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Sabazios

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(Redirected fromSabazius)
Deity of Phrygian origin also favoured in the Balkans
Bronze hand used in the worship of Sabazios (British Museum).[1] Roman 1st–2nd century CE. Hands decorated with religious symbols were designed to stand in sanctuaries or, like this one, were attached to poles for processional use. Another similar bronze hand found in the 16th/17th century inTournai, Belgium, is also in theBritish Museum.[2]

Sabazios (Ancient Greek:Σαβάζιος,romanizedSabázios,modern pronunciationSavázios; alternatively,Sabadios[3]) is a deity originating inAsia Minor.[4] He is the horseman andsky father god of thePhrygians andThracians.[5]

Sabazios gained prominence across theRoman Empire, particularly favored in theCentral Balkans due to Thracian influence. Scholars have long debated Sabazios' origins, with current consensus leaning towards his Phrygian roots.[4]

Though theGreeksinterpreted Phrygian Sabazios[6] as bothZeus andDionysus,[7] representations of him, even intoRoman times, show him always on horseback, wielding his characteristic staff of power.

Epigraphic evidence

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According to scholars, the deity's name is variously written in epigraphy: Σεβάζιος, Σαβάζοις, Sabazius, Sabadius, Σαβασεἷος.[8]

Thracian/Phrygian Sabazios

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It seems likely that the migrating Phrygians brought Sabazios with them when they settled inAnatolia in the early first millennium BCE, and that the god's origins are to be looked for inMacedonia andThrace. The ancient sanctuary ofPerperikon in modern-dayBulgaria, uncovered in 2000,[9] is believed to be that of Sabazios.[citation needed]

Possible early conflict between Sabazios and his followers and the indigenous mother goddess of Phrygia (Cybele) may be reflected inHomer's brief reference to the youthful feats ofPriam, who aided the Phrygians in their battles withAmazons. An aspect of the compromise religious settlement, similar to the other such mythic adjustments throughout Aegean culture, can be read in the later Phrygian KingGordias' adoption "with Cybele"[10] ofMidas.

One of the native religion's creatures was theLunar Bull. Sabazios' relations with the goddess may be surmised in the way that his horse places a hoof on the head of the bull, in a Roman marble relief at theBoston Museum of Fine Arts.[11] Though Roman in date, the iconic image appears to be much earlier.

This copper alloy Roman hand of Sabazios was used in ritual worship. Few hands remain in collections today.Walters Art Museum,Baltimore.

God on horseback

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Further information:Thracian horseman
Thracian horseman,National Museum of Romanian History

More "rider god" steles are at the Burdur Museum, inTurkey. Under the Roman EmperorGordian III the god on horseback appears on coins minted at Tlos, in neighboring Lycia, and at Istrus, in the province of Lower Moesia, between Thrace and the Danube. It is generally thought that the young emperor's grandfather came from an Anatolian family, because of his unusual cognomen, Gordianus.[12] The iconic image of the god or hero on horseback battling thechthonic serpent, on which his horse tramples, appears onCeltic votive columns, and with the coming ofChristianity it was easily transformed into the image ofSaint George and the Dragon, whose earliest known depictions are from tenth- and eleventh-century Cappadocia and eleventh-century Georgia and Armenia.[13]

Iconography, depictions, and Hellenistic associations

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View from various angles.

Among Roman inscriptions from Nicopolis ad Istrum, Sabazios is generally equated withJove and mentioned alongsideMercury.[14] Similarly in Hellenistic monuments, Sabazios is either explicitly (via inscriptions) or implicitly (via iconography) associated with Zeus. On a marble slab from Philippopolis, Sabazios is depicted as a curly-haired and bearded central deity among several gods and goddesses. Under his left foot is a ram's head, and he holds in his left hand a sceptre tipped with a hand in thebenedictio latina gesture.[15] Sabazios is accompanied by busts on his right depicting Luna, Pan, and Mercury, and on his left by Sol, Fortuna, and Daphne.[14] According to Macrobius, Liber and Helios were worshipped among the Thracians as Sabazios;[14] this description fits other Classical accounts that identify Sabazios withDionysos. Sabazios is also associated with a number of archeological finds depicting a bronze, right hand in the benedictio latina gesture. The hand appears to have had ritual significance and may have been affixed to a sceptre (as the one carried by Sabazios on the Philippopolis slab). Although there are many variations, the hand of Sabazios is typically depicted with a pinecone on the thumb and with a serpent or pair of serpents encircling the wrist and surmounting the bent ring and pinky fingers. Additional symbols occasionally included on the hands of Sabazios include a lightning bolt over the index and middle fingers, a turtle and lizard on the back of the hand, an eagle, a ram, a leafless branch, thethyrsos, and theMounted Heros.[14]

