
| Captain of the Devil's Guard | baritone | |
| Two Foresters (Mercenary Soldiers) | tenor and bass |
It has been a week since Švanda and Dorotka married. The robber Babinský takes refuge in their farmhouse, and immediately falls for Dorotka. Babinský quickly convinces Švanda of the tedium of married life, and persuades him to go off on an adventure. They arrive at the Queen's court, where she is under the power of a wicked Magician. The Queen had made a deal with the Magician where she consented to the death of the Prince, her betrothed, in exchange for a heart of ice (and thus no human feeling) and a diamond scepter, symbolic of her power. Švanda plays hisbagpipes, which breaks the spell. The Queen then offers herself to Švanda in marriage. Švanda accepts, kissing her, but then Dorotka appears, which angers the Queen. The Queen, her heart now again of ice, has Švanda and Dorotka imprisoned and Švanda condemned to death.
Babinský helps save Švanda by replacing the executioner's axe with a broom. Švanda plays his bagpipes again, enchanting the crowd gathered for the execution, and escapes with Dorotka. Dorotka herself is now angry at Švanda and questions his fidelity. Švanda retorts that if he ever kissed the Queen, may he go toHell. Forgetting that he did kiss the Queen, Švanda immediately drops through the earth into Hell. Babinský then tells Dorotka that he loves her, but she makes him promise to rescue Švanda.
In Hell, theDevil asks Švanda to play for him, since he has nothing to do, because no one will play cards with the Devil because he always cheats. Švanda at first refuses, but then Babinský appears and challenges the Devil to a card game. By cheating even more than the Devil, Babinský wins the game and rescues Švanda. (It is at this point that Švanda plays the music that forms the famousFugue.) At the end, Švanda and Dorotka are reconciled, and Babinský sorrowfully leaves, in search of new adventures.
Complete opera
Polka and Fugue
| International | |
|---|---|
| National | |
| Other | |
