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Samantha Morton

From Wikipedia, the free encyclopedia
British actress (born 1977)

Samantha Morton
Morton in 2026
Born
Samantha Jane Morton

(1977-05-13)13 May 1977 (age 48)
Nottingham, England
Occupations
  • Actress
  • musician
Years active1991–present
PartnerHarry Holm (2005–present)
Children3, includingEsmé Creed-Miles
AwardsFull list

Samantha Jane MortonOBE (born 13 May 1977)[1] is an English actress and musician. Known for her work inindependent films, particularlyperiod dramas with dark and tragic themes,her accolades include twoBAFTAs (including theBAFTA Fellowship) and aGolden Globe Award, with nominations for twoAcademy Awards, and aPrimetime Emmy Award.

A native ofNottingham and former member of theCentral Junior Television Workshop, Morton started her career on British television in the early 1990s and gained recognition for acting in theITV seriesBand of Gold (1995–1996) and theBBC miniseriesThe History of Tom Jones: a Foundling (1997). After her feature film debut in 1996, she appeared in the filmsJane Eyre (1997), andUnder the Skin (1997). ForWoody Allen'sSweet and Lowdown (1999) andJim Sheridan'sIn America (2003), she received nominations for theAcademy Award for Best Supporting Actress andBest Actress, respectively. Morton's performance in the 2006 television crime dramaLongford earned her theGolden Globe Award for Best Supporting Actress as well as a nomination for thePrimetime Emmy Award for Outstanding Supporting Actress in a Miniseries or Movie.

Morton received continued acclaim over following years for her roles in the filmsMorvern Callar (2002),Minority Report (2002),The Libertine (2004),Control (2007),Elizabeth: The Golden Age (2007),Synecdoche, New York (2008),The Messenger (2009),John Carter (2012),Fantastic Beasts and Where to Find Them (2016), andThe Whale (2022). Her television credits includeThe Last Panthers (2015),Rillington Place (2016),Harlots (2017–2019),The Walking Dead (2019–2020), andThe Serpent Queen (2022–2024).

Outside of acting, Morton made her directorial debut with the television filmThe Unloved (2009), winning theBAFTA TV Award, and her musical debut with the collaborative albumDaffodils & Dirt (2024).

Early life and education

[edit]

Morton was born inNottingham,[1] the third child of Pamela (née Mallek), a factory worker, and Peter Morton.[2] She is of Polish/Irish descent.[3] She has five siblings from her parents' relationships subsequent to their 1979 divorce. She lived with her father until she was eight, when she was made award of court because neither of her parents could care for her and her siblings.[4] Her father was an abusive alcoholic, and her mother was involved in a violent relationship with her second husband; as a result, she never lived with her parents again.[5]

The next nine years were spent in and out offoster care and children's homes. During that time, she attendedWest Bridgford Comprehensive School and joined theCentral Junior Television Workshop when she was 13, soon being offered small-screen roles inSoldier Soldier andBoon.[1]

Under the effects of drugs, she threatened an older girl who had been bullying her. She was convicted of making threats to kill and served 18 weeks in an attendance centre.[6]

Career

[edit]

Beginnings (1991–1998)

[edit]

After joiningCentral Junior Television Workshop at the age of 13, she was soon being offered small-screen roles such as Clare Anderson in the first series ofLucy Gannon'sSoldier Soldier and also Mandy, in an episode ofBoon — both wereITV Central productions.[7] Moving to London at sixteen, Morton applied to numerous drama schools, includingRADA, without success.[1] In 1991, she attended Clarendon College of Performing Arts to gain a BTEC award but subsequently left for personal reasons.[8] She made her stage début at theRoyal Court Theatre,[1] and continued her television career with appearances inPeak Practice and in an episode ofCracker. At the time, she had a regular role in the first two series ofKay Mellor's successfulBand of Gold (1995–96).

