TheSalon Carré (French pronunciation:[salɔ̃kaʁe]) is an iconic room of theLouvre Palace, created in its current dimensions during a reconstruction of that part of the palace following a fire in February 1661. It gave its name to the longstanding tradition ofSalon exhibitions of contemporary art in Paris which had its heyday there between 1725 and 1848. Since 1849, it has been permanently used by theLouvre Museum, which currently uses it to displayItalian Renaissance painting.[1]
When theGrande Galerie was built in the late 16th and early 17th centuries, a separate room was created at its eastern end above the lavishly decoratedSalon des Ambassadeurs on the ground floor. That upper room was known at the time asGrand Salon orSalon du Louvre.[2]: 11 This room was destroyed together with the nearbyGalerie des Rois by the fire of 6 February 1661.Louis Le Vau rebuilt it on an expanded footprint, including further space to the north that gave it more width and its current name, even though its plan is rectangular and not square.[2]: 11–14
In the 18th century the room was used for theSalon, which led to the construction ofsuccessive dedicated staircases to provide it with a dedicated entrance.[3] In the 1780s, its design was debated in the context of early plans to create a permanent museum in the room, leading to the creation in 1789 of askylight in its roofing, designed byCharles-Axel Guillaumot and one of the first such examples for art exhibition purposes.[4]
On 2 April 1810,Napoleon andMarie Louise of Austria led a procession from theTuileries Palace throughout the Grande Galerie on the occasion of their wedding, which was celebrated in the Salon Carré, temporarily converted into a chapel.[5][6]
In 1848, the Louvre's new directorPhilippe-Auguste Jeanron successfully advocated the relocation of theSalon outside of theLouvre, so that the Salon Carré would be devoted to permanent museum use. The room was subsequently redecorated by architectFélix Duban, with sculptorPierre-Charles Simart creating a richly decorated ceiling of gilded stucco celebrating past French artists, still in place. The refurbished room was inaugurated on 5 June 1851, together with the renovated Grande Galerie,Galerie d’Apollon, andSalle des Sept-Cheminées.
In 1972, the Salon Carré's museography was remade with lighting from a hung tubular case, designed by Louvre architectMarc Saltet [fr] with assistance from designersAndré Monpoix [fr],Joseph-André Motte andPierre Paulin.[7]
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![The Salon in 1831 with Théodore Géricault's The Raft of the Medusa, by Nicolas Sébastien Maillot [fr] (Louvre)](/mt/?noimg=&dark=on&url=http%3a%2f%2fen.wikipedia.org%2fwiki%2fFile%3aThe_Medusa_shown_at_the_Louvre%2c_in_color.jpg)
