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Sagaan Ubgen

From Wikipedia, the free encyclopedia
Mongol mythology
In theKalmyk language the name isЦаган Авга/Цаган Аав.[1] This statue of Tsagan Aav stands in front of theGolden Temple of Śākyamuni Buddha inElista, Kalmykia.
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Mongolian shamanism

Tsagaan Ubgen[fn 1] ("The elder White", "White Old Man";Mongolian:(Дэлхийн) цагаан өвгөнBuryat:Сагаан үбгэн[1]Russian:Белый Старец[1]) is theMongolian guardian of life and longevity, one of the symbols of fertility and prosperity in theBuddhist pantheon. He is worshiped as a deity in what scholars have called "white shamanism", a subdivision of what scholars have called "Buryatyellow shamanism"—that is, a tradition of shamanism that "incorporate[s] Buddhist rituals and beliefs" and is influenced specifically byTibetan Buddhism. Sagaan Ubgen originated inMongolia.[2]

In some versions of the mythology, Sagaan Ubgen the White Elder is the partner ofItügen, Mother Earth, also known asEtügen Eke.[1]

Syncretic incorporation into the Buddhist pantheon

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The modern Mongolian and Buryat Buddhist pantheons include Tsagaan Ubgen, like many other figures in those pantheons, as a result ofsyncretism with the indigenous shamanism of the region. Before the introduction of Buddhism to Mongolia and Buryatia, he was the deity of longevity, wealth, and fertility. To account for his continued veneration as part of Buddhist practice, narratives have been added to his existing mythology, providing tales of how he was converted to Buddhism, and making him a patron of the latter religion, at the same time that he continues in his previous, more worldly, religious functions. One version of the story relates how, while the Buddha and his disciples were out walking one day, they met Tsagaan Ubgen, who so impressed the Buddha with his wisdom that he (Buddha) declared Tsagaan Ubgen to be a "saint".[3] A different version of the tale has Tsagaan Ubgen as one of two hunters, the other being Hara Ubgen (Хара Эбуген), who, out hunting, encounterMilarepa inMilarepa's Cave. Milarepa persuades them to give up hunting and to take up the teaching of Buddhism.[1]

Appearance and iconography

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Tsagaan Ubgen is often depicted similarly to the Tibetan deityGyalpo Pehar, or to the Chinese godOld Man of the South Pole, who like Tsagaan Ubgen is a patron deity of family longevity, wealth, and health.[1] His conventional appearance is that of a bald old man with a white beard.[1] He carries a dragon-headed staff and the book of destiny and is traditionally accompanied by a deer and a peach tree.[1][4]

In Mongoliantsam and Tibetancham dances

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In this 1880 picture of a tsam dance troupe, Sagaan Ubgen is seated at front right.

Tsagaan Ubgen has the same kindly bald old man with a white beard appearance in the Mongolian version of theCham dance.[1] There, he appears alongside other masked characters representing other syncretic Buddhist gods such asBegtse,Mahākāla, and theGaruda;[5] and is one of the few characters in the dance who is able to speak.[6][7]

The Elder White character was imported from the Cham dance into the Tibetan Cham in the 20th century by order of the13th Dalai Lama, who had a dream during his exile in Mongolia.[8][9] He is namedrgan po dkar po, or simplyrgan dkar, in Tibetan, and was first introduced into the Cham dance as part of the New Year's dance of thePotala Palace atNamgyal Monastery.[10] From there, he spread to cham dance in other monasteries throughout Tibet.[6]

In the Cham dance, Tsagaan Ubgen, dressed all in white with asnuff bottle attached to his girdle, is the main character in the "Tiger Dance", which symbolizes the transition to the new year from the old. He enters the dance area weak and staggering, or even being carried. After symbolically killing a tiger by striking a tiger skin with a stick, his strength is renewed.[6][4] In some variations of the dance, he then proceeds to pass among the audience seeking donations of money, sometimes offering a peck of snuff from his bottle in return.[6][7] In other variations, he begins to drink alcohol and continue dancing until he is too drunk to dance.[4]

Footnotes

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  1. ^Various alternative transliterations of the name into the English alphabet exist includingTsagaan Uvgun,Tsagaan Övgön (as used inBlunden 2008),Tsagaan Ebugen (as used inWilkinson 2009), andCagan Öbö (as used inde Nebesky-Wojkowitz 1976).

References

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  1. ^abcdefghiМелетинский 1998, p. 602.
  2. ^Shimamura 2004, pp. 649, 650..
  3. ^Zhukovskaia 2009, p. 194–195.
  4. ^abcWilkinson 2009, p. 173.
  5. ^Blunden 2008, p. 100.
  6. ^abcdde Nebesky-Wojkowitz 1976, p. 84.
  7. ^abKohn 2001, p. 226.
  8. ^de Nebesky-Wojkowitz 1976, p. 44.
  9. ^Kohn 2001, p. 315.
  10. ^de Nebesky-Wojkowitz 1976, p. 44,84.

Bibliography

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  • Blunden, Jane (2008). "Culture".Mongolia (2nd ed.). Bradt Travel Guides.ISBN 9781841621784.
  • de Nebesky-Wojkowitz, René (1976).Tibetan Religious Dances: Tibetan Text and Annotated Translation of the ʼChams Yig. Religion and Society. Vol. 2. Walter de Gruyter.ISBN 9789027976215.
  • Kohn, Richard J. (2001).Lord of the Dance: The Mani Rimdu Festival in Tibet and Nepal. SUNY series in Buddhist studies. SUNY Press.ISBN 9780791448922.
  • Мелетинский, Е.М. (1998). "ЦАГАН ЭБУГЕН".Мифология (in Russian) (4th ed.). Большая российская энциклопедия.
  • Shimamura, Ippei (2004). "Yellow Shamans (Mongolia)". In Walter, Mariko Namba; Neumann Fridman, Eva Jane (eds.).Shamanism.Shamanism: An Encyclopedia of World Beliefs, Practices, and Culture. Vol. 1. ABC-CLIO. pp. 649–651.ISBN 9781576076453. Archived fromthe original on 2014-07-15.
  • Zhukovskaia, Nataliia L' vovna (2009). "Lamaism". In Balzer, Marjorie Mandelstam (ed.).Religion and Politics in Russia: A Reader. M.E. Sharpe.ISBN 9780765624154.
  • Wilkinson, Philip (2009).Myths and Legends. Dorling Kindersley Ltd.ISBN 9781405344036.

Further reading

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External links

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Wikimedia Commons has media related toTsagaan Ubgen.
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