Further television roles followed, including parts in period dramas such asEmma andJane Eyre.Emma was a film adaptation of thenovel of the same name published in 1815 about youthful hubris and the perils of misconstrued romance. The movie received largely positive reviews from critics and was broadcast in late 1996 on ITV, gaining an estimated 12 million viewers.[9] InJane Eyre, Morton starred as a Yorkshire orphan who becomes a governess to a young French girl and finds love with the brooding lord of the manor. Like her previous small-screen projects, the 1997 film originally aired on ITV.[10]

She took on the leading role in the independent dramaUnder the Skin (1997), directed byCarine Adler, where she played Iris, a woman coping with the death of her mother. The movie garnered favorable reviews from writers, withThe Guardian placing it at number 15 on its list of the Best British Films 1984–2009.[11][12] Janet Maslin forThe New York Times remarked that Morton "embodies the role with furious intensity and with a raw yet waifish presence" andJames Berardinelli wrote that the actress "forces us to accept Iris as a living, breathing individual".[13][14] She won the Best Actress accolade at the 1998Boston Society of Film Critics Awards and was nominated for theBIFA forBest Female Performance in a British Independent Film.

Critical recognition (1999–2005)

[edit]

Impressed by her performance inUnder the Skin,Woody Allen cast her inSweet and Lowdown, a romantic comedy about a fictional jazz guitarist in the 1930s (played bySean Penn) who regards himself as the second greatest guitarist in the world. Morton played Hattie, a mute laundress and the love interest of Penn's character. The film was released in September 1999, to wide critical acclaim and moderate success at thebox office in the arthouse circuit.[15][16] George Perry forBBC.com found her to be "extraordinary" as an "adoring mute who suffers [...] She uses her eyes to convey meaning, reviving techniques ofsilent cinema".[17][18] Morton earnedAcademy Award andGolden Globe nominations for Best Supporting Actress for her role, which was especially notable, considering the fact that she does not utter a single word of dialogue in the film. During a 2007 interview with UK'sThe Guardian, she remarked that her Oscar nomination meant "incredible things for me in the [United States]. I'm grateful for that. It means that [...] I'm able to support the industry".[19]

Morton would next star in the small scale dramaJesus' Son, which found a limited release,[20] and praise from critics.[21] She received aSatellite Award nomination forBest Supporting Actress – Motion Picture for her performance. Her other film in 1999 was the romantic dramaDreaming of Joseph Lees, an adaptation of a story written byCatherine Linstrum set in rural England in the late 1950s; for her part, she won theEvening Standard British Film Award for Best Actress. She appeared in the biographical dramaPandaemonium (2000), directed byJulien Temple,[22] playing Sara Coleridge, the wife of the poetSamuel Taylor Coleridge.[23] She was nominated for aBritish Independent Film Award in the category of Best Actress.[24] Morton also played amermaid oppositeLarry Mullen in theAnton Corbijn-directed promotional video forU2's "Electrical Storm",[25] and provided the voice of Ruby for the Canadian animated seriesMax & Ruby from 2002 to 2003.

Morton found wider recognition and mainstream success when she took on the part of a seniorprecog inSteven Spielberg science fiction thrillerMinority Report, oppositeTom Cruise. Although critics felt she was "slightlytypecast" in her role of "feral, near-mute victim",[26][27]Minority Report grossed US$358 million.[28][29] She won theSaturn Award for Best Supporting Actress and theEmpire Award for Best British Actress.[30][31] In her next film, the dramaMorvern Callar, she played a grieving young woman from Scotland who decides to escape to Spain after the suicide of her boyfriend.[32][33] Writing forRolling Stone, Peter Travers stated that Morton "fills this character study with poetic force and buoyant feeling",[34] as part of a positive critical response, and she earned the Best Actress Award at the5th British Independent Film Awards and the7th Toronto Film Critics Association Awards.[35]