Sabazios in Athens

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The ecstatic Eastern rites practiced largely by women in Athens were thrown together for rhetorical purposes byDemosthenes in undermining his opponent Aeschines for participating in his mother's cultic associations:

On attaining manhood you abetted your mother in her initiations and the other rituals, and read aloud from the cultic writings ... You rubbed the fat-cheeked snakes and swung them above your head, cryingEuoi saboi andhues attes, attes hues.[16]

Transformation toSabazius

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Ivory figurine of Sabazios from the tomb ofAlexander IV of Macedon,Museum of the Royal Tombs of Aegae.

Transference of Sabazios to the Roman world appears to have been mediated in large part throughPergamum.[17] The naturallysyncretic approach of Greek religion blurred distinctions. Later Greek writers, likeStrabo in the first century CE, linked Sabazios withZagreus, among Phrygian ministers and attendants of the sacred rites of Rhea and Dionysos.[18] Strabo's Sicilian contemporary,Diodorus Siculus, conflated Sabazios with the secret 'second' Dionysus, born of Zeus and Persephone,[19] a connection that is not borne out by surviving inscriptions, which are entirely toZeus Sabazios.[20][21] The ChristianClement of Alexandria had been informed that the secret mysteries of Sabazius, as practiced among the Romans, involved aserpent, achthonic creature unconnected with the mounted skygod of Phrygia:"'God in the bosom' is a countersign of the mysteries of Sabazius to the adepts". Clement reports: "This is a snake, passed through the bosom of the initiates".[22]

Much later, the Byzantine Greek encyclopedia,Suda (c. 10th century), flatly states

Sabazios ... is the same as Dionysos. He acquired this form of address from the rite pertaining to him; for the barbarians call the bacchic cry "sabazein". Hence some of the Greeks too follow suit and call the cry "sabasmos"; thereby Dionysos [becomes] Sabazios. They also used to call "saboi" those places that had been dedicated to him and hisBacchantes ... Demosthenes [in the speech] "On Behalf of Ktesiphon" [mentions them]. Some say that Saboi is the term for those who are dedicated to Sabazios, that is to Dionysos, just as those [dedicated] to Bakkhos [are] Bakkhoi. They say that Sabazios and Dionysos are the same. Thus some also say that the Greeks call the Bakkhoi Saboi.[23]

In Roman sites, though an inscription built into the wall of the abbey church of San Venanzio at Ceperana suggested to a Renaissance humanist[24] it had been built upon the foundations of a temple toJupiter Sabazius, according to modern scholars not a single temple consecrated to Sabazius, the rider god of the open air, has been located.[21] Small votive hands, typically made of copper or bronze, are often associated with the cult of Sabazios. Many of these hands have a small perforation at the base which suggests they may have been attached to wooden poles and carried in processions. The symbolism of these objects is not well known.[21]

Judean connection

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The first Jews who settled inRome were expelled in 139 BCE, along with Chaldaean astrologers by Cornelius Hispalus under a law which proscribed the propagation of the "corrupting" cult of "Jupiter Sabazius", according to the epitome of a lost book ofValerius Maximus:

Gnaeus Cornelius Hispalus,praetor peregrinus in the year of the consulate of Marcus Popilius Laenas and Lucius Calpurnius, ordered the astrologers by an edict to leave Rome and Italy within ten days, since by a fallacious interpretation of the stars they perturbed fickle and silly minds, thereby making profit out of their lies. The same praetor compelled the Judeans, who attempted to infect the Roman custom with the cult of Jupiter Sabazius, to return to their homes.[25]

By this it is conjectured that the Romans identified the JudeanYHVH Tzevaot ("sa-ba-oth", "of the Hosts") asJove Sabazius.

This possibly mistaken connection of Sabazios and Sabaot was often repeated. In a similar vein,Plutarch maintained that the Judeans worshippedDionysus, and that the day ofSabbath was a festival of Sabazius.[26] Plutarch also discusses the identification of the Judean God with the "Egyptian"Typhon, an identification which he later rejects, however. The monotheisticHypsistarians worshipped the Most High under this name, which may have been a form of the Jewish God.