In the independent dramaIn America (2003), directed byJim Sheridan, Morton played the matriarch of an immigrant Irish family struggling to start a new life in New York.In America met widespread critical acclaim, with Terry Lawson ofDetroit Free Press calling the film "an achingly intimate and beautifully observed account of the immigrant experience".[36]Roger Ebert felt that Morton "reveals the power of her silences, her quiet [and] her presence",[37] whileA. O. Scott, ofThe New York Times, found the "blunt, inarticulate force of her feeling [...] at the center of the drama".[38] Her performance earned her nominations for theAcademy Award, theIndependent Spirit Award, and theBroadcast Film Critics Association Award in the category of Best Actress.[39][40][41]

In 2004, Morton starred as a love interest in the dystopian filmCode 46, directed byMichael Winterbottom and alongsideTim Robbins,[42][43] and played the wife of a man who witnessed a deadly accident in the dramaEnduring Love, oppositeRhys Ifans andDaniel Craig.[44] Critics were polarized for the latter film and suggested that Morton did not have enough time on screen.[45][46] Nevertheless, she earned a nomination for the Best Supporting Award at the2004 British Independent Film Awards. InRiver Queen (2005), she took on the role of a young Irish woman finding herself on both sides of the wars between British andMaori during the British colonisation of New Zealand.[47] The film was a box office success at the New Zealand box office, grossing around NZ$1 million in the country.[48][49][50] For her role, she received a nomination for theNew Zealand Screen Award for Best Leading Actress.[51] She starred alongsideJohnny Depp in the little-seenperiod dramaThe Libertine,[52][53] and appeared in the dramaLassie, both of which were also released in 2005.

Biopics and directorial debut (2006–2009)

[edit]
Morton at the62nd British Academy Film Awards on 8 February 2008

In 2006, she played theMoors murderessMyra Hindley in the television filmLongford. Set between 1967 and 1997, the film depicts the relationship between the child murderer andLord Longford, the politician who spent years campaigning (ultimately unsuccessfully) for her release.Longford was a critical success and premiered with 1.7 million viewers.[54] Morton, however, was severely criticised by the relatives of the children who were killed by Hindley andIan Brady, but she insisted, "It is my duty as a performer to raise issues [...] we're afraid to look at".[55] She received a Best Supporting Actress nomination at the59th Primetime Emmy Awards, and won at the65th Golden Globe Awards.[56][57]

Morton took on roles in four feature films in 2007. She starred as a struggling police officer in the romantic dramaExpired, and portrayed aMarilyn Monroe impersonator in the dramedyMister Lonely alongside her daughterEsmé Creed-Miles who portrayed aShirley Temple impersonator.[58] Morton worked again with director Anton Corbijn in the biographical filmControl, where she appeared asDeborah Curtis, wife of musicianIan Curtis from the bandJoy Division, whose biographyTouching from a Distance formed the basis of the film. The film was acclaimed by critics.[59][60]Roger Ebert remarked that Morton was "absolutely convincing as a plucky teenage bride",[61] andVariety magazine found her performance to be "astonishing" and "sympathetic".[62] ForControl, she was nominated for theBAFTA Award for Best Actress in a Supporting Role.[63][64][65] Her last film of 2007 was another biopic,Elizabeth: The Golden Age, in which she playedMary, Queen of Scots.

She made part of anensemble cast inCharlie Kaufman'spostmodern[66] dramaSynecdoche, New York (2008), alongsidePhilip Seymour Hoffman,Michelle Williams andEmily Watson. In the film, she portrayed Hazel, one of the women in the life of a theatre director (Hoffman) whose extreme commitment to a realistic stage production begins toblur the boundaries between fiction and reality. As her character ages from 30 to 64 over the course of the story, Morton used full-faceprosthetic makeup. She discovered that she was pregnant during the filming, which had a schedule that took up to 20 hours a day.[67] The film was abox office bomb,[68] but garnered praise from critics, appearing on many top ten lists of the year.[69] Morton and her co-stars were eventually nominated for theBest Ensemble Performance award at the18th Gotham Independent Film Awards.[70] Also in 2008, she starred inThe Daisy Chain, an Irish horror film about a couple who after the death of their daughter, take in an orphaned girl, only to become involved in a series of strange occurrences.[71] It premiered at the 16thRaindance Film Festival (London; October 2008),[72][73] and received a DVD release in 2010.[74]

In the directorial debut ofJesus' Son screenwriterOren Moverman, the war dramaThe Messenger (2009), Morton starred as Oliva Patterson, a widow whose husband was killed inIraq.[75] She was drawn to the "feminine" side of the story[76] and found her part to be "one of the first characters [she has] played in a long time where [she has] felt so much in common", as her brother and stepfather both served as soldiers in themilitary forces.[77] Critical reception towardsThe Messenger and Morton was unanimously favorable,[78][79][80] with Claudia Puig ofUSA Today asserting that, Morton "as always, gives a subtle, excellent performance".[81] She was nominated for Best Supporting Actress at the14th Broadcast Film Critics Association Awards and the25th Independent Spirit Awards.

Morton at the 2009Toronto International Film Festival

Morton's other project of 2009 was her directorial debut, the semi-autobiographicalChannel 4 dramaThe Unloved, which follows an eleven-year-old girl (played by Molly Windsor) growing up in achildren's home in the UK's care system, and shown through her perspective. Morton wrote the story in collaboration withTony Grisoni, andThe Unloved was first broadcast on 17 May 2009, drawing nearly 2 million viewers.[82][83] It premiered at theToronto International Film Festival in September 2009. Michael Deacon, forThe Daily Telegraph, praised Morton on creating an "intense" and "vivid" dramatic film.[84] Morton won aBAFTA for her direction in 2010.[85][86]

Hiatus and return to film (2010–2014)

[edit]

Following a three-year hiatus from the screen to focus on her personal life and family, Morton returned in 2012. She provided the voice of Sola in the science fiction filmJohn Carter, based onA Princess of Mars, which received mixed reviews and flopped at the box office.[87][88] She next played a chief of theory in the thrillerCosmopolis, directed byDavid Cronenberg.[89][90][91] Her role, described as "misjudged" byThe Guardian,[92] earned her a nomination as Best Actress in a Canadian Film Award at the Vancouver Film Critics Circle.[93] She also served as a jury member at the69th Venice International Film Festival in 2012.[94]

Morton was the original voice of the artificially intelligent operating system in the 2013 romantic science fiction dramaHer directed bySpike Jonze, but in post-production, she was replaced byScarlett Johansson.[95] She is, however, credited as an associate producer.[96] Morton starred in the independent dramaDecoding Annie Parker (2013) oppositeHelen Hunt, playing a woman with breast cancer. The film was released in limited theaters,[97][98] to mixed reviews from critics.[99] Nevertheless, Betsey Sharkey ofLos Angeles Times observed that the actress "gives Parker such a humility within a warm humanity that you feel an obligation to stick with her through the mounting horrors".[100] She was awarded the Best Actress Golden Space Needle Award at the 2013Seattle International Film Festival.[101]

Morton starred oppositeMichael Shannon in the independent thrillerThe Harvest (also 2013), as a controlling mother keeping her sick son in a secluded environment.[102][103][104][105] Several critics such as Peter Debruge (Variety) and Nikola Grozdanovic (Indiewire) compared her role of Katherine toKathy Bates'Annie Wilkes inMisery (1990).[106][107] Her performance earned her a Best Actress Award nomination at the 2014 BloodGuts UK Horror Awards.[108]

InLiv Ullmann's film adaptationMiss Julie (2014), alongsideColin Farrell andJessica Chastain, Morton portrayed Kathleen, the fiancée of a valet (Farrell) who finds himself seduced by the daughter of an Anglo-Irish aristocracy (Chastain). The film screened at theToronto International Film Festival and had a limited release in the UK, France and Spain.[109][110]Miss Julie rated average with reviewers,[111] but the cast received acclaim.[112] Writing forThe Hollywood Reporter, David Rooney thought Morton's Kathleen was "the most satisfyingly drawn character" of the film, which he considered a "ponderous, stately affair".[113]

Roles in television (since 2015)

[edit]