References

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  1. ^"British Museum Collection". britishmuseum.org. Retrieved2017-03-06.
  2. ^"British Museum Collection". britishmuseum.org. Retrieved2017-03-06.
  3. ^Rudy, Stephen, ed. (14 December 2010).Contributions to Comparative Mythology: Studies in Linguistics and Philology, 1972-1982. Walter de Gruyter. p. 7.ISBN 978-3-11-085546-3.
  4. ^abVitas, Nadežda Gavrilović (2021).Ex Asia et Syria: Oriental Religions in the Roman Central Balkans. Archaeopress. pp. 77–91.doi:10.2307/j.ctv1gt94hj.JSTOR j.ctv1gt94hj.
  5. ^Parker, Robert (7 March 2016)."Sabazius".Oxford Classical Dictionary.doi:10.1093/acrefore/9780199381135.013.5642.ISBN 978-0-19-938113-5.
  6. ^Variant spellings, likeSawadios in inscriptions, may prove diagnostic in establishing origins,Ken Dowden suggested in reviewing E.N. Lane,Corpus Cultis Jovis Sabazii 1989 forThe Classical Review, 1991:125.
  7. ^Seeinterpretatio Graeca.
  8. ^Tacheva, Margarita.Eastern cults in Moesia Inferior and Thracia (5th century BC-4th century AD). Leiden: E.J. Brill, 1983. pp. 183-184.
  9. ^"Bulgarian archaeologist shows off Perperikon finds".Novinite.com. October 18, 2010.Archived from the original on 2022-03-23.
  10. ^Later Greek mythographers reduced Cybele's role to "wife" in this context; initially Gordias will have been ruling in the Goddess's name, as her visible representative.
  11. ^"Zeus Sabazios at the Museum of Fine Arts Boston". mfa.org. Retrieved2017-03-06.
  12. ^"Sabazios on coins, illustrated in the M. Halkam collection". Gordian III Lycia. mihalkam.ancients.info. Retrieved2017-03-06.
  13. ^SeeSaint George and the Dragon
  14. ^abcdTacheva-Hitova, Margarita (1983). "The Cult of Sabazios".Eastern Cults in Moesia Inferior and Thracia (5th Century B.C.-4th Century A.D.). pp. 162–189.doi:10.1163/9789004295735_004.ISBN 978-90-04-06884-1.
  15. ^Vermaseren, M. J. (1983).Corpus Cultus Iovis Sabazii (CCIS): the hands. Brill. p. 16.ISBN 978-90-04-06951-0.
  16. ^Demosthenes,De corona 260;Attis, serpent cult, Sabazios, Dionysus (Aeschines is characterised as "ivy-bearer" and "liknos-carrier"), and "cultic writings", which may have insinuatedOrphic connections as well, are not otherwise linked incult, save in their foreignness in fifth-century Athens.
  17. ^Lane 1989.[full citation needed]
  18. ^Strabo,Geography, 10.3.15.
  19. ^Diodorus Siculus, 4.4.1.
  20. ^Lane, Eugene N. (1 January 1980). "Towards a Definition of the Iconography of Sabazius".Numen.27 (1):9–33.doi:10.1163/156852780X00134.
  21. ^abcVermaseren, Maarten J. (1983). "Études Préliminaires Aux Religions Orientales dans l'Empire Romain".Corpus Cultus Iovis Sabazii (CCIS), Volume 1. pp. 49–56.doi:10.1163/9789004296510_020.ISBN 978-90-04-06951-0.
  22. ^Clement of Alexandria,Protrepticus, 1, 2, 16.
  23. ^Sider, David (1982). "Notes on Two Epigrams of Philodemus".The American Journal of Philology.103 (2):208–213.doi:10.2307/294253.JSTOR 294253.
  24. ^Antonio Ivani, writing to his fellow humanist Antonio Medusei, 15 July 1473; noted in Roberto Weiss,The Renaissance Discovery of Classical Antiquity, 1969:116.
  25. ^(Valerius Maximus), epitome ofNine Books of Memorable Deeds and Sayings, i. 3, 2, seeEXEMPLUM 3. [Par.]
  26. ^Plutarch.Symposiacs, iv, 6.

Further reading

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Sabazios and Judaism

External links

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  • Media related toSabazios at Wikimedia Commons
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