In 2015, Morton starred as a mother in theFirst World War context inCider with Rosie, amade-for-television adaptation of thebook of the same name byLaurie Lee, and took on the role of an insurance investigator charged with recovering stolen diamonds in the European limited television seriesThe Last Panthers, inspired by the notorious Balkan jewel thieves thePink Panthers. Morton found her character to be a "very truthful, [...] strong woman" and described her as a "femaleBond".[114] Genevieve Valentine, forThe AV Club, wrote: "Morton might at first seem a tough sell as someone so hard-boiled, but the taciturn, untouchable edifice she presents is leaking just enough poison at the edges that we look forward to watching her strike—the sort of character a six-hour miniseries was made for".[115]

Morton appeared inFantastic Beasts and Where to Find Them (2016), aspin-off from theHarry Potter film series, with a screenplay byJ. K. Rowling.[116][117] In the film, she portrayed Mary Lou Barebone,[118] the leader of an extremist group whose goals include exposing and killing wizards and witches.Fantastic Beasts grossed US$814 million at the international box office,[119] becoming Morton's most successful and widely seen film.[120]

She filmed the three-part television crime dramaRillington Place (also 2016), based on the case of serial killerJohn Christie, who murdered several women in London during 1940s and early 1950s.[121][122] Morton was cast oppositeTim Roth as Christie's wife, Ethel. Intrigued by their relationship, Morton felt the depiction of the "psychological aspect of love" in the story "really developed [her] acting chops" but considered as a challenge "to play someone so submissive" as Ethel.[123] The miniseries premiered in BBC One and was favourably received by critics.[124]The Guardian found Morton to be "strong" in her "difficult role",[125] andThe Independent remarked that she "gave a fine, nuanced performance" as "a woman trapped under her husband's spell".[126]

Beginning in 2017, Morton has starred in theHuluperiod drama seriesHarlots. She portrays Margaret Wells, themadam of a low-classbrothel who seeks to improve her fortunes. The response from critics and audiences has been highly positive.[127]The Telegraph found her to be the "standout performer",[128] andThe Atlantic noted: "While the role doesn't give Morton the same room to flex her acting muscles as, say, Woody Allen'sSweet and Lowdown, she gives depth and moral conflict to a character who could easily be a pantomime dame in the wrong hands".[129]

In July 2018, it was announced that Morton had been cast in the role ofAlpha inThe Walking Dead, making her first appearance in February 2019. Alpha is the villainous leader of the Whisperers, a mysterious group of survivors of a zombie apocalypse who—as a method of self-concealment—wear skins taken from the undead.[130]

Since 11 September 2022, Morton stars asCatherine de' Medici in theStarz television seriesThe Serpent Queen. Also in 2022, Morton returned to the big screen in three different roles: inThe Whale she played the ex-wife ofBrendan Fraser's reclusive andmorbidly obese professor; inSave the Cinema she starred as a hairdresser campaigning to save a local theater from closing; and inShe Said, Morton playedZelda Perkins, who revealed toNew York Times reporterJodi Kantor the details ofnon-disclosure agreements by whichsexual assault victims ofHarvey Weinstein, co-founder and at that time co-chairman ofMiramax Films, her former employer, were bound.[131][132]

As a musician Morton is a member of the duo Sam Morton, along withRichard Russell.[133] The duo's debut studio album,Daffodils & Dirt, was released in 2024.[134]

Personal life

[edit]

Morton dated actorCharlie Creed-Miles, whom she met on the set of the filmThe Last Yellow, in 1999. They broke up when Morton was 15 weeks pregnant[135] with their daughter, actressEsmé Creed-Miles, born in February 2000.[136]

Morton met filmmaker Harry Holm (son of actorIan Holm) while filming a music video for the band The Vitamins.[1] They had a daughter[1] and a son, and as of 2012 lived inMonyash, Derbyshire.[114][137]

In early 2008, Morton revealed that she had been "close to death" after suffering a debilitating stroke after being hit on the head by a piece of 17th-century plaster, damaging hervertebral artery, in 2006. She was in hospital for three weeks after the incident.[4] She took an 18-month break from public life and acting to learn to walk again.[138]

In 2011, Morton wrote an open letter to her stepfather, hoping they would get back in touch after being estranged for several years. However, it was soon revealed that her stepfather had died ofprostate cancer four years previously.[5]

On 20 July 2011, Morton received an honoraryDoctor of Letters (DLitt) fromNottingham Trent University, "in recognition of her internationally successful acting career".[139][140][141]

Morton is a Catholic and describes herself as 'quite religious.'[142][143]

Morton was appointedOfficer of the Order of the British Empire (OBE) in the2025 Birthday Honours for services to drama and to charity.[144][145]

Charity work

[edit]

Having been raised in thefoster care system, Morton has often been active in related causes. In March 2009, Morton returned to her hometown to show her support for its children's homes and protest against the threatened closure, by Nottingham City Council, of one of the four establishments with 24 social-care staff facing redundancy.[146] In 2012, Morton showed her support for the Fostering Network's annual campaignFoster Care Fortnight,[147] and in September 2014, triggered by theRotherham child sexual exploitation scandal,[148] she discussed in a video interview thesexual abuse she experienced while in thefoster care system as a child inNottingham and that the police took no action when she reported the abuse. Morton had discussed the abuse previously while promoting the semi-autobiographical dramaThe Unloved, in an article forThe Guardian.[149]

In 2008, she was part of theVodafone Foundation's World of Difference campaign, which gives people the opportunity to work for a charity of their choice.[150] Whilst attending a fundraiser for the charityMedical Aid for Palestinians (MAP) in January 2009, she vowed never to work for the BBC again after their refusal to broadcast an emergency charity appeal for the victims ofIsrael's attack onGaza on 27 December 2008. She was later joined byTam Dean Burn, Pauline Goldsmith,Peter Mullan, andAlison Peebles, who also threatened to boycott the corporation.[151] In 2009, she also fronted a television advertising recruitment campaign for social workers in the UK.[152]

Performances and works

[edit]

Film

[edit]
YearTitleRoleNotes
1996Future Lasts a Long TimeMayShort film
1997This Is the SeaHazel Stokes
Under the SkinIris Kelly
1999Sweet and LowdownHattie
Jesus' SonMichelle
Dreaming of Joseph LeesEva
2000PandaemoniumSara Coleridge
2001EdenSam
2002Minority ReportAgatha
Morvern CallarMorvern Callar
In AmericaSarah
2003Code 46Maria Gonzales
2004Enduring LoveClaire
2005River QueenSarah O'Brian
The LibertineElizabeth Barry
LassieSarah Carraclough
2006Free JimmySonia (voice)English dub
2007ExpiredClaire
ControlDeborah Curtis
Elizabeth: The Golden AgeMary, Queen of Scots
Mister LonelyMarilyn Monroe
2008Synecdoche, New YorkHazel
The Daisy ChainMartha Conroy
2009The MessengerOlivia Pitterson
2012John CarterSolaMotion capture
CosmopolisVija Kinsky
2013Decoding Annie ParkerAnne Parker
HerN/aAssociate producer
The HarvestKatherine
2014Miss JulieKathleen
2015Call Me LuckyHerselfDocumentary
2016Fantastic Beasts and Where to Find ThemMary Lou Barebone
2018Two for JoyAisha
2022Save the CinemaLiz Evans
The WhaleMary
She SaidZelda Perkins
20242073HerselfDocumentary film[153]
2025AnemoneNessa
2026The OdysseyTBAPost-production
TBAThe Entertainment System Is DownTBAPost-production
Key
Denotes film or TV productions that have not yet been released

Television

[edit]
YearTitleRoleNotes
1991Soldier SoldierClare Anderson4 episodes
1994CrackerJoanne BarnesSerial: "The Big Crunch"
Peak PracticeAbbeyEpisode: "Abbey"
1995–1996Band of GoldNaomi "Tracy" Richardson12 episodes
1996EmmaHarriet SmithTelevision film
1997The History of Tom Jones, a FoundlingSophia WesternMiniseries
Jane EyreJane EyreTelevision film
2002–2003Max & RubyRuby (voice)26 episodes
2006LongfordMyra HindleyTelevision film
2009The UnlovedN/aDirector; Television film
2015Cider with RosieAnnie LeeTelevision film
The Last PanthersNaomi6 episodes
2016Rillington PlaceEthel Christie3 episodes
2017–2019HarlotsMargaret Wells20 episodes
2019I Am KirstyKirstyTelevision film
2019–2020The Walking DeadAlpha19 episodes
2022Tales of the Walking DeadDeeEpisode: "Dee"
2022–2024The Serpent QueenCatherine de' Medici16 episodes
2023The Burning GirlsReverend BrooksLead role[154]

Discography

[edit]

Studio albums

[edit]

Accolades and honours

[edit]

Morton was made Honorary Associate ofLondon Film School.

Morton was presented with theBAFTA Fellowship at the77th British Academy Film Awards.

Awards and nominations

[edit]
YearNominated workAwardCategoryResult
1998Under the SkinBritish Independent Film AwardBest Performance by a British Actress in an Independent FilmNominated
Angers European First Film Festival AwardBest ActressWon
Boston Society of Film Critics AwardBest ActressWon
Gijón International Film Festival AwardsBest ActressWon
1999Sweet and LowdownAcademy AwardBest Supporting ActressNominated
Chicago Film Critics Association AwardBest Supporting ActressNominated
Most Promising ActressNominated
Empire AwardBest British ActressNominated
Golden Globe AwardBest Supporting Actress – Motion PictureNominated
London Film Critics Circle AwardsBritish Supporting Actress of the YearWon
Los Angeles Film Critics Association AwardBest Supporting ActressNominated
National Society of Film Critics AwardsBest Supporting ActressNominated
Satellite AwardBest Supporting Actress – Motion PictureNominated
Jesus' SonSatellite AwardBest Supporting Actress – Motion PictureNominated
Dreaming of Joseph LeesEvening Standard British Film AwardBest ActressWon
Verona Love Screens Film Festival AwardBest ActressWon
2001PandaemoniumBritish Independent Film AwardBest ActressNominated
2002Morvern CallarBritish Independent Film AwardBest ActressWon
European Film AwardBest ActressNominated
London Film Critics Circle AwardsBritish Actress of the YearNominated
Toronto Film Critics Association AwardBest ActressWon
2003Minority ReportEmpire AwardBest British ActressWon
Online Film Critics Society AwardBest Supporting ActressWon
Saturn AwardBest Supporting ActressWon
Phoenix Film Critics Society AwardBest Supporting ActressNominated
In AmericaAcademy AwardBest ActressNominated
British Independent Film AwardBest ActressNominated
Broadcast Film Critics Association AwardBest ActressNominated
Independent Spirit AwardBest Female LeadNominated
Satellite AwardBest Actress – Motion Picture DramaNominated
Screen Actors Guild AwardOutstanding Performance by a Cast in a Motion PictureNominated
Code 46European Film AwardBest ActressNominated
2004Enduring LoveBritish Independent Film AwardsBest Supporting Actor/ActressNominated
Empire AwardBest British ActressNominated
2005River QueenNew Zealand Screen AwardBest Performance by an Actress in a Leading RoleNominated
2007ControlBAFTA Film AwardBest Actress in a Supporting RoleNominated
British Independent Film AwardsBest Supporting Actor/ActressNominated
International Cinephile Society AwardBest Supporting ActressWon
Evening Standard British Film AwardBest ActressNominated
London Film Critics Circle AwardsBritish Actress of the YearNominated
Mister LonelyEvening Standard British Film AwardBest ActressNominated
LongfordGolden Globe AwardBest Supporting Actress – Series, Miniseries or Television FilmWon
British Academy Television AwardBest ActressNominated
Broadcasting Press Guild AwardBest ActressNominated
Golden NymphBest Performance by an Actress in a Television FilmNominated
Primetime Emmy AwardOutstanding Supporting Actress in a Limited Series or MovieNominated
Satellite AwardBest Actress – Miniseries or Television FilmWon
2008Synecdoche, New YorkGotham AwardBest Ensemble CastWon
Independent Spirit AwardRobert Altman AwardWon
The Daisy ChainBritish Independent Film AwardBest ActressNominated
2009The MessengerBroadcast Film Critics Association AwardBest Supporting ActressNominated
Evening Standard British Film AwardBest ActressNominated
Houston Film Critics Society AwardBest Supporting ActressNominated
Independent Spirit AwardBest Supporting FemaleNominated
National Society of Film Critics AwardsBest Supporting ActressNominated
St. Louis Gateway Film Critics Association AwardBest Supporting ActressNominated
San Diego Film Critics Society AwardsBest Supporting ActressWon
Village Voice Film Poll AwardBest Supporting ActressNominated
Washington D.C. Area Film Critics Association AwardBest Supporting ActressNominated
The UnlovedBritish Academy Television AwardsBest Single DramaWon
British Independent Film AwardsDouglas Hickox AwardNominated
2012CosmopolisVancouver Film Critics Circle AwardBest Actress in a Canadian FilmWon
2013Decoding Annie ParkerSeattle International Film Festival AwardBest ActressWon
Milano International Film Festival AwardBest ActressNominated
The HarvestBloodGuts UK Horror AwardBest ActressWon
2020I Am KirstyBritish Academy Television AwardsBest ActressNominated
2021The Walking DeadCritics' Choice Super AwardsBest Villain in a SeriesNominated

See also

[edit]

References

[edit]
  1. ^abcdefgAddley, Esther (4 October 2007)."Profile: Samantha Morton – 'I think she is attracted to women who have difficulties. It's very emotional when she takes a role to extremes ...'".The Guardian. Retrieved15 September 2014.
  2. ^"Samantha Morton profile".Film Reference. Retrieved13 September 2014.
  3. ^Ellis-Petersen, Hannah (30 October 2015)."Samantha Morton backs Benedict Cumberbatch's refugees appeal".The Guardian – via www.theguardian.com.
  4. ^abO'Hagan, Sean (8 May 2010)."Samantha Morton: 'I could play a prostitute convincingly because my best friend was one'".The Guardian. Retrieved15 September 2014.
  5. ^abWard, Victoria (5 March 2011)."Samantha Morton is told the stepfather she was searching for is dead".The Daily Telegraph. Retrieved11 January 2016.
  6. ^Hattenstone, Simon (24 April 2009)."I was abused for a long time and I retaliated".The Guardian. Retrieved15 September 2014.
  7. ^"BFI Screenonline: Morton, Samantha (1977–) Biography".www.screenonline.org.uk. Retrieved24 January 2016.
  8. ^Wazir, Burhan (17 June 2000)."Young, gifted and gabby".The Guardian. Retrieved15 September 2014.
  9. ^Gibson, Owen (11 November 2005)."ITV calls in Jane Austen to halt slide in ratings".The Guardian. Retrieved19 November 2014.
  10. ^"Drama – Jane Eyre – The History of Jane Eyre On-Screen". BBC. 24 September 2014. Retrieved5 January 2017.
  11. ^"Under the Skin".The Guardian. 30 August 2009.
  12. ^"Under the Skin".Rotten Tomatoes. 1 January 1997. Retrieved11 January 2016.
  13. ^Maslin, Janet (28 March 1998)."Movie Review – Under the Skin".The New York Times. Retrieved11 January 2016.
  14. ^Berardinelli, James."Under the Skin".ReelViews. Retrieved19 November 2014.
  15. ^"Sweet and Lowdown (1999)".Box Office Mojo. Retrieved19 September 2014.
  16. ^"Sweet and Lowdown".Rotten Tomatoes. 3 December 1999. Retrieved19 September 2014.